Author: David Renton
Publisher: Routledge
ISBN: 1351383906
Category : Political Science
Languages : en
Pages : 178
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Book Description
By 1976, the National Front had become the fourth largest party in Britain. In a context of national decline, racism and fears that the country was collapsing into social unrest, the Front won 19 per cent of the vote in elections in Leicester and 100,000 votes in London. In response, an anti-fascist campaign was born, which combined mass action to deprive the Front of public platforms with a mass cultural movement. Rock Against Racism brought punk and reggae bands together as a weapon against the right. At Lewisham in August 1977, fighting between the far right and its opponents saw two hundred people arrested and fifty policemen injured. The press urged the state to ban two rival sets of dangerous extremists. But as the papers took sides, so did many others who determined to oppose the Front. Through the Anti-Nazi League hundreds of thousands of people painted out racist graffiti, distributed leaflets and persuaded those around them to vote against the right. This combined movement was one of the biggest mass campaigns that Britain has ever seen. This book tells the story of the National Front and the campaign which stopped it.
Author: Ian Goodyer
Publisher: Manchester University Press
ISBN: 1847793002
Category : History
Languages : en
Pages : 185
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Book Description
Marching to the beat of punk rock and reggae, Rock Against Racism was a mass movement built in opposition to racism and fascism in 1970s Britain. At a time of severe economic and social crises, RAR, alongside the Anti-Nazi League, organised one of the biggest and most effective political and cultural mobilisations of the post-war period. Expressing itself through spectacular carnivals, concerts, marches and innovative forms of design and communication, RAR combined hard-headed political organisation with the optimism and energy of radical youth culture. Drawing on interviews with activists, supporters and critics, and based on the latest research, Crisis music explores the nature of this ground-breaking politico-cultural phenomenon. The author explains why RAR seized upon the power and passion of punk and reggae, and how this has helped to shape the boundaries of modern popular music. He also offers, for the first time, a clear picture of the relationship between RAR and its main political sponsor, the Socialist Workers Party. Crisis music discusses RAR’s place within the left’s often-troubled encounters with popular culture, and draws comparisons with other music-based movements and campaigns, such as the post-war folk revival and Live 8. This book casts light on numerous current debates: about ‘celebrity politics’ and the role of musicians as political spokespeople, for instance, and the links between ethnicity, popular culture and politics. It will be of value to students and researchers in cultural studies, politics and labour history, and to anyone interested in the role of culture in political activity.
Author: Nigel Copsey
Publisher: Routledge
ISBN: 1317190882
Category : Political Science
Languages : en
Pages : 405
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Book Description
This book traces the varied development of the far right in Britain from the formation of the National Front in 1967 to the present day. Experts draw on a range of disciplinary and methodological perspectives to provide a rich and detailed account of the evolution of the various strands of the contemporary far right over the course of the last fifty years. The book examines a broad range of subjects, including Holocaust denial, neo-Nazi groupuscularity, transnational activities, ideology, cultural engagement, homosexuality, gender and activist mobilisation. It also includes a detailed literature review. This book is essential reading for students of fascism, racism and contemporary British cultural and political history.
Author: Patrick Burke
Publisher: University of Chicago Press
ISBN: 022676835X
Category : History
Languages : en
Pages : 246
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Book Description
From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In Tear Down the Walls, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969. The book sheds new light on a significant but overlooked facet of 1960s rock—white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These artists’ attempts to cast themselves as revolutionary were often naïve, misguided, or arrogant, but they could also reflect genuine interest in African American music and culture and sincere investment in anti-racist politics. White musicians such as those in popular rock groups Jefferson Airplane, the Rolling Stones, and the MC5, fascinated with Black performance and rhetoric, simultaneously perpetuated a long history of racial appropriation and misrepresentation and made thoughtful, self-aware attempts to respectfully present African American music in forms that white leftists found politically relevant. In Tear Down the Walls Patrick Burke neither condemns white rock musicians as inauthentic nor elevates them as revolutionary. The result is a fresh look at 1960s rock that provides new insight into how popular music both reflects and informs our ideas about race and how white musicians and activists can engage meaningfully with Black political movements.
Author: Ryan Shaffer
Publisher: Springer
ISBN: 3319596683
Category : History
Languages : en
Pages : 356
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Book Description
This book examines the domestic evolution and international connections of post-war fascists in the UK. It argues that post-war British fascism became transnational as the radicals increasingly exchanged ideas, money and culture with like-minded foreigners. Using interviews with key figures in several countries, this book traces the history of the National Front (NF) and British National Party (BNP), focusing on the political parties’ youth, music and international outreach. It explores how British fascism grew into an international movement, how fascist youth developed skinhead music as a conduit for their ideas, and how some of those key figures made international connections with people in Iraq, Libya, Syria and the United States. Moreover, it also draws from rare internal party documents, law enforcement records and membership lists to track foreign funding and the parties’ domestic electoral growth. For the first time, this book gained access to both the leadership and rank-and-file of the BNP and NF to explore its culture and international connections. In doing so, it shows the successes, failures and changes that have made British fascism a force in the international extremist subculture.
