Author: Victoria and Albert Museum. Department of Textiles
Publisher:
ISBN:
Category : Heraldry
Languages : en
Pages : 152
Book Description
This is a catalogue of tapestries illustrating the history of tapestries in six countries.
Catalogue of Tapestries
Author: Victoria and Albert Museum. Department of Textiles
Publisher:
ISBN:
Category : Heraldry
Languages : en
Pages : 152
Book Description
This is a catalogue of tapestries illustrating the history of tapestries in six countries.
Publisher:
ISBN:
Category : Heraldry
Languages : en
Pages : 152
Book Description
This is a catalogue of tapestries illustrating the history of tapestries in six countries.
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1206
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1206
Book Description
Publication
Author: Victoria and Albert Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
Book Description
1668
Author: Peter Sahlins
Publisher: Princeton University Press
ISBN: 1935408275
Category : History
Languages : en
Pages : 497
Book Description
Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Publisher: Princeton University Press
ISBN: 1935408275
Category : History
Languages : en
Pages : 497
Book Description
Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 554
Book Description
Catalogue
Author: Warburg Institute. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 770
Book Description
An Iconography of Don Quixote
Author: Henry Spencer Ashbee
Publisher: London : Printed for the author at the University Press, Aberdeen, and issued by the Bibliographical Society
ISBN:
Category : Illustrated books
Languages : en
Pages : 282
Book Description
Publisher: London : Printed for the author at the University Press, Aberdeen, and issued by the Bibliographical Society
ISBN:
Category : Illustrated books
Languages : en
Pages : 282
Book Description
Standard Books
Author: Charles Frederick Tweney
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 936
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 936
Book Description
French Furniture and Decoration in the XVIIIth Century
Author: Lady Emilia Francis Strong Dilke
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 454
Book Description
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 454
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 952
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 952
Book Description