Renaissance Drama and the Politics of Publication PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Renaissance Drama and the Politics of Publication PDF full book. Access full book title Renaissance Drama and the Politics of Publication by Zachary Lesser. Download full books in PDF and EPUB format.
Author: Zachary Lesser
Publisher: Cambridge University Press
ISBN: 9780521842525
Category : Drama
Languages : en
Pages : 264
Get Book Here
Book Description
A study of the practices and politics of early modern publishers of plays.
Author: Zachary Lesser
Publisher: Cambridge University Press
ISBN: 9780521842525
Category : Drama
Languages : en
Pages : 264
Get Book Here
Book Description
A study of the practices and politics of early modern publishers of plays.
Author: Nadia Thérèse van Pelt
Publisher: Routledge
ISBN: 042951414X
Category : History
Languages : en
Pages : 180
Get Book Here
Book Description
Drama in Medieval and Early Modern Europe moves away from the customary conceptual framework that artificially separates ‘medieval’ from ‘early modern’ drama to explore the role of drama and spectacle in England, France, the Low Countries, Spain, Italy, Switzerland, and the German-speaking areas that now constitute Austria and Germany. This book investigates the ranges of dramatic and performative techniques and strategies that playmakers across Europe used to adapt their work to the changing contexts in which they performed, and to the changing or expanding audiences that they faced. It considers the different views expressed through drama and spectacle on shared historical events, how communities coped with similar issues and why they ritually recycled these themes through reinvented or alternative forms that replaced or existed alongside their predecessors. A wide variety of genres of play are discussed throughout, including visitatio sepulchri (visit to the tomb) plays; Easter and Passion plays and morality plays; the French civic mystère; Italian sacre rappresentazioni performed by choirboys in the context of the church; Bürgertheater from the Swiss Confederacy; drama performed for the purpose of royal entertainment and propaganda; May and summer games; and the commercial, professional theatre of Shakespeare and Lope de Vega. Examining the strength of drama in relation to the larger cultural forces to which it adapted, and demonstrating the use of social, political, economic, and artistic networks to educate and support the social structures of communities, Drama in Medieval and Early Modern Europe offers a broader understanding of a shared European past across the traditional chronological divide of 1500. It is ideal for students of social history, and the history of medieval and early modern drama or literature.
Author: Anthony W. Johnson
Publisher: Taylor & Francis
ISBN: 1317163303
Category : Literary Criticism
Languages : en
Pages : 450
Get Book Here
Book Description
Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional and linguistic networks, their use of music, and their handling of ethical controversies. In Part Two, responses arise from detailed re-examinations of particular plays by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton, Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart theatre settings, from the public and popular to the more private circumstances of hall playhouses, court masques, women’s drama, country-house theatricals, and school plays. And one overall finding is that, although playwrights frequently staged or alluded to communal conflict, they seldom exacerbated such divisiveness within their audience. Rather, they tended toward more tactful modes of address (sometimes even acknowledging their own ideological uncertainties) so that, at least for the duration of a play, their audiences could be a community within which internal rifts were openly brought into dialogue.
Author: D. Kehler
Publisher: Springer
ISBN: 0230623352
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
Shakespeare s Widows moves thirty-one characters appearing in twenty plays to center stage. Through nuanced analyses, grounded in the widows material circumstances, Kehler uncovers the plays negotiations between the opposed poles of residual Catholic precept and Protestant practice - between celibacy and remarriage. Reading from a feminist materialist perspective, this book argues that Shakespeare s insights into the political and economic pressures the widows face allow them to elude mechanistic ideology. Kehler s book provides extensive historical background into the various religious and cultural attitudes towards widows in early modern England.
Author: Heather Easterling
Publisher: Routledge
ISBN: 1135863253
Category : Literary Criticism
Languages : en
Pages : 204
Get Book Here
Book Description
Parsing the City updates our understanding of Jacobean city comedy’s discursive role in its London society. Working with three major plays by Ben Jonson and Thomas Middleton and Thomas Dekker, this book develops an updated reading of Jacobean city comedy as a dramatic subgenre whose engagement with early modern London was centrally linguistic and semiotic-- its plays staging and interrogating the city as a series of languages and language problems.
