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Author: Eric Jan Sluijter
Publisher: Amsterdam University Press
ISBN: 9053568379
Category : Art
Languages : en
Pages : 452
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Book Description
Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.
Author: Eric Jan Sluijter
Publisher: Amsterdam University Press
ISBN: 9053568379
Category : Art
Languages : en
Pages : 452
Get Book Here
Book Description
Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.
Author: Eric Jan Sluijter
Publisher:
ISBN: 9789053568828
Category : Female nude in art
Languages : en
Pages : 448
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Book Description
Author: Andrea Lorraine Dawber
Publisher:
ISBN:
Category : Art and morals
Languages : en
Pages : 342
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Book Description
Moralist writers such as Jacob Cats, Johan van Beverwijck and Gerard de Lairesse cautioned viewers during the seventeenth century of the immoral impact that could result from gazing at a painted female nude, especially one that is naturalistically rendered. This thesis therefore discusses the way in which Rembrandt’s treatment of a nude female in history subjects could have impacted the seventeenth-century male viewer when considering the moralizing literature from the same period. I rely on treatises from Cats, Van Beverwijck and de Lairesse to inform the moral climate of the seventeenth century, along with Seymour Slive’s account of Rembrandt’s reception. I am indebted to the works of Kenneth Clark, Simon Schama, Eric Jan Sluijter and Wayne E. Franits, who provided a plethora of information in which to build my argument. Therefore, I will be discussing the way in which Rembrandt juxtaposes a naturalistic female nude who is the object of the male gaze within the context of a moralizing mythology or biblical narrative and the dichotomy of such representation. This thesis will discuss the following works by Rembrandt in the chronological order in which they were produced: Andromeda Chained to Rocks 1630/1631, Danae 1636, Susanna and the Elders 1636 and 1647, The Toilet of Bathsheba 1643 and Bathsheba Reading King David’s Letter 1654. Gary Schwartz highlights during the seventeenth century the priority of an artist was to captivate the viewer’s eye and arouse desire for art. Desire was generated both by how a subject was depicted and what specifically was depicted. This is important when considering Rembrandt as he differs from other artists during the seventeenth century that are producing images with similar subject matter. I will discuss how Rembrandt depicts a single female nude to convey a powerful moral message differing from his contemporaries who depicted the same scene with a number of figures. I will argue that it is this one on one confrontation between the nude female and the viewer that heightens the moral impact of the story Rembrandt depicts thus encouraging the viewer to question his role within the story.
Author: Julia Lloyd Williams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
This is the first book to focus on Rembrandt's portrayal of women. It reveals the women in Rembrandt's life, as well as his unique approach to depicting the female form in paintings, drawings and prints, all shown through 140 superb works drawn from the finest collections in the world.
Author: Julia Lloyd Williams
Publisher: Prestel Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 280
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Book Description
An examination of the women in Rembrandt's life, this volume details his unique approach to depicting the female form in paintings, drawings and prints.
Author: Rembrandt Harmenszoon van Rijn
Publisher: Getty Publications
ISBN: 0892369787
Category : Art
Languages : en
Pages : 292
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Book Description
"Rembrandt was the most famous painter of the Dutch Golden Age, and the opportunity to work in his studio attracted young artists for nearly four decades, until the artist's death in 1669. This catalogue explores the workings of Rembrandt's studio in the form of drawings made by the master himself and fifteen of his pupils. Rembrandt and his students would often depict the same subject matter as an exercise and make drawings of the same nude models. In his later years, Rembrandt also made sketching trips outside Amsterdam to create his innovative landscapes of the Dutch countryside. His students followed this example, sometimes depicting the same sites." "Organized chronologically, Drawings by Rembrandt and His Pupils: Telling the Difference is a groundbreaking study that presents more than forty works by Rembrandt and related works by his pupils. It explores the scholarship of recent decades that has brought new and more systematic criteria to bear on determining the authenticity of Rembrandt drawings, and defines the styles of his pupils and followers with ever-greater precision. In so doing, this volume demystifies the sometimes-baffling exercise known as connoisseurship and seeks to re-enact the daily practices that Rembrandt used to teach his students and bring them to artistic maturity." "This is an essential book for anyone interested in the Dutch Golden Age or the lives and careers of Rembrandt and the artists in his immediate circle. A major exhibition of these drawings will be on view at the J. Paul Getty Museum from December 8, 2009, to February 28, 2010." --Book Jacket.
Author: Ernst van de Wetering
Publisher: Amsterdam University Press
ISBN: 9789053562390
Category : Art
Languages : en
Pages : 378
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Book Description
Rembrandts paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. Rembrandt—The Painter at Work is the result of a lifelong search for Rembrandt's working methods, his intellectual approach to the art of painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters. "The book is—if one may be allowed to say such a thing about a serious scholarly work—a gripping good-read.' Christopher White, The Burlington Magazine "This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar." Christopher Brown, Times Literary Supplement
Author: Marieke de Winkel
Publisher: Leiden University Press
ISBN: 9789053566299
Category : Art
Languages : en
Pages : 480
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Book Description
Until now dress has played only a subordinate role in the research of Rembrandt's paintings, despite the fact that few artists are as intensively studied as this Dutch master. The lacuna is all the more surprising since Rembrandt obviously delighted in rendering clothes, which, for him, not only communicated the character and social status of his sitters but also clarified his narratives and heightened the drama in his historical pieces. Here, Marieke de Winkel offers a fascinating and much-needed study of dress and costume in the works of Rembrandt. De Winkel shows us how focusing on apparel opens a new line of inquiry into Rembrandt's paintings, one which is symbolically and iconographically richer than previously imagined. This approach, which has not been fully acknowledged by art historians nor developed by dress historians, deepens our understanding of Rembrandt's expression as well as the cultural and historical context of the Dutch seventeenth century. De Winkel proves the merits of the approach here with her close readings of Rembrandt's paintings and the contemporaneous connotations of the clothes he depicted. She demonstrates convincingly that clothes do much more than help date the paintings; they are instead integral to the program of representation. No longer ancillary to art history, dress and costume here receive their full due in this study, leaving us with not only a better understanding of Rembrandt but of his wider world as well.
Author: Karolien de Clippel
Publisher: Brepols Publishers
ISBN: 9782503535692
Category : Art
Languages : en
Pages : 0
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Book Description
Table of Contents: Katlijne Van der Stighelen, Introduction - Eric Jan Sluijter, The Nude, the Artist and the Model: The Case of Rembrandt - Erna Kok, The Female Nude from Life: On Studio Practice and Beholder Fantasy - Victoria Sancho Lobis, Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe - Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory - Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries - -Johan Verberckmoes, Is that Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish Netherlands - Ralph Dekoninck, Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature - Veerle De Laet, Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting.
Author: Ernst van de Wetering
Publisher: Univ of California Press
ISBN: 0520290259
Category : Art
Languages : en
Pages : 348
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Book Description
Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.
