Author: Derek Fell
Publisher: Frances Lincoln Limited
ISBN: 9780711210059
Category : Gardens
Languages : en
Pages : 120
Book Description
This is a celebration of Renoir's last fruitful years at Les Colettes on the Cote d'Azur. With its rich blend of photographs of the house and garden today and nostalgic photographs of Renoir at his easel, as well as reproductions of some of his paintings, Renoir's Garden is a unique record of the 'paradise on earth' which inspired the Impressionist painter to complete more than 600 works of art. With an affectionate foreword by the painter's great-grandson Jacques Renoir, this book is a superb evocation of a much-loved and hither-to little-known garden, now preserved as a living museum to the artist.
Renoir's Garden
Author: Derek Fell
Publisher: Frances Lincoln Limited
ISBN: 9780711210059
Category : Gardens
Languages : en
Pages : 120
Book Description
This is a celebration of Renoir's last fruitful years at Les Colettes on the Cote d'Azur. With its rich blend of photographs of the house and garden today and nostalgic photographs of Renoir at his easel, as well as reproductions of some of his paintings, Renoir's Garden is a unique record of the 'paradise on earth' which inspired the Impressionist painter to complete more than 600 works of art. With an affectionate foreword by the painter's great-grandson Jacques Renoir, this book is a superb evocation of a much-loved and hither-to little-known garden, now preserved as a living museum to the artist.
Publisher: Frances Lincoln Limited
ISBN: 9780711210059
Category : Gardens
Languages : en
Pages : 120
Book Description
This is a celebration of Renoir's last fruitful years at Les Colettes on the Cote d'Azur. With its rich blend of photographs of the house and garden today and nostalgic photographs of Renoir at his easel, as well as reproductions of some of his paintings, Renoir's Garden is a unique record of the 'paradise on earth' which inspired the Impressionist painter to complete more than 600 works of art. With an affectionate foreword by the painter's great-grandson Jacques Renoir, this book is a superb evocation of a much-loved and hither-to little-known garden, now preserved as a living museum to the artist.
The Artist's Garden
Author: Jackie Bennett
Publisher: Frances Lincoln
ISBN: 1781318751
Category : Gardening
Languages : en
Pages : 227
Book Description
The Artist’s Garden offers an intriguing study into 20 gardens that have inspired and been home to some of the greatest painters of history. The most alluring image of an artist at work is surely one where he or she has come out of their studio, set up their easel on the garden path, pulled on a hat to shade their eyes from the sun and taken their brush and palette in hand. This sumptuously illustrated and fascinating book delves into the stories behind the gardens which inspired some of the most beautiful and important works of art. These gardens not only supplied the inspiration for creative works but also illuminate the professional motivation and private life of the artists themselves – from Cezanne’s house in the south of France to Childe Hassam at Celia Thaxter’s garden off the coast off Maine. Flowers and gardens have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before. Sometimes a whole village becomes the focus for a colony of artists as at Gerberoy in Picardy and Skagen on the northernmost tip of Denmark. This book is about the real homes and gardens that inspired these great artists – gardens that can still be visited today. The relationship between artist and garden is a complex one. A few artists, including Pierre Bonnard and his neighbour Monet were keen gardeners, as much in love with their plants as their work, while for others like Sorolla in Madrid, his courtyard home was both a sanctuary and a source of ideas. This book is as unmissable for art lovers as it is for anyone who knows the joy of time spent in gardens, offering an intriguing insight into the lives of these great painters and the gardens which inspired them to their creative heights.
