Author: Simon McNamara
Publisher: Cambridge Scholars Publishing
ISBN: 144387776X
Category : Art
Languages : en
Pages : 230
Book Description
Rembrandt’s Passion Series is the name given to five paintings of similar size and format executed over a six year time-frame, 1633–39. The works were commissioned by Frederick Hendrick, Prince of Orange and Stadtholder of the United Provinces, for his gallery at The Hague. Although each of the paintings depicts a traditional scene from the Passion of Christ, they do not form anything like a complete Passion Cycle. Seven years later, Hendrick ordered a further two works of the same size and format of subjects from the Nativity of Christ. Six of the seven paintings now hang in the Alte Pinakothek, Munich. As the works were executed between Rembrandt’s well-documented early Leiden period and his rapid rise to prominence as a portraitist in Amsterdam, the works have not attracted the scholarly attention they might, although the commission was undoubtedly the most prestigious of the young Rembrandt’s career. Rembrandt’s Passion Series is the first monograph to focus solely on this important group of paintings by the most famous artist of the Dutch Golden Age. In it, Simon McNamara traces the history of the commission by way of extant documentation, places the works in a seventeenth-century Dutch religious milieu, and shows how the series is both reflective of contemporary theological exegesis and embedded in theoretical artistic debates of the age. The book also highlights the extraordinary nature of the self-images seen in three of the paintings and discusses the legacy of the series in later graphic works by Rembrandt and in paintings by his pupils. In doing so, Rembrandt’s Passion Series presents a series of unifying factors, both stylistically and thematically, for the works that allows the Passion Series to be properly, and finally, called a “series”.
Rembrandt's Passion Series
Author: Simon McNamara
Publisher: Cambridge Scholars Publishing
ISBN: 144387776X
Category : Art
Languages : en
Pages : 230
Book Description
Rembrandt’s Passion Series is the name given to five paintings of similar size and format executed over a six year time-frame, 1633–39. The works were commissioned by Frederick Hendrick, Prince of Orange and Stadtholder of the United Provinces, for his gallery at The Hague. Although each of the paintings depicts a traditional scene from the Passion of Christ, they do not form anything like a complete Passion Cycle. Seven years later, Hendrick ordered a further two works of the same size and format of subjects from the Nativity of Christ. Six of the seven paintings now hang in the Alte Pinakothek, Munich. As the works were executed between Rembrandt’s well-documented early Leiden period and his rapid rise to prominence as a portraitist in Amsterdam, the works have not attracted the scholarly attention they might, although the commission was undoubtedly the most prestigious of the young Rembrandt’s career. Rembrandt’s Passion Series is the first monograph to focus solely on this important group of paintings by the most famous artist of the Dutch Golden Age. In it, Simon McNamara traces the history of the commission by way of extant documentation, places the works in a seventeenth-century Dutch religious milieu, and shows how the series is both reflective of contemporary theological exegesis and embedded in theoretical artistic debates of the age. The book also highlights the extraordinary nature of the self-images seen in three of the paintings and discusses the legacy of the series in later graphic works by Rembrandt and in paintings by his pupils. In doing so, Rembrandt’s Passion Series presents a series of unifying factors, both stylistically and thematically, for the works that allows the Passion Series to be properly, and finally, called a “series”.
