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Author: Gregor J. M. Weber
Publisher: Nai010 Publishers
ISBN: 9789462085275
Category : Art
Languages : en
Pages : 176
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Book Description
Rembrandt-Velázquez: Dutch and Spanish Masters' presents the best work of two seventeenth-century master painters from the Netherlands and Spain. Works by Rembrandt and Velázquez are presented in a context of contemporaries and compatriots, including spectacular works by Zurbarán, Vermeer, Murillo, Hals, Valdés Leal, Torrentius, Ribera and others. 'Rembrandt-Velázquez' focuses on themes such as religion and realism, beauty and emotion. Presented in pairs, the Spanish and Dutch masterpieces enter into a dialogue. In his essay Hans den Hartog Jager looks for the differences and similarities between two of the greatest painters of all time - and arrives at an unexpected conclusion. Cees Nooteboom takes the reader back to his memories of Spain and reflects on the history and art of the country he calls his second homeland. Exhibition: Rijksmuseum, Amsterdam, The Netherlands (11.10.2019-19.02.2020).
Author: Gregor J. M. Weber
Publisher: Nai010 Publishers
ISBN: 9789462085275
Category : Art
Languages : en
Pages : 176
Get Book Here
Book Description
Rembrandt-Velázquez: Dutch and Spanish Masters' presents the best work of two seventeenth-century master painters from the Netherlands and Spain. Works by Rembrandt and Velázquez are presented in a context of contemporaries and compatriots, including spectacular works by Zurbarán, Vermeer, Murillo, Hals, Valdés Leal, Torrentius, Ribera and others. 'Rembrandt-Velázquez' focuses on themes such as religion and realism, beauty and emotion. Presented in pairs, the Spanish and Dutch masterpieces enter into a dialogue. In his essay Hans den Hartog Jager looks for the differences and similarities between two of the greatest painters of all time - and arrives at an unexpected conclusion. Cees Nooteboom takes the reader back to his memories of Spain and reflects on the history and art of the country he calls his second homeland. Exhibition: Rijksmuseum, Amsterdam, The Netherlands (11.10.2019-19.02.2020).
Author: José López-Rey
Publisher: Taschen
ISBN: 9783836581790
Category :
Languages : en
Pages : 416
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Book Description
For so many champions of art history, the ultimate sounding board was--and remains--Diego Rodríguez de Silva y Velázquez. First available as an XXL volume, this accessible edition presents his complete works in beautiful reproductions, including enlarged details and photography of recently restored paintings.
Author: Svetlana Alpers
Publisher: Yale University Press
ISBN: 9780300126136
Category : Art
Languages : en
Pages : 312
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Book Description
Now available in paperback A major art historian reflects on a great tradition of European painting. "The Vexations of Art is an engrossing, passionate attempt to re-engage with painting as a mode of thought at a time when 'it is not clear in what form the resource of painting?for surely painting has been a singular resource of the greater European culture?will continue."?Jackie Wullschlager, Financial Times "[A] fascinating book that will surely generate discussion for some time to come."?Mindy Nancarrow, Renaissance Quarterly
Author: Ernst van de Wetering
Publisher: Amsterdam University Press
ISBN: 9789053562390
Category : Art
Languages : en
Pages : 378
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Book Description
Rembrandts paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. Rembrandt—The Painter at Work is the result of a lifelong search for Rembrandt's working methods, his intellectual approach to the art of painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters. "The book is—if one may be allowed to say such a thing about a serious scholarly work—a gripping good-read.' Christopher White, The Burlington Magazine "This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar." Christopher Brown, Times Literary Supplement
Author: Marlies Stoter
Publisher: W Books
ISBN: 9789462583030
Category : Frisians
Languages : en
Pages : 168
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Book Description
"In 1634 the up-and-coming painting talent Rembrandt van Rijn wed the love of this life in Friesland: Saskia Uylenburgh, the daughter of a councillor at the Court of Friesland. The story of their marriage is also that of seventeenth-century marriages in general, from courtship to drawing up a will. How did such a stylish wedding come about, and how did life proceed afterwards, when love and suffering were shared? Using evocative paintings, etchings, documents and precious wedding gifts, this book shows us the world of Friesland's most famous bride and groom ever--and that marriage vows back then actually appear to differ little from those of today."--from back cover
Author: Solomon Joseph Solomon
Publisher:
ISBN:
Category : Figure drawing
Languages : en
Pages : 406
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Book Description
Author: Giles Knox
Publisher: Routledge
ISBN: 1351543105
Category : Art
Languages : en
Pages : 208
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Book Description
The startling conclusion of The Late Paintings of Vel?uez is that Diego Vel?uez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Vel?uez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Vel?uez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Vel?uez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Vel?uez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Vel?uez's painterly performance as text, Knox deciphers how Vel?uez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.
Author: Laura Cumming
Publisher: Random House
ISBN: 1448182360
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
WINNER OF THE JAMES TAIT BLACK BIOGRAPHY PRIZE SHORTLISTED FOR THE RATHBONES FOLIO PRIZE LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION Selected as a Book of the Year in the Herald In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velázquez, he bought the picture and set out to discover its strange history - a quest that led from fame to ruin and exile. Fusing detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velázquez, bringing us closer to the creation and appreciation of his works than ever before.
Author: Margaret F. MacDonald
Publisher: Yale University Press
ISBN: 0300254504
Category : Art
Languages : en
Pages : 233
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Book Description
A fascinating look at the partnership of artist James McNeill Whistler and his chief model, Joanna Hiffernan, and the iconic works of art resulting from their life together “[A] lavish volume. . . . Illuminating. . . . MacDonald’s deep research has . . . unearthed important new facts.”—Gioia Diliberto, Wall Street Journal In 1860 James McNeill Whistler (1834–1903) and Joanna Hiffernan (1839–1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler’s works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and morality, class and fashion, academic and realist art, Victorian popular fiction, aestheticism and spiritualism. This luxuriously illustrated volume provides the first comprehensive account of Hiffernan’s partnership with Whistler throughout the 1860s and 1870s—a period when Whistler was forging a reputation as one of the most innovative and influential artists of his generation. A series of essays discusses how Hiffernan and Whistler overturned artistic conventions and sheds light on their interactions with contemporaries, including Gustave Courbet, for whom she also modeled. Packed with new insights into the creation, marketing, and cultural context of Whistler’s iconic works, this study also traces their resonance for his fellow artists, including Dante Gabriel Rossetti, Edgar Degas, John Singer Sargent, and Gustav Klimt.
Author: Giles Knox
Publisher: Amsterdam University Press
ISBN: 9048544580
Category : Art
Languages : en
Pages : 242
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Book Description
Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted.