Author: Robert A. Logan
Publisher: Routledge
ISBN: 1317056078
Category : Literary Criticism
Languages : en
Pages : 269
Get Book Here
Book Description
Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends.
Author: Heather Hirschfeld
Publisher: Cornell University Press
ISBN: 0801470625
Category : Literary Criticism
Languages : en
Pages : 244
Get Book Here
Book Description
In The End of Satisfaction, Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" during the sixteenth and early seventeenth centuries. Focusing on the term’s significance as an organizing principle of Christian repentance, she examines the ways in which Shakespeare and his contemporaries dramatized the consequences of its re- or de-valuation in the process of Reformation doctrinal change. The Protestant theology of repentance, Hirschfeld suggests, underwrote a variety of theatrical plots "to set things right" in a world shorn of the prospect of "making enough" (satisfacere).Hirschfeld’s semantic history traces today’s use of "satisfaction"—as an unexamined measure of inward gratification rather than a finely nuanced standard of relational exchange—to the pressures on legal, economic, and marital discourses wrought by the Protestant rejection of the Catholic sacrament of penance (contrition, confession, satisfaction) and represented imaginatively on the stage. In so doing, it offers fresh readings of the penitential economies of canonical plays including Dr. Faustus, The Revenger’s Tragedy, The Merchant of Venice, and Othello; considers the doctrinal and generic importance of lesser-known plays including Enough Is as Good as a Feast and Love’s Pilgrimage; and opens new avenues into the study of literature and repentance in early modern England.
Author: Ben Jonson
Publisher: A&C Black
ISBN: 1408179644
Category : Drama
Languages : en
Pages : 740
Get Book Here
Book Description
Bringing together four of the most popular and widely studied of Ben Jonson's plays, this anthology focuses on the city comedies for which Jonson is best known today: The Alchemist (edited by Elizabeth Cook), Volpone (edited by Robert N. Watson), Bartholmew Fair (edited by G.R. Hibbard) and Epicoene or The Silent Woman (edited by Roger Holdsworth). Today Jonson's works are widely considered to be amongst the best produced in his period. The new introduction by Robert N. Watson explores the plays in the context of early modern theatre, culture and politics, as well as providing a guide to the language, characters and themes. On-page commentary notes gloss the text in greater detail, making this the ideal edition for study and classroom use.
Author: Marion Gymnich
Publisher: V&R Unipress
ISBN: 3862347753
Category : Literary Criticism
Languages : en
Pages : 464
Get Book Here
Book Description
Browsing through books and TV channels we find people pre-occupied with eating, cooking and competing with chefs. Eating and food in today's media have become a form of entertainment and art. A survey of literary history and culture shows to what extent eating used to be closely related to all areas of human life, to religion, eroticism and even to death.In this volume, early modern ideas of feasting, banqueting and culinary pleasures are juxtaposed with post-18th- and 19th-century concepts in which the intake of food is increasingly subjected to moral, theological and economic reservations. In a wide range of essays, various images, rhetorics and poetics of plenty are not only contrasted with the horrors of gluttony, they are also seen in the context of modern phenomena such as the anorexic body or the gourmandizing bête humaine.It is this vexing binary approach to eating and food which this volume traces within a wide chronological framework and which is at the core not only of literature, art and film, but also of a flourishing popular culture.
Author: Robert A. Logan
Publisher: Routledge
ISBN: 1351951645
Category : Literary Criticism
Languages : en
Pages : 336
Get Book Here
Book Description
In uncovering the origin of the designation 'University Wits', Bob Logan examines the characteristics of the Wits and their influence on the course of Elizabethan drama. For the first time, Christopher Marlowe is placed in the context of the six University Wits, where his reputation stands out as the most prominent, and the impact of his university education on his works is clarified. The essays selected for reprinting assess the most significant scholarship written about Marlowe, including biographical studies, challenges to familiar assumptions about the poet/playwright and his works, compositions on groupings of his works, on individual works, and on subjects particular to Marlowe. Unique in its perspective and in the collection of essays, this book will interest all students and scholars of Renaissance poetry, drama, and specialized cultural contexts.
