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Author: Albert Russell Ascoli
Publisher: Northwestern University Press
ISBN: 0810124157
Category : Drama
Languages : en
Pages : 416
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Book Description
Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance. This special issue of Renaissance Drama on "Italy in the Drama of Europe" primarily builds on the groundwork laid by Louise George Clubb, who showed that Italian drama was made in such a way as to facilitate its absorption and transformation into other traditions, even when it was not explicitly cited or referenced. "Italy in the Drama of Europe" takes up the reverberations of early modern Italian drama in the theaters of Spain, England, and France and in writings in Italian, English, Spanish, French, Hebrew, Latin, and German. Its scope is an example of the continuing force of and interest in one of the most rewarding, wide-ranging, and productive early modern aesthetic modes, and a tribute to the scholarship of Louise George Clubb, who, among others, recalled our attention to it.
Author: Albert Russell Ascoli
Publisher: Northwestern University Press
ISBN: 0810124157
Category : Drama
Languages : en
Pages : 416
Get Book Here
Book Description
Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance. This special issue of Renaissance Drama on "Italy in the Drama of Europe" primarily builds on the groundwork laid by Louise George Clubb, who showed that Italian drama was made in such a way as to facilitate its absorption and transformation into other traditions, even when it was not explicitly cited or referenced. "Italy in the Drama of Europe" takes up the reverberations of early modern Italian drama in the theaters of Spain, England, and France and in writings in Italian, English, Spanish, French, Hebrew, Latin, and German. Its scope is an example of the continuing force of and interest in one of the most rewarding, wide-ranging, and productive early modern aesthetic modes, and a tribute to the scholarship of Louise George Clubb, who, among others, recalled our attention to it.
Author: Louise George Clubb
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668909
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Louise George Clubb presents here the first English translation of Pollastra's long-lost Italian Renaissance comedy Parthenio, to which Shakespeare's Twelfth Night is ultimately traced. Also included are Clubb's theater history chapters from the 1993 publication Romance and Aretine Humanism in Sienese Comedy, augmented with new findings. The supplementary scholarship provided here addresses the relationship of Shakespeare's plays to Italian culture, and the technology of modern theater invented in Renaissance Italy.
Author: Lisa Pon
Publisher: Cambridge University Press
ISBN: 1107098513
Category : Art
Languages : en
Pages : 305
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Book Description
Lisa Pon examines the cultural biography of the city of Forlì's miraculous woodcut, the Madonna of the Fire.
Author: Marlena Tronicke
Publisher: Routledge
ISBN: 1351213172
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Shakespeare’s Suicides: Dead Bodies That Matter is the first study in Shakespeare criticism to examine the entirety of Shakespeare’s dramatic suicides. It addresses all plays featuring suicides and near-suicides in chronological order from Titus Andronicus to Antony and Cleopatra, thus establishing that suicide becomes increasingly pronounced as a vital means of dramatic characterisation. In particular, the book approaches suicide as a gendered phenomenon. By taking into account parameters such as onstage versus offstage deaths, suicide speeches or the explicit denial of final words, as well as settings and weapons, the study scrutinises the ways in which Shakespeare appropriates the convention of suicide and subverts traditional notions of masculine versus feminine deaths. It shows to what extent a gendered approach towards suicide opens up a more nuanced understanding of the correlation between gender and Shakespeare’s genres and how, eventually, through their dramatisation of suicide the tragedies query normative gender discourse.
Author: Eric Dunnum
Publisher: Routledge
ISBN: 1351252631
Category : Performing Arts
Languages : en
Pages : 459
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Book Description
Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama. Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.
Author: Patricia Parker
Publisher: University of Pennsylvania Press
ISBN: 0812294769
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
What does the keyword "continence" in Love's Labor's Lost reveal about geopolitical boundaries and their breaching? What can we learn from the contemporary identification of the "quince" with weddings that is crucial for A Midsummer Night's Dream? How does the evocation of Spanish-occupied "Brabant" in Othello resonate with contemporary geopolitical contexts, wordplay on "Low Countries," and fears of sexual/territorial "occupation"? How does "supposes" connote not only sexual submission in The Taming of the Shrew but also the transvestite practice of boys playing women, and what does it mean for the dramatic recognition scene in Cymbeline? With dazzling wit and erudition, Patricia Parker explores these and other critical keywords to reveal how they provide a lens for interpreting the language, contexts, and preoccupations of Shakespeare's plays. In doing so, she probes classical and historical sources, theatrical performance practices, geopolitical interrelations, hierarchies of race, gender, and class, and the multiple significances of "preposterousness," including reversals of high and low, male and female, Latinate and vulgar, "sinister" or backward writing, and latter ends both bodily and dramatic. Providing innovative and interdisciplinary perspectives on Shakespeare, from early to late and across dramatic genres, Parker's deeply evocative readings demonstrate how easy-to-overlook textual or semantic details reverberate within and beyond the Shakespearean text, and suggest that the boundary between language and context is an incontinent divide.