Publisher: Cambridge Scholars Publishing
ISBN: 144387776X
Category : Art
Languages : en
Pages : 230
Book Description
Rembrandt’s Passion Series is the name given to five paintings of similar size and format executed over a six year time-frame, 1633–39. The works were commissioned by Frederick Hendrick, Prince of Orange and Stadtholder of the United Provinces, for his gallery at The Hague. Although each of the paintings depicts a traditional scene from the Passion of Christ, they do not form anything like a complete Passion Cycle. Seven years later, Hendrick ordered a further two works of the same size and format of subjects from the Nativity of Christ. Six of the seven paintings now hang in the Alte Pinakothek, Munich. As the works were executed between Rembrandt’s well-documented early Leiden period and his rapid rise to prominence as a portraitist in Amsterdam, the works have not attracted the scholarly attention they might, although the commission was undoubtedly the most prestigious of the young Rembrandt’s career. Rembrandt’s Passion Series is the first monograph to focus solely on this important group of paintings by the most famous artist of the Dutch Golden Age. In it, Simon McNamara traces the history of the commission by way of extant documentation, places the works in a seventeenth-century Dutch religious milieu, and shows how the series is both reflective of contemporary theological exegesis and embedded in theoretical artistic debates of the age. The book also highlights the extraordinary nature of the self-images seen in three of the paintings and discusses the legacy of the series in later graphic works by Rembrandt and in paintings by his pupils. In doing so, Rembrandt’s Passion Series presents a series of unifying factors, both stylistically and thematically, for the works that allows the Passion Series to be properly, and finally, called a “series”.
Rembrandt and the Passion
Author: Peter Black
Publisher: Prestel Publishing
ISBN: 9783791347363
Category :
Languages : en
Pages : 0
Book Description
Painted between the years 1632 and 1646, the Passion series is one of Rembrandt's finest accomplishments. This volume investigates a work known as the Entombment Sketch. Drawing from paint samples, new high-definition imagery, and other technical findings, this volume thoroughly explores the provenance of the painting. The authors also discuss Rembrandt's own influences in creating the Passion series, including Leonardo, Caravaggio, Raphael, and Rubens, and compare the work with that of Rembrandt's contemporaries.
Publisher: Prestel Publishing
ISBN: 9783791347363
Category :
Languages : en
Pages : 0
Book Description
Painted between the years 1632 and 1646, the Passion series is one of Rembrandt's finest accomplishments. This volume investigates a work known as the Entombment Sketch. Drawing from paint samples, new high-definition imagery, and other technical findings, this volume thoroughly explores the provenance of the painting. The authors also discuss Rembrandt's own influences in creating the Passion series, including Leonardo, Caravaggio, Raphael, and Rubens, and compare the work with that of Rembrandt's contemporaries.
Rembrandt's Whore
Author: Sylvie Matton
Publisher: Canongate Books
ISBN: 1838851666
Category : Fiction
Languages : en
Pages : 191
Book Description
A sensitive innocent, Hendrickje Stoffels escapes the harsh realities of her garrison home-town to take up a servant’s role in Rembrandt’s household. She soon becomes his lover and closest confidante, and plays witness to the highs and lows of the great artist’s life. But Hendrickje is fated to discover the hypocrisy and greed of society in Amsterdam’s Golden Age. In sensuous prose, Matton paints a powerful fictional portrait of this impassioned relationship through the eyes of a remarkable woman.
Publisher: Canongate Books
ISBN: 1838851666
Category : Fiction
Languages : en
Pages : 191
Book Description
A sensitive innocent, Hendrickje Stoffels escapes the harsh realities of her garrison home-town to take up a servant’s role in Rembrandt’s household. She soon becomes his lover and closest confidante, and plays witness to the highs and lows of the great artist’s life. But Hendrickje is fated to discover the hypocrisy and greed of society in Amsterdam’s Golden Age. In sensuous prose, Matton paints a powerful fictional portrait of this impassioned relationship through the eyes of a remarkable woman.
Rembrandt's Nose
Author: Michael Taylor
Publisher: Distributed Art Publishers (DAP)
ISBN:
Category : Art
Languages : en
Pages : 176
Book Description
Rembrandt's Nose ISBN 1-933045-44-2 / 978-1-933045-44-3 Hardcover, / pgs / / U.S. CDN To be set / Nonfiction and Criticism If the sitter is the lead actor of a performance, for in essence that is what a portrait is, then the nose is his understudy on the stage of the face. The nose stands in the center, the focal point of our gaze if not the exact center, and demands that we notice it. It's a peacockish actor: too obvious, too egotistical, too histrionic. It upstages the rest of the face and would make us forget that its posturing is mere vanity and vacuity compared to the eloquence of the eyes and lips.
