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Author: Daniel Neofetou
Publisher: Bloomsbury Publishing USA
ISBN: 1501358405
Category : Art
Languages : en
Pages : 240
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Book Description
Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them.
Author: Daniel Neofetou
Publisher: Bloomsbury Publishing USA
ISBN: 1501358405
Category : Art
Languages : en
Pages : 240
Get Book
Book Description
Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them.
Author: Daniel Neofetou
Publisher: Bloomsbury Publishing USA
ISBN: 1501358391
Category : Art
Languages : en
Pages : 241
Get Book
Book Description
Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them.
Author: Christine Lindey
Publisher: New Amsterdam Books
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
This book, which covers new ground, is a study of high and low art, official and unofficial, in the Soviet Union and the West in the Cold War years, 1945 62. It is a paradox that the Soviet Union, a nation born of revolution, should have encouraged 'official' art which was conservative and conformist, whereas Western Europe, and the USA in particular, should preach traditional values, but have a high art which spoke of dissent. Other curious contradictions and parallels emerge Soviet 'official' art was predominantly realist in style and popular with the general public, as were popular prints in the West. Both have largely been ignored by the western art establishment. It is the unofficial art of the Soviet Union and the high art of the West for example, Rothko, Pollock, Bacon and Dubuffet which have always attracted critical attention. Christine Lindey's pioneering study examines these paradoxes and illustrates many artists, notably those from the Soviet Union, whose work has rarely been seen in the West. As glasnost changes our perceptions of the contemporary Soviet Union, here is the first history of all aspects of art there in the postwar years, set in the political context, and comparing it with developments in art in the West."
Author: Ian Rothwell
Publisher: Taylor & Francis
ISBN: 1003824129
Category : Art
Languages : en
Pages : 214
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Book Description
Focusing on the ‘postinternet’ art of the 2010s, this volume explores the widespread impact of recent internet culture on the formal and conceptual concerns of contemporary art. The ‘postinternet’ art movement is splintered and loosely defined, both in terms of its form and its politics, and has come under significant critique for this reason. This study will provide this definition, offering a much-needed critical context for this period of artistic activity that has had and is still having a major impact on contemporary culture. The book presents a picture of what the art and culture made within and against the constraints of the online experience look, sound, and feel like. It includes works by Petra Cortright, Jon Rafman, Jordan Wolfson, DIS, Amalia Ulman, and Thomas Ruff, and presents new analyses of case studies drawn from the online worlds of the 2010s, including vaporwave, anonymous image board culture, ‘irony bros’ and ‘edgelords’, viral extreme sports stunts, and GIFs. The book will be of interest to scholars working in art history, contemporary art, and digital culture.
Author: Simon Morley
Publisher: Thames & Hudson
ISBN: 0500778779
Category : Antiques & Collectibles
Languages : en
Pages : 446
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Book Description
This new concise history of modern painting offers an indispensable reference to the complexities and characteristics of this medium, which now exists alongside many other contemporary practices that embrace radically expanded ideas about art. While acknowledging the legacy of Herbert Read’s classic 1959 study A Concise History of Modern Painting in the World of Art series, academic and artist Simon Morley places the foundation of modern art much earlier than Read, at the emergence of Romanticism and the dawn of the industrial age. Structured loosely chronologically by period, the focus is as much on individual artists as movements, with works discussed within a broader context—stylistic, historical, geographic, and gender and ethnic frames—themes which recur throughout the chapters. Generously illustrated, the global and diverse range of artists featured include William Blake, Édouard Manet, Hilma af Klint, Kazimir Malevich, Willem de Kooning, Amrita Sher-Gil, Faith Ringgold, and Kehinde Wiley. This guide also includes an appendix in the form of questions the reader might like to ask about the artists and ideas discussed—in order to reconsider the works from a contemporary perspective.
Author: Pyotr Pavlensky
Publisher: MOTHER
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
'Each precedent is an image. It is an image produced by judicial mechanisms of power, and it has a clear aesthetic value. Can any image produced by prosecutors, investigators or judges be called a precedent? No. What constitutes a precedent is only the aesthetically valuable product of their work that they create in the process of judicially oppressing an artist and their art. To make a precedent happen, however, the artist should turn this oppression against power itself. For that is when the artist effects a turn-around so much needed by art. They turn upside down the perennial disposition between art and power, making power work for art.'
Author: David Hopkins
Publisher: Oxford University Press
ISBN: 0191084492
Category : Art
Languages : en
Pages : 320
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Book Description
Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2015, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Robert Rauschenberg, Andy Warhol, Joseph Beuys, Gerhard Richter, Louise Bourgeois, Cindy Sherman, Jeff Koons, and Shiran Neshat are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and Performance Art. This revised and updated second edition includes a new chapter exploring art since 2000 and how globalization has caused shifts in the art world, an updated Bibliography, and 16 new, colour illustrations.
Author: Delia Solomons
Publisher: Penn State Press
ISBN: 0271094079
Category :
Languages : en
Pages : 624
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Book Description
Author: Michael L. Krenn
Publisher: Univ of North Carolina Press
ISBN: 0807876410
Category : Political Science
Languages : en
Pages : 312
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Book Description
During the Cold War, culture became another weapon in America's battle against communism. Part of that effort in cultural diplomacy included a program to arrange the exhibition of hundreds of American paintings overseas. Michael L. Krenn studies the successes, failures, contradictions, and controversies that arose when the U.S. government and the American art world sought to work together to make an international art program a reality between the 1940s and the 1970s. The Department of State, then the United States Information Agency, and eventually the Smithsonian Institution directed this effort, relying heavily on the assistance of major American art organizations, museums, curators, and artists. What the government hoped to accomplish and what the art community had in mind, however, were often at odds. Intense domestic controversies resulted, particularly when the effort involved modern or abstract expressionist art. Ultimately, the exhibition of American art overseas was one of the most controversial Cold War initiatives undertaken by the United States. Krenn's investigation deepens our understanding of the cultural dimensions of America's postwar diplomacy and explores how unexpected elements of the Cold War led to a redefinition of what is, and is not, "American."
Author: David McCarthy
Publisher: University of Delaware Press
ISBN: 087413871X
Category : Art
Languages : en
Pages : 173
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Book Description
This book examines the antiwar work of one American artist in relation to the cultural history of the Cold War. The study provides new and detailed information on this important artist, while also contributing to the study of masculinity, dissent, art, violence, and war in the last half of the twentieth century. The study clearly reveals that artists' protests against American foreign policy began well before the official U.S. entry in the Vietnam War, and that not all combat veterans looked back fondly on their experience of the Good War. Finally, in drawing attention to the challenges of being a man in a hostile world, Westermann's art enters into a much broader consideration of gender long before this issue became topical in contemporary art. director of the American Studies Program at Rhodes College in Tennessee.