Publisher: Frances Lincoln
ISBN: 1781318751
Category : Gardening
Languages : en
Pages : 227
Book Description
The Artist’s Garden offers an intriguing study into 20 gardens that have inspired and been home to some of the greatest painters of history. The most alluring image of an artist at work is surely one where he or she has come out of their studio, set up their easel on the garden path, pulled on a hat to shade their eyes from the sun and taken their brush and palette in hand. This sumptuously illustrated and fascinating book delves into the stories behind the gardens which inspired some of the most beautiful and important works of art. These gardens not only supplied the inspiration for creative works but also illuminate the professional motivation and private life of the artists themselves – from Cezanne’s house in the south of France to Childe Hassam at Celia Thaxter’s garden off the coast off Maine. Flowers and gardens have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before. Sometimes a whole village becomes the focus for a colony of artists as at Gerberoy in Picardy and Skagen on the northernmost tip of Denmark. This book is about the real homes and gardens that inspired these great artists – gardens that can still be visited today. The relationship between artist and garden is a complex one. A few artists, including Pierre Bonnard and his neighbour Monet were keen gardeners, as much in love with their plants as their work, while for others like Sorolla in Madrid, his courtyard home was both a sanctuary and a source of ideas. This book is as unmissable for art lovers as it is for anyone who knows the joy of time spent in gardens, offering an intriguing insight into the lives of these great painters and the gardens which inspired them to their creative heights.
Cezanne's Garden
Author:
Publisher: Simon and Schuster
ISBN: 0743225368
Category : Gardening
Languages : en
Pages : 152
Book Description
The award-winning author of VAN GOGH'S GARDENS returns with a sumptuously illustrated book showcasing the garden and art of one of the most significant painters of the Impressionist Era. Acclaimed garden writer and photographer Derek Fell continues his celebrated series with a handsome volume featuring the paintings of Cézanne and stunning photographs of his restored garden, which attracts nearly 100,000 visitors each year. This beautifully illustrated book takes a groundbreaking approach to the man and his art. Using images of Cézanne’s studio and gardens in Aix-en-Provence as a starting point, Fell shares the artist's innovative theories about structure, texture, shadow, and light. Through Cézanne’s musings and philosophy of colour and form - captured vividly by the author - the reader enters the artist's creative world, and visits the vertical and architectural gardens Cézanne loved, along with Mt. Sainte-Victoire, the mountain he immortalized in his paintings. A visually breathtaking tour through Cézanne’s beautifully preserved garden and lavish gardens inspired by his work, the book features over a dozen paintings and more than a hundred original colour photographs. CÉZANNE’S GARDEN is a revealing look at one of the world's most beloved Impressionist masters.
Publisher: Simon and Schuster
ISBN: 0743225368
Category : Gardening
Languages : en
Pages : 152
Book Description
The award-winning author of VAN GOGH'S GARDENS returns with a sumptuously illustrated book showcasing the garden and art of one of the most significant painters of the Impressionist Era. Acclaimed garden writer and photographer Derek Fell continues his celebrated series with a handsome volume featuring the paintings of Cézanne and stunning photographs of his restored garden, which attracts nearly 100,000 visitors each year. This beautifully illustrated book takes a groundbreaking approach to the man and his art. Using images of Cézanne’s studio and gardens in Aix-en-Provence as a starting point, Fell shares the artist's innovative theories about structure, texture, shadow, and light. Through Cézanne’s musings and philosophy of colour and form - captured vividly by the author - the reader enters the artist's creative world, and visits the vertical and architectural gardens Cézanne loved, along with Mt. Sainte-Victoire, the mountain he immortalized in his paintings. A visually breathtaking tour through Cézanne’s beautifully preserved garden and lavish gardens inspired by his work, the book features over a dozen paintings and more than a hundred original colour photographs. CÉZANNE’S GARDEN is a revealing look at one of the world's most beloved Impressionist masters.
Renoir and Algeria
Author: Roger Benjamin
Publisher: Clark Art Institute
ISBN: 9780300097856
Category : Art
Languages : en
Pages : 163
Book Description
Renoir made two journeys to Algeria, in 1881 & 1882. He was the only Impressionist to paint Orientalist themes, but this aspect of his work has been little studied. This book places Renoir in the unfamiliar context of the French Orientalist tradition.
Publisher: Clark Art Institute
ISBN: 9780300097856
Category : Art
Languages : en
Pages : 163
Book Description
Renoir made two journeys to Algeria, in 1881 & 1882. He was the only Impressionist to paint Orientalist themes, but this aspect of his work has been little studied. This book places Renoir in the unfamiliar context of the French Orientalist tradition.