Publisher: Distributed Art Publishers (DAP)
ISBN:
Category : Art
Languages : en
Pages : 176
Book Description
Rembrandt's Nose ISBN 1-933045-44-2 / 978-1-933045-44-3 Hardcover, / pgs / / U.S. CDN To be set / Nonfiction and Criticism If the sitter is the lead actor of a performance, for in essence that is what a portrait is, then the nose is his understudy on the stage of the face. The nose stands in the center, the focal point of our gaze if not the exact center, and demands that we notice it. It's a peacockish actor: too obvious, too egotistical, too histrionic. It upstages the rest of the face and would make us forget that its posturing is mere vanity and vacuity compared to the eloquence of the eyes and lips.
Rembrandt's Enterprise
Author: Svetlana Alpers
Publisher: University of Chicago Press
ISBN: 0226015181
Category : Art
Languages : en
Pages : 294
Book Description
Drawing on and furthering the enterprise of Rembrandt scholars, who have been reinterpreting the artist and his work over the past 25 years, Alpers presents new considerations about Rembrandt's handling of paint, his theatrical approach to his models, his use of his studio as an environment under his control, and his relationship to those who bought his work. Her study is timely in light of recent research showing that well-known works attributed to Rembrandt are by followers instead. Alpers developed her text from a lecture series, and the prose gains readability by retaining some of the flavor of a talk. Still, this will find its audience chiefly among scholars and specialists in the field. Kathryn W. Finkelstein, M. Ln., Cincinnati Copyright 1988 Reed Business Information, Inc. -- From Library Journal.
Publisher: University of Chicago Press
ISBN: 0226015181
Category : Art
Languages : en
Pages : 294
Book Description
Drawing on and furthering the enterprise of Rembrandt scholars, who have been reinterpreting the artist and his work over the past 25 years, Alpers presents new considerations about Rembrandt's handling of paint, his theatrical approach to his models, his use of his studio as an environment under his control, and his relationship to those who bought his work. Her study is timely in light of recent research showing that well-known works attributed to Rembrandt are by followers instead. Alpers developed her text from a lecture series, and the prose gains readability by retaining some of the flavor of a talk. Still, this will find its audience chiefly among scholars and specialists in the field. Kathryn W. Finkelstein, M. Ln., Cincinnati Copyright 1988 Reed Business Information, Inc. -- From Library Journal.
The Passion in Art
Author: Richard Harries
Publisher: Routledge
ISBN: 1351884425
Category : Religion
Languages : en
Pages : 169
Book Description
Jesus was not depicted on the cross until the early fifth century. Since then this scene has been painted or carved in sharply differing ways. With the aid of over thirty full-page plates, The Passion in Art explores the historical contexts and theologies that led to such differing depictions. Because the first Christians saw the Crucifixion and Resurrection of Jesus as different aspects of a unified victory over sin and death, scenes of the Passion are juxtaposed with some of the Resurrection, which again are highly varied in what they do and do not show. This is the first book to consider the Passion as portrayed in the whole sweep of Christian history. Each picture is considered both from the point of view of its context and its theological standpoint. Spanning the centuries, the images reproduced and discussed include: scenes from the Passion of Christ in the Catacombs of Domitilla, mosaics in Ravenna, the Rabbula Crucifixion and Resurrection, the Crucifixion Plaque from Metz, the Gero Crucifix, Cimabue's Crucifix, Giotto's Noli me Tangere, Piero della Francesca's Resurrection, the Isenheim altarpiece, Caravaggio's Supper at Emmaus, Rembrandt's Christ on the Cross, Chagall's White Crucifixion, contemporary paintings by Stanley Spencer, Graham Sutherland, Nicholas Mynheer, and many more works of great acclaim.