Author: Thomas Fulton
Publisher: Cambridge University Press
ISBN: 1108624421
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
The Bible was everywhere in Shakespeare's England. Through sermons, catechisms, treatises, artwork, literature and, of course, biblical reading itself, the stories and language of the Bible pervaded popular and elite culture. In recent years, scholars have demonstrated how thoroughly biblical allusions saturate Shakespearean plays. But Shakespeare's audiences were not simply well versed in the Bible's content - they were also steeped in the practices and methods of biblical interpretation. Reformation and counter-reformation debate focused not just on the biblical text, but - crucially - on how to read the text. The Bible on the Shakespearean Stage is the first volume to integrate the study of Shakespeare's plays with the vital history of Reformation practices of biblical interpretation. Bringing together the foremost international scholars in the field of 'Shakespeare and the Bible', these essays explore Shakespeare's engagement with scriptural interpretation in the tragedies, histories, comedies, and romances.
Author: Giulia Magazzù
Publisher: Cambridge Scholars Publishing
ISBN: 1527557189
Category : Social Science
Languages : en
Pages : 201
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Book Description
Offering compelling insights into the Italian adaptation of diversified English products, this volume is addressed to both scholars and students wishing to delve into the field of reception studies. It focuses on literary, multimedia and audiovisual translation due to the conviction that the modalities through which the imprinting of “Italianness” is marked upon several English hypertexts are still worth investigating today. The contributions here highlight how some choices may, in some instances, alter the meaning as much as the success of some English aesthetic texts, by directing, if not possibly undermining, the audience reception.
Author: Ted H. Miller
Publisher: Penn State Press
ISBN: 0271094192
Category : Political Science
Languages : en
Pages : 343
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Book Description
Over the last one hundred years, the term “sovereignty” has often been associated with the capacity of leaders to declare emergencies and to unleash harmful, extralegal force against those deemed enemies. Friendly Sovereignty explores the blind spots of this influential perspective. Ted H. Miller challenges the view of sovereignty propounded by Carl Schmitt, the Weimar and Nazi–period jurist and political theorist whose theory undergirds this understanding of sovereignty. Claiming a return to concepts of sovereignty forgotten by his liberal contemporaries, Schmitt was preoccupied with the legal exceptions required, he said, to rescue polities in crisis. Much is missing from what Schmitt harvests from the past. His framework systematically overlooks another extralegal power, one that often caused consternation, even among absolutists like Thomas Hobbes. Sovereigns also made exceptions for friends, allies, and dependents. Friendly Sovereignty plumbs the history of political thought about sovereignty to illustrate this other side of the sovereign’s exception-making power. At the core of this extensive study are three thinkers, each of whom stakes out a distinct position on the merits and demerits of a “friendly sovereign”: the nineteenth-century historian Jules Michelet, the seventeenth-century political philosopher Thomas Hobbes, and Seneca, the ancient Stoic and teacher of Nero. Analytically rigorous and thorough in its intellectual history, Friendly Sovereignty presents a more comprehensive understanding of sovereignty than the one typically taught today. It will be particularly useful to scholars and students of political theory and philosophy.
Author: John Cunningham
Publisher: Lulu.com
ISBN: 1329185145
Category : Religion
Languages : en
Pages : 352
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Book Description
This dissertation is a theological analysis of the trinitarian shape of Jonathan Edwards' aesthetics of beauty. The contributions of this dissertation lie chiefly in three areas. The primary aim of this study is to advance the burgeoning field of the study of Jonathan Edwards by elucidating his views of beauty. In so doing, I present him as a rich source for the theological engagement of beauty, which could serve not only the field of Edwards studies, but also that of theological aesthetics more broadly.