Renoir
Author: Alexander Eiling
Publisher: Hatje Cantz Verlag
ISBN: 3775751343
Category : Art
Languages : en
Pages : 328
Book Description
Wie kaum ein anderer Künstler hat Pierre-Auguste Renoir unser Verständnis von den stimmungsvollen Figurenbildern des Impressionismus geprägt. Sein Gemälde La fin du déjeuner, das sich seit 1910 im Städel Museum in Frankfurt befindet, ist nun Ausgangspunkt für eine weitreichende Auseinandersetzung mit einer für ihn zeitlebens bedeutenden Inspirationsquelle: dem Rokoko. Galt diese Malerei nach der französischen Revolution als frivol und unmoralisch, so erlebte sie im 19. Jahrhundert eine Renaissance und war zu Lebzeiten Renoirs überaus präsent. Dieser umfangreiche Band erscheint anlässlich der großangelegten Ausstellung des Städel Museums und untersucht Renoirs facettenreiche Traditionsverbundenheit ausgehend von erhellenden Gegenüberstellungen seiner Kunst mit Werken des 18. Jahrhunderts sowie von Zeitgenossen.
Publisher: Hatje Cantz Verlag
ISBN: 3775751343
Category : Art
Languages : en
Pages : 328
Book Description
Wie kaum ein anderer Künstler hat Pierre-Auguste Renoir unser Verständnis von den stimmungsvollen Figurenbildern des Impressionismus geprägt. Sein Gemälde La fin du déjeuner, das sich seit 1910 im Städel Museum in Frankfurt befindet, ist nun Ausgangspunkt für eine weitreichende Auseinandersetzung mit einer für ihn zeitlebens bedeutenden Inspirationsquelle: dem Rokoko. Galt diese Malerei nach der französischen Revolution als frivol und unmoralisch, so erlebte sie im 19. Jahrhundert eine Renaissance und war zu Lebzeiten Renoirs überaus präsent. Dieser umfangreiche Band erscheint anlässlich der großangelegten Ausstellung des Städel Museums und untersucht Renoirs facettenreiche Traditionsverbundenheit ausgehend von erhellenden Gegenüberstellungen seiner Kunst mit Werken des 18. Jahrhunderts sowie von Zeitgenossen.
Renoir
Author: Sabine Miller
Publisher: Character-19
ISBN:
Category : Art
Languages : en
Pages : 105
Book Description
Renoir was renowned for his works with their vibrant light and color and the harmony of the lines he portrayed within his landscapes and figure paintings. At the beginning of his prolific career he employed the Impressionist techniques, where detail was denied and replaced with soft fusions between characters and their surroundings. While he moved away from this style in the middle of his career – known as his Ingres Period, where he concentrated on more definition like the conventional and traditional painters – he returned to the softness of his earlier style toward the end of his life. Renoir was greatly influenced by artists such as Rubens, Titian, Raphael, Eugène Delacroix, and his contemporary and friend, Claude Monet (1840-1926). Alongside Monet, he became obsessed with painting en plein air and exploring the subject matter provided by the open countryside toward the late 1860s. He firmly believed that black did not produce a shadow, but that shadows were reflected color of the objects surrounding them. Renoir celebrated beauty in all its forms. He was particularly interested in female sensuality and many of his paintings were of nudes. He was a prolific artist of figures and turned away from landscapes in order to capture the essence of figures and often used his friends and family in his works. In fact, when it came to large groups of figures, he would paint in his friends and associates so that his works became large versions of portraitures rather than just a crowd scene. While being a founding member of the Impressionist movement, Renoir is perhaps known for his depictions of pretty children, flowers, idyllic scenes, and his nudes; The Bathers is perhaps amongst his most sensual works. He was devoted to his painting throughout his life and experimented right up to his death in 1919.
