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Author: Jeffrey Masten
Publisher: Northwestern University Press
ISBN: 0810123088
Category : Drama
Languages : en
Pages : 218
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Book Description
Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. This issue of Renaissance Drama, devoted to the topic of "Media, Technology, and Performance" is co-edited by W.B. Worthen, Wendy Wall, and Jeffrey Masten. The various articles displayed here address the interface between drama and its various modes of production over the past four centuries. This volume explores the relationship of drama to other forms of early modern spectacle (pageantry, masques), to the specificities of typography and the economics of the book industry, to the intersection of drama with film and DVD production, and to the way that stage technologies and theatrical economies of the 16th, 17th and 20th centuries define plays and playing. Rather than thinking of the early modern text as something simply reconstituted in its different incarnations, these essays make clear that different media force a rethinking of the terms that we use to envision, conceptualize, and even to see the work of drama.
Author: Jeffrey Masten
Publisher: Northwestern University Press
ISBN: 0810123088
Category : Drama
Languages : en
Pages : 218
Get Book
Book Description
Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. This issue of Renaissance Drama, devoted to the topic of "Media, Technology, and Performance" is co-edited by W.B. Worthen, Wendy Wall, and Jeffrey Masten. The various articles displayed here address the interface between drama and its various modes of production over the past four centuries. This volume explores the relationship of drama to other forms of early modern spectacle (pageantry, masques), to the specificities of typography and the economics of the book industry, to the intersection of drama with film and DVD production, and to the way that stage technologies and theatrical economies of the 16th, 17th and 20th centuries define plays and playing. Rather than thinking of the early modern text as something simply reconstituted in its different incarnations, these essays make clear that different media force a rethinking of the terms that we use to envision, conceptualize, and even to see the work of drama.
Author: Susan Cerasano
Publisher:
ISBN: 9780838645017
Category :
Languages : en
Pages : 0
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Book Description
Author: S. P. Cerasano
Publisher: Associated University Presse
ISBN: 9780838641804
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
Reflecting a variety of scholarly interests, this volume includes articles that range addressing Africans in Elizabeth London to chapel stagings, to the theory and practice of domestic tragedy. It also includes essays on the historical and theoretical issues relating to the evolution of dramatic texts and women at the theater.
Author: Mary Beth Rose
Publisher: Northwestern University Press
ISBN: 9780810116450
Category : Drama
Languages : en
Pages : 180
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Book Description
This is an annual publication devoted to understanding the drama as a central feature of Renaissance culture. The interdisciplinary essays explore the relationship of Renaissance dramatic traditions to their precursors and successors, and examine the impact of different forms of interpretation.
Author: Gabriel Heaton
Publisher: Oxford University Press
ISBN: 0199213119
Category : History
Languages : en
Pages : 316
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Book Description
This study of Elizabethan and Jacobean royal entertainments, including tiltyard speeches and court masques, is the first to look in detail at the surviving material texts. It examines the 1602 Harefield entertainment, the 1575 Woodstock entertainment, the Merchant Taylors' and Theobalds' entertainments, and Ben Jonson's work for the Jacobean court.
Author: John Pitcher
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639634
Category : English drama
Languages : en
Pages : 364
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Book Description
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Author: Soko Tomita
Publisher: Routledge
ISBN: 1317188918
Category : Literary Criticism
Languages : en
Pages : 595
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Book Description
Through entries on 291 Italian books (451 editions) published in England during the reign of Queen Elizabeth I, covering the years 1558-1603, this catalogue represents a summary of current research and knowledge of diffusion of Italian culture on English literature in this period. It also provides a foundation for new work on Anglo-Italian relations in Elizabethan England. Mary Augusta Scott's 1916 Elizabethan Translations from the Italian forms the basis for the catalogue; Soko Tomita adds 59 new books and eliminates 23 of Scott's original entries. The information here is presented in a user-friendly and uncluttered manner, guided by Philip Gaskell's principles of bibliographical description; the volume includes bibliographical descriptions, tables, graphs, images, and two indices (general and title). In an attempt to restore each book to its original status, each entry is concerned not only with the physical book, but with the human elements guiding it through production: the relationship with the author, editor, translator, publisher, book-seller, and patron are all recounted as important players in the exploration of cultural significance. Renaissance Anglo-Italian relations were marked by both patriotism and xenophobia; this catalogue provides reliable and comprehensive information about books and publication as well as concrete evidence of what elements of Italian culture the English responded to and how Italian culture was acclimatized into Elizabethan England.
Author: Patricia Parker
Publisher: Northwestern University Press
ISBN: 0810121999
Category : History
Languages : en
Pages : 254
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Book Description
Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.
Author: Katrine K. Wong
Publisher: Routledge
ISBN: 1136169695
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong’s analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period. Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotomous qualities of the heavenly and the demonic finds extensive application in recent studies of music in early modern English plays. However, while ideological dualities identified in music in traditional Renaissance thinking may seem unequivocal, various musical representations of characters and situations in early modern drama would prove otherwise. Wong, building upon the conventional model of binarism, explores how playwrights created their musical characters and scenarios according to the received cultural use and perception of music, and, at the same time, experimented with the multivalent meanings and significance embodied in theatrical music.
Author: S.P. Cerasano
Publisher: Associated University Presse
ISBN: 0838644821
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles, a review essays, and review of six books.