Author: Margaret Renn
Publisher: Verso Books
ISBN: 1804291935
Category : Biography & Autobiography
Languages : en
Pages : 448
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Book Description
A portrait of a brilliant journalist and tireless campaigner for justice Paul Foot was one of the most influential investigative reporters of his generation. For nearly fifty years, he was the scourge of corrupt politicians and dodgy businessmen, a champion of the underdog. In this, the first biography of Paul Foot, journalist Margaret Renn traces Foot’s personal, political and professional trajectories, placing his life and works within the long arc of postwar Britain. Drawing on extensive interviews with those close to him, and utilizing her unparalleled knowledge of his prodigious output, the book brings the many different faces of Paul Foot together into a single portrait. A prolific writer for the Daily Mirror, Private Eye, the Guardian and Socialist Worker, Foot’s investigations broke numerous major stories. He wrote about ordinary people caught up in extraordinary events, and the issues in some of his campaigns maintained their prominence long after his death in 2004: police corruption in the Stephen Lawrence case; sexual abuse in children’s homes; the Lockerbie bombing. His books ranged from how politicians used race to win votes, through miscarriages of justice, to the politics of poetry and the failure of the vote to deliver power to the people. Paul Foot: A Life in Politics is a brilliant portrait of a committed and active socialist, orator and relentless investigator of wrongdoing.
Author: Ian Peddie
Publisher: Bloomsbury Publishing USA
ISBN: 1501345389
Category : Music
Languages : en
Pages : 616
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Book Description
The Bloomsbury Handbook of Popular Music and Social Class is the first extensive analysis of the most important themes and concepts in this field. Encompassing contemporary research in ethnomusicology, sociology, cultural studies, history, and race studies, the volume explores the intersections between music and class, and how the meanings of class are asserted and denied, confused and clarified, through music. With chapters on key genres, traditions, and subcultures, as well as fresh and engaging directions for future scholarship, the volume considers how music has thought about and articulated social class. It consists entirely of original contributions written by internationally renowned scholars, and provides an essential reference point for scholars interested in the relationship between popular music and social class.
Author: Gavin Butt
Publisher: Duke University Press
ISBN: 1478023236
Category : Music
Languages : en
Pages : 241
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Book Description
After punk’s arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the limits of what was deemed possible in rock and pop music. Taking avant-garde ideas to the record-buying public, they created Situationist antirock and art punk, penned deconstructed pop ditties about Jacques Derrida, and took the aesthetics of collage and shock to dark, brooding electro-dance music. In No Machos or Pop Stars Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance.
Author: M. T. Howard
Publisher: Cambridge University Press
ISBN: 1009348418
Category : History
Languages : en
Pages : 307
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Book Description
During Zimbabwe's war of liberation (1965–80), fought between Zimbabwean nationalists and the minority-white Rhodesian settler-colonial regime, thousands of black soldiers volunteered for and served in the Rhodesian Army. This seeming paradox has often been noted by scholars and military researchers, yet little has been heard from black Rhodesian veterans themselves. Drawing from original interviews with black Rhodesian veterans and extensive archival research, M. T. Howard tackles the question of why so many black soldiers fought steadfastly and effectively for the Rhodesian Army, demonstrating that they felt loyalty to their comrades and regiments and not the Smith regime. Howard also shows that units in which black soldiers served – particularly the Rhodesian African Rifles – were fundamental to the Rhodesian counter-insurgency campaign. Highlighting the pivotal role black Rhodesian veterans played during both the war and the tumultuous early years of independence, this is a crucial contribution to the study of Zimbabwean decolonisation.
Author: Shirin Hirsch
Publisher: Manchester University Press
ISBN: 1526127407
Category : Social Science
Languages : en
Pages : 171
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Book Description
Fifty years ago Enoch Powell made national headlines with his 'Rivers of Blood' speech, warning of an immigrant invasion in the once respectable streets of Wolverhampton. This local fixation brought the Black Country town into the national spotlight, yet Powell's unstable relationship with Wolverhampton has since been overlooked. Drawing from interviews and archival material, this book offers a rich local history through which to investigate the speech, bringing to life the racialised dynamics of space during a critical moment in British history. What was going on beneath the surface in Wolverhampton and how did Powell's constituents respond to this dramatic moment? The research traces the ways in which Powell's words reinvented the town and uncovers highly contested local responses. While Powell left Wolverhampton in 1974, the book returns to the city to explore the collective memories of the speech which continue to reverberate. In a contemporary period of new crisis and national divisions, revisiting the shadow of Powell allows us to reflect on racism and resistance from 1968 to today.