Publisher: Character-19
ISBN:
Category : Art
Languages : en
Pages : 105
Book Description
Renoir was renowned for his works with their vibrant light and color and the harmony of the lines he portrayed within his landscapes and figure paintings. At the beginning of his prolific career he employed the Impressionist techniques, where detail was denied and replaced with soft fusions between characters and their surroundings. While he moved away from this style in the middle of his career – known as his Ingres Period, where he concentrated on more definition like the conventional and traditional painters – he returned to the softness of his earlier style toward the end of his life. Renoir was greatly influenced by artists such as Rubens, Titian, Raphael, Eugène Delacroix, and his contemporary and friend, Claude Monet (1840-1926). Alongside Monet, he became obsessed with painting en plein air and exploring the subject matter provided by the open countryside toward the late 1860s. He firmly believed that black did not produce a shadow, but that shadows were reflected color of the objects surrounding them. Renoir celebrated beauty in all its forms. He was particularly interested in female sensuality and many of his paintings were of nudes. He was a prolific artist of figures and turned away from landscapes in order to capture the essence of figures and often used his friends and family in his works. In fact, when it came to large groups of figures, he would paint in his friends and associates so that his works became large versions of portraitures rather than just a crowd scene. While being a founding member of the Impressionist movement, Renoir is perhaps known for his depictions of pretty children, flowers, idyllic scenes, and his nudes; The Bathers is perhaps amongst his most sensual works. He was devoted to his painting throughout his life and experimented right up to his death in 1919.
Mad about Macarons!
Author: Jill Colonna
Publisher:
ISBN: 9781849340410
Category : Cooking
Languages : en
Pages : 127
Book Description
Guides readers through each step in making perfect Parisian macarons every time.
Publisher:
ISBN: 9781849340410
Category : Cooking
Languages : en
Pages : 127
Book Description
Guides readers through each step in making perfect Parisian macarons every time.
Renoir in the 20th Century
Author: Auguste Renoir
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 448
Book Description
This volume is a biography of Pierre-Auguste Renoir (1841-1919). Renoir was a French artist who was a leading painter in the development of the Impressionist style. This work dedicates itself to the final three decades of Renoir's career in which the painter turned away from Impressionism and toward a more decorative approach informed by his own idiosyncratic interpretation of art history. During this period, Renoir was initially looking at painters such as Rubens, Titian and Raphael, and dedicating himself to cheery subjects such as bathers, domestic idylls and landscapes that were influenced by both classical mythology and by his relocation to the South of France.
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 448
Book Description
This volume is a biography of Pierre-Auguste Renoir (1841-1919). Renoir was a French artist who was a leading painter in the development of the Impressionist style. This work dedicates itself to the final three decades of Renoir's career in which the painter turned away from Impressionism and toward a more decorative approach informed by his own idiosyncratic interpretation of art history. During this period, Renoir was initially looking at painters such as Rubens, Titian and Raphael, and dedicating himself to cheery subjects such as bathers, domestic idylls and landscapes that were influenced by both classical mythology and by his relocation to the South of France.
Renoir
Author: Ambroise Vollard
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Pierre-Auguste Renoir and artworks
Author: Natalia Brodskaya
Publisher: Parkstone International
ISBN: 1781609411
Category : Art
Languages : en
Pages : 254
Book Description
Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to paint porcelain. Renoir’s younger brother Edmond had this to say this about the move: “From what he drew in charcoal on the walls, they concluded that he had the ability for an artist’s profession. That was how our parents came to put him to learn the trade of porcelain painter.” One of the Lévys’ workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases and paints. This offer resulted in the appearance of the first painting by the future impressionist. In 1862 Renoir passed the examinations and entered the Ecole des Beaux-Arts and, simultaneously, one of the independent studios, where instruction was given by Charles Gleyre, a professor at the Ecole des Beaux-Arts. The second, perhaps even the first, great event of this period in Renoir’s life was his meeting, in Gleyre’s studio, with those who were to become his best friends for the rest of his days and who shared his ideas about art. Much later, when he was already a mature artist, Renoir had the opportunity to see works by Rembrandt in Holland, Velázquez, Goya and El Greco in Spain, and Raphael in Italy. However, Renoir