Publisher: Routledge
ISBN: 1351884425
Category : Religion
Languages : en
Pages : 169
Book Description
Jesus was not depicted on the cross until the early fifth century. Since then this scene has been painted or carved in sharply differing ways. With the aid of over thirty full-page plates, The Passion in Art explores the historical contexts and theologies that led to such differing depictions. Because the first Christians saw the Crucifixion and Resurrection of Jesus as different aspects of a unified victory over sin and death, scenes of the Passion are juxtaposed with some of the Resurrection, which again are highly varied in what they do and do not show. This is the first book to consider the Passion as portrayed in the whole sweep of Christian history. Each picture is considered both from the point of view of its context and its theological standpoint. Spanning the centuries, the images reproduced and discussed include: scenes from the Passion of Christ in the Catacombs of Domitilla, mosaics in Ravenna, the Rabbula Crucifixion and Resurrection, the Crucifixion Plaque from Metz, the Gero Crucifix, Cimabue's Crucifix, Giotto's Noli me Tangere, Piero della Francesca's Resurrection, the Isenheim altarpiece, Caravaggio's Supper at Emmaus, Rembrandt's Christ on the Cross, Chagall's White Crucifixion, contemporary paintings by Stanley Spencer, Graham Sutherland, Nicholas Mynheer, and many more works of great acclaim.
How Rembrandt Reveals Your Beautiful, Imperfect Self
Author: Roger Housden
Publisher: Harmony
ISBN: 1400082293
Category : Self-Help
Languages : en
Pages : 240
Book Description
Using the artist's self-portraits as a starting point, the author explains how Rembrandt exemplifies the ability to confront life with passion, honesty, and an uncompromising acceptance of who we are.
Publisher: Harmony
ISBN: 1400082293
Category : Self-Help
Languages : en
Pages : 240
Book Description
Using the artist's self-portraits as a starting point, the author explains how Rembrandt exemplifies the ability to confront life with passion, honesty, and an uncompromising acceptance of who we are.
Rembrandt's Reading
Author: Amy Golahny
Publisher: Amsterdam University Press
ISBN: 9789053566091
Category : Art
Languages : en
Pages : 296
Book Description
Though Rembrandt's study of the Bible has long been recognized, his interest in secular literature has been relatively neglected. In this volume, Amy Golahny uses a 1656 inventory to reconstruct Rembrandt's library, discovering anew how his reading of history contributed to his creative process. In the end, Golahny places Rembrandt in the learned vernacular culture of seventeenth-century Holland, painting a picture of a pragmatic reader whose attention to historical texts strengthened his rivalry with Rubens for visual drama and narrative erudition.
Publisher: Amsterdam University Press
ISBN: 9789053566091
Category : Art
Languages : en
Pages : 296
Book Description
Though Rembrandt's study of the Bible has long been recognized, his interest in secular literature has been relatively neglected. In this volume, Amy Golahny uses a 1656 inventory to reconstruct Rembrandt's library, discovering anew how his reading of history contributed to his creative process. In the end, Golahny places Rembrandt in the learned vernacular culture of seventeenth-century Holland, painting a picture of a pragmatic reader whose attention to historical texts strengthened his rivalry with Rubens for visual drama and narrative erudition.
Playing Darts with a Rembrandt
Author: Joseph L. Sax
Publisher: University of Michigan Press
ISBN: 9780472087846
Category : Art
Languages : en
Pages : 276
Book Description
Considers the limits to the rights of private owners of great works of art or cultural treasures, such as historic papers, to destroy these works or to deny public access to them
Publisher: University of Michigan Press
ISBN: 9780472087846
Category : Art
Languages : en
Pages : 276
Book Description
Considers the limits to the rights of private owners of great works of art or cultural treasures, such as historic papers, to destroy these works or to deny public access to them
A Corpus of Rembrandt Paintings IV
Author: Ernst van de Wetering
Publisher: Springer Science & Business Media
ISBN: 1402044410
Category : Art
Languages : en
Pages : 724
Book Description
Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.
Publisher: Springer Science & Business Media
ISBN: 1402044410
Category : Art
Languages : en
Pages : 724
Book Description
Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.