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Author: Hanumant Ajinath Lokhande
Publisher: Springer Nature
ISBN: 3031664442
Category :
Languages : en
Pages : 282
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Book Description
Author: Hanumant Ajinath Lokhande
Publisher: Springer Nature
ISBN: 3031664442
Category :
Languages : en
Pages : 282
Get Book Here
Book Description
Author: Toral Jatin Gajarawala
Publisher: Fordham Univ Press
ISBN: 0823245241
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Untouchable Fictions considers the crisis of literary realism--progressive, rural, regionalist, experimental--in order to derive a literary genealogy for the recent explosion of Dalit ("untouchable caste") fiction. Drawing on a wide array of writings from Premchand and Renu in Hindi to Mulk Raj Anand and V. S. Naipaul in English, Gajarawala illuminates the dark side of realist complicity: a hidden aesthetics and politics of caste. How does caste color the novel? What are its formal tendencies? What generic constraints does it produce?
Author: Mocktime Publication
Publisher: by Mocktime Publication
ISBN:
Category : Study Aids
Languages : en
Pages : 555
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Book Description
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Author: Mocktime Publication
Publisher: by Mocktime Publication
ISBN:
Category : Study Aids
Languages : en
Pages : 556
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Book Description
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Author: Dhananjay Rai
Publisher: Rowman & Littlefield
ISBN: 1666901342
Category : Political Science
Languages : en
Pages : 269
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Book Description
Popular Hindi cinema has become a significant signpost of contemporaneity due to its construction of social language. Generally, Hindi cinema has been understood through internal (auteur or genre or cinéma verité) and external aspects (consumption spheres and moviegoers’ complex response in the form of catharsis or everydayness mimesis). However, cinema also needs a new way of discerning with respect to ‘Dalit Representation’. The study needs to look at the construction and meaning of the social language of Hindi cinema. Construction refers to exploring factors beyond the film industry responsible for shaping the social language. Meaning entails the exhibition of social language in the form of messages. Herein, relational exploration becomes crucial. The relationship between factors of social language of Hindi cinema and Dalits must be unraveled for understanding the meaning of social language for Dalits. Contested representation encompasses the nature of absence and presence of Dalits in Hindi cinema.
Author: Sarah Beth Hunt
Publisher: Routledge
ISBN: 1317559517
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
This study explores how Dalits in north India have used literature as a means of protest against caste oppression. Including fresh ethnographic research and interviews, it traces the trajectory of modern Dalit writing in Hindi and its pivotal role in the creation, rise and reinforcement of a distinctive Dalit identity. The book challenges the existing impression of Hindi Dalit literature as stemming from the Dalit political assertion of the 1980s and as being chiefly imitative of the Marathi Dalit literature model. Arguing that Hindi Dalit literature has a much longer history in north India, it examines two differing strands that have taken root in Dalit expression — the early ‘popular’ production of smaller literary pamphlets and journals at the beginning of the 20th century and more contemporary modes such as autobiographies, short stories and literary criticism. The author highlights the ways in which such various forms of literary works have supported the proliferation of an all-encompassing identity for the so-called ‘untouchable’ castes. She also underscores how these have contributed to their evolving political consciousness and consolidation of newer heterogeneous identities, making a departure from their long-perceived image. The work will be important for those in Dalit studies, subaltern history, Hindi literature, postcolonial studies, political science and sociology as well as the informed general reader.
Author:
Publisher: Bloomsbury Publishing
ISBN: 1839024895
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
This book bridges the gap between film theory and filmmakers' thoughts and poetics, and proposes a new way to address and elaborate film theory. It brings together primary sources by filmmakers themselves, drawing on their films, interviews, books, texts, and manifestos. Divided into three parts, the book covers the main aspects of this approach. Part one discusses the concepts of 'author' and 'filmmaker'. Part two evaluates the creative processes of a broad range of filmmakers, including Víctor Gaviria (Colombia), Kleber Mendonça Filho (Brazil), Jean-Luc Godard and Agnès Varda (France), Abbas Kiarostami (Iran) Pa. Ranjith (India), Andy Warhol (USA), Maya Deren (Ukraine-USA) and Nuri Bilge Ceylan (Turkey). The final part examines filmmakers' various techniques, particularly the use of multi-images, after-(dialectical)-images, and the use of sound as a sensorial and narrative tool. This curated selection of writings, with contributors from a range of countries including the USA, UK, India, China, Portugal, Brazil, Belgium and New Zealand, reflects the global perspective of this new approach. The volume also discusses the ways in which filmmakers influence each other, the spectator as seen by filmmakers, and ways to critically address a filmography that takes into account filmmakers other than the director.
Author: Sudha Pai
Publisher: Cambridge University Press
ISBN: 1009231200
Category : Social Science
Languages : en
Pages : 501
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Book Description
The book premises that despite the long history of violence and discrimination against Dalits, their lives have transformed with the political and economic shifts in the country over the last three decades. It addresses these changes and interrogates the major aspects of Dalit experience associated with them.
Author: Civakāmi
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 236
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Book Description
The Grip of Change is the English translation of Pazhaiyana Kazhithalum, the first full-length novel by P. Sivakami, an important Tamil writer. This translation also features Asiriyar Kurippu, the sequel in which Sivakami revisits her work. The protagonist of Book 1, Kathamuthu, is a charismatic Parayar leader. He intervenes on behalf of a Parayar woman, Thangam, beaten up by the relatives of her upper caste lover. Kathamuthu works the state machinery and the village caste hierarchy to achieve some sort of justice for Thangam. The first Tamil novel by a Dalit woman, Pazhaiyana Kazhithalum, went beyond condemning caste fanatics. Sivakami is critical of the Dalit movement and Dalit patriarchy, and yet does not become a caste traitor because of her participation in the search for solutions. The novel became an expression of Dalit youth eager and working for change. In Book 2, Author s Note, Kathamuthu s daughter Gowri, the author of Book 1, traces the circumstances and events of her novel. The result is a fascinating exploration of the disjunctures between what happens in the author s family and community, and her fictional interpretations of those happenings. The Series: The books in the Literature in Translation series are translations of significant literature from Indian languages. The books in the Dalit Studies series deal with Dalit life and thought.
Author: Mohammed Musthafa KP
Publisher: Blue Rose Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 68
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Book Description
Casting the Cast explores how Malayalam commercial cinema which are often advertised as 'popular hits', tend to uphold casteist values either directly or indirectly. The book meticulously unfolds the hidden patterns of casteist operations that are powerful enough to decide the content , perspectival dimensions , and even the cast of the cinema. Also it sheds light to the representational space enjoyed by the politically, socially and even historically marginalized community of India, in the so-called democratic cultural realm of Malayalam cinema.