lived and breathed ideas of a new kind of art. He always found his inspirations in the Louvre. “For me, in the Gleyre era, the Louvre was Delacroix,” he confessed to Jean. For Renoir, the First Impressionist Exhibition was the moment his vision of art and the artist was affirmed. This period in Renoir’s life was marked by one further significant event. In 1873 he moved to Montmartre, to the house at 35 Rue Saint-Georges, where he lived until 1884. Renoir remained loyal to Montmartre for the rest of his life. Here he found his “plein-air” subjects, his models and even his family. It was in the 1870s that Renoir acquired the friends who would stay with him for the remainder of his days. One of them was the art-dealer Paul Durand-Ruel, who began to buy his paintings in 1872. In summer, Renoir continued to paint a great deal outdoors together with Monet. He would travel out to Argenteuil, where Monet rented a house for his family. Edouard Manet sometimes worked with them too. In 1877, at the Third Impressionist Exhibition, Renoir presented a panorama of over twenty paintings. They included landscapes created in Paris, on the Seine, outside the city and in Claude Monet’s garden; studies of women’s heads and bouquets of flowers; portraits of Sisley, the actress Jeanne Samary, the writer Alphonse Daudet and the politician Spuller; and also The Swing and The Ball at the Moulin de la Galette. Finally, in the 1880s Renoir hit a “winning streak”. He was commissioned by rich financiers, the owner of the Grands Magasins du Louvre and Senator Goujon. His paintings were exhibited in London and Brussels, as well as at the Seventh International Exhibition held at Georges Petit’s in Paris in 1886. In a letter to Durand-Ruel, then in New York, Renoir wrote: “The Petit exhibition has opened and is not doing badly, so they say. After all, it’s so hard to judge about yourself. I think I have managed to take a step forward towards public respect. A small step, but even that is something.”
Publisher: Parkstone International
ISBN: 1781609411
Category : Art
Languages : en
Pages : 254
Book Description
Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to paint porcelain. Renoir’s younger brother Edmond had this to say this about the move: “From what he drew in charcoal on the walls, they concluded that he had the ability for an artist’s profession. That was how our parents came to put him to learn the trade of porcelain painter.” One of the Lévys’ workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases and paints. This offer resulted in the appearance of the first painting by the future impressionist. In 1862 Renoir passed the examinations and entered the Ecole des Beaux-Arts and, simultaneously, one of the independent studios, where instruction was given by Charles Gleyre, a professor at the Ecole des Beaux-Arts. The second, perhaps even the first, great event of this period in Renoir’s life was his meeting, in Gleyre’s studio, with those who were to become his best friends for the rest of his days and who shared his ideas about art. Much later, when he was already a mature artist, Renoir had the opportunity to see works by Rembrandt in Holland, Velázquez, Goya and El Greco in Spain, and Raphael in Italy. However, Renoir lived and breathed ideas of a new kind of art. He always found his inspirations in the Louvre. “For me, in the Gleyre era, the Louvre was Delacroix,” he confessed to Jean. For Renoir, the First Impressionist Exhibition was the moment his vision of art and the artist was affirmed. This period in Renoir’s life was marked by one further significant event. In 1873 he moved to Montmartre, to the house at 35 Rue Saint-Georges, where he lived until 1884. Renoir remained loyal to Montmartre for the rest of his life. Here he found his “plein-air” subjects, his models and even his family. It was in the 1870s that Renoir acquired the friends who would stay with him for the remainder of his days. One of them was the art-dealer Paul Durand-Ruel, who began to buy his paintings in 1872. In summer, Renoir continued to paint a great deal outdoors together with Monet. He would travel out to Argenteuil, where Monet rented a house for his family. Edouard Manet sometimes worked with them too. In 1877, at the Third Impressionist Exhibition, Renoir presented a panorama of over twenty paintings. They included landscapes created in Paris, on the Seine, outside the city and in Claude Monet’s garden; studies of women’s heads and bouquets of flowers; portraits of Sisley, the actress Jeanne Samary, the writer Alphonse Daudet and the politician Spuller; and also The Swing and The Ball at the Moulin de la Galette. Finally, in the 1880s Renoir hit a “winning streak”. He was commissioned by rich financiers, the owner of the Grands Magasins du Louvre and Senator Goujon. His paintings were exhibited in London and Brussels, as well as at the Seventh International Exhibition held at Georges Petit’s in Paris in 1886. In a letter to Durand-Ruel, then in New York, Renoir wrote: “The Petit exhibition has opened and is not doing badly, so they say. After all, it’s so hard to judge about yourself. I think I have managed to take a step forward towards public respect. A small step, but even that is something.”