Author: Colin B. Bailey
Publisher: Yale University Press
ISBN: 9780300181081
Category : ART
Languages : en
Pages : 0
Book Description
This catalogue draws upon contemporary criticism, literature and archival documents to explore the motivation behind Renoir's full-length figure paintings as well as their reception.
Renoir, Impressionism, and Full-length Painting
Author: Colin B. Bailey
Publisher: Yale University Press
ISBN: 9780300181081
Category : ART
Languages : en
Pages : 0
Book Description
This catalogue draws upon contemporary criticism, literature and archival documents to explore the motivation behind Renoir's full-length figure paintings as well as their reception.
Publisher: Yale University Press
ISBN: 9780300181081
Category : ART
Languages : en
Pages : 0
Book Description
This catalogue draws upon contemporary criticism, literature and archival documents to explore the motivation behind Renoir's full-length figure paintings as well as their reception.
A Companion to Impressionism
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Impressionist Art Masterpieces to Color
Author: Marty Noble
Publisher: Courier Corporation
ISBN: 0486451356
Category : Juvenile Nonfiction
Languages : en
Pages : 134
Book Description
Sixty color-ready illustrations of timeless treasures by Impressionist and Post-Impressionist masters include works by Cassatt, Cézanne, Degas, Gauguin, van Gogh, Manet, Monet, Renoir, Sargent, Seurat, Toulouse-Lautrec, and others.
Publisher: Courier Corporation
ISBN: 0486451356
Category : Juvenile Nonfiction
Languages : en
Pages : 134
Book Description
Sixty color-ready illustrations of timeless treasures by Impressionist and Post-Impressionist masters include works by Cassatt, Cézanne, Degas, Gauguin, van Gogh, Manet, Monet, Renoir, Sargent, Seurat, Toulouse-Lautrec, and others.
The Art of Impressionism
Author: Anthea Callen
Publisher: Yale University Press
ISBN: 0300084021
Category : Art
Languages : en
Pages : 270
Book Description
"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.
Publisher: Yale University Press
ISBN: 0300084021
Category : Art
Languages : en
Pages : 270
Book Description
"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.
Renoir
Author: Barbara Ehrlich White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
Book Description
Reprint. Originally published: New York: Harry N. Abrams, 1984.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
Book Description
Reprint. Originally published: New York: Harry N. Abrams, 1984.
Pierre Auguste Renoir
Author: Auguste Renoir
Publisher:
ISBN: 9780517093535
Category : Art
Languages : en
Pages : 56
Book Description
Publisher:
ISBN: 9780517093535
Category : Art
Languages : en
Pages : 56
Book Description
Renoir in the 20th Century
Author: Auguste Renoir
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 448
Book Description
This volume is a biography of Pierre-Auguste Renoir (1841-1919). Renoir was a French artist who was a leading painter in the development of the Impressionist style. This work dedicates itself to the final three decades of Renoir's career in which the painter turned away from Impressionism and toward a more decorative approach informed by his own idiosyncratic interpretation of art history. During this period, Renoir was initially looking at painters such as Rubens, Titian and Raphael, and dedicating himself to cheery subjects such as bathers, domestic idylls and landscapes that were influenced by both classical mythology and by his relocation to the South of France.
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 448
Book Description
This volume is a biography of Pierre-Auguste Renoir (1841-1919). Renoir was a French artist who was a leading painter in the development of the Impressionist style. This work dedicates itself to the final three decades of Renoir's career in which the painter turned away from Impressionism and toward a more decorative approach informed by his own idiosyncratic interpretation of art history. During this period, Renoir was initially looking at painters such as Rubens, Titian and Raphael, and dedicating himself to cheery subjects such as bathers, domestic idylls and landscapes that were influenced by both classical mythology and by his relocation to the South of France.
The Genius of Renoir
Author: Sterling and Francine Clark Art Institute
Publisher: Clark Art Institute
ISBN: 9780300111057
Category : Painting
Languages : en
Pages : 0
Book Description
"Produced by Museo Nacional del Prado in association with the Sterling and Francine Clark Art Institute, in conjunction with an exhibition at the Prado, 18 October 2010-6 February 2011"--T.p. verso.
Publisher: Clark Art Institute
ISBN: 9780300111057
Category : Painting
Languages : en
Pages : 0
Book Description
"Produced by Museo Nacional del Prado in association with the Sterling and Francine Clark Art Institute, in conjunction with an exhibition at the Prado, 18 October 2010-6 February 2011"--T.p. verso.
Impressionists on the Seine. A Celebration of Renoir's Luncheon of the Boating Party
Author: Katherine Rothkopf
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
Japan's Love for Impressionism
Author: Beate Marks-Hanssen
Publisher: Prestel Publishing
ISBN: 9783791354965
Category : Art
Languages : en
Pages : 0
Book Description
"This volume describes--from a new angle--the mutual fascination that developed between French and Japanese culture following the political opening of the island state during the mid-nineteenth century. Large-format illustrations of Impressionist masterpieces from collections in Japan demonstrate the love of Japanese artists and collectors for French impressionism"--Page 4 of cover.
Publisher: Prestel Publishing
ISBN: 9783791354965
Category : Art
Languages : en
Pages : 0
Book Description
"This volume describes--from a new angle--the mutual fascination that developed between French and Japanese culture following the political opening of the island state during the mid-nineteenth century. Large-format illustrations of Impressionist masterpieces from collections in Japan demonstrate the love of Japanese artists and collectors for French impressionism"--Page 4 of cover.