Author: United States. Commission to the Vienna exhibition, 1873
Publisher:
ISBN:
Category : Vienna International Exhibition
Languages : en
Pages : 736
Book Description
Reports of the Commissioners of the United States to the International Exhibition Held at Vienna, 1873
Reports of the Commissioners of the United States to the International Exhibition Held at Vienna, 1873
Author: United States. Commissioners to the International Exhibition held at Vienna, 1873
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 740
Book Description
Reports of the Commissioners of the United States to the International Exhibition Held at Vienna, 1873
Author: United States. Commissioners to the International Exhibition held at Vienna, 1873
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 772
Book Description
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 772
Book Description
Reports of the Commissioners of the United States to the International Exhibition Held at Vienna, 1873
Author:
Publisher:
ISBN:
Category : Vienna International Exhibition
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category : Vienna International Exhibition
Languages : en
Pages : 770
Book Description
Reports of the Commissioners of the United States to the International Exhibition Held at Vienna, 1873
Author:
Publisher:
ISBN:
Category : Vienna International Exhibition
Languages : en
Pages : 998
Book Description
Publisher:
ISBN:
Category : Vienna International Exhibition
Languages : en
Pages : 998
Book Description
Reports of the Commissioners of the United States to the International Exhibition Held at Vienna, 1873
Author: United States. Commissioners to the International Exhibition held at Vienna, 1873
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 0
Book Description
Designing the Centennial
Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Castellani and Italian Archaeological Jewelry
Author: Susan Weber Soros
Publisher: Yale University Press
ISBN: 0300104618
Category : Art
Languages : en
Pages : 436
Book Description
During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.
Publisher: Yale University Press
ISBN: 0300104618
Category : Art
Languages : en
Pages : 436
Book Description
During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.
Transactions of the American Society of Civil Engineers
Author: American Society of Civil Engineers
Publisher:
ISBN:
Category : Civil engineering
Languages : en
Pages : 746
Book Description
Vols. 29-30 contain papers of the International Engineering Congress, Chicago, 1893; v. 54, pts. A-F, papers of the International Engineering Congress, St. Louis, 1904.
Publisher:
ISBN:
Category : Civil engineering
Languages : en
Pages : 746
Book Description
Vols. 29-30 contain papers of the International Engineering Congress, Chicago, 1893; v. 54, pts. A-F, papers of the International Engineering Congress, St. Louis, 1904.
Proceedings of the American Society of Civil Engineers
Author: American Society of Civil Engineers
Publisher:
ISBN:
Category : Civil engineering
Languages : en
Pages : 1032
Book Description
Publisher:
ISBN:
Category : Civil engineering
Languages : en
Pages : 1032
Book Description