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Author: Lieke Stelling
Publisher: Cambridge University Press
ISBN: 1108477038
Category : Drama
Languages : en
Pages : 231
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Book Description
A cross-religious exploration of conversion on the early modern English stage offering fresh readings of canonical and lesser-known plays.
Author: Lieke Stelling
Publisher: Cambridge University Press
ISBN: 1108477038
Category : Drama
Languages : en
Pages : 231
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Book Description
A cross-religious exploration of conversion on the early modern English stage offering fresh readings of canonical and lesser-known plays.
Author: Lieke Stelling
Publisher: Cambridge University Press
ISBN: 1108757243
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Few subjects of the English stage have proved more alluring and enduring than religious conversion. The emergence of the Elizabethan theatre marked a profound shift in the way in which conversion was presented. If medieval drama had encouraged conversion without reservation, early Elizabethan plays started to question it. Considering over forty canonical and lesser known works, this study argues that more so than any other medium, early modern drama engaged with the question of the possibility of undergoing a radical transformation in faith and presented the period's understanding of it as fundamentally unsettled. Offering the first cross-religious exploration of conversion in early modern English drama, and presenting a new reading of William Shakespeare's tragedy Othello, Lieke Stelling reveals telling patterns in the stage's treatment of conversion and religious identity.
Author: Elizabeth Williamson
Publisher: Routledge
ISBN: 1317068114
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
Author: Abigail Shinn
Publisher: Springer
ISBN: 3319965778
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
This book is a study of English conversion narratives between 1580 and 1660. Focusing on the formal, stylistic properties of these texts, it argues that there is a direct correspondence between the spiritual and rhetorical turn. Furthermore, by focusing on a comparatively early period in the history of the conversion narrative the book charts for the first time writers’ experimentation and engagement with rhetorical theory before the genre’s relative stabilization in the 1650s. A cross confessional study analyzing work by both Protestant and Catholic writers, this book explores conversion’s relationship with reading; the links between conversion, eloquence, translation and trope; the conflation of spiritual movement with literal travel; and the use of the body as a site for spiritual knowledge and proof.
Author: Lieke Stelling
Publisher: BRILL
ISBN: 9004218564
Category : History
Languages : en
Pages : 413
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Book Description
Focusing on conversion as one of early modern Europe’s most pressing issues, the present book offers a comprehensive reading of artistic and literary ways in which spiritual transformations and exchanges of religious identities were given meaning.
Author: Jane Hwang Degenhardt
Publisher: Edinburgh University Press
ISBN: 074868655X
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
This book explores the threat of Christian conversion to Islam in twelve early modern English plays. In works by Shakespeare, Marlowe, Massinger, and others, conversion from Christianity to Islam is represented as both tragic and erotic, as a fate worse t
Author: Daniel Vitkus
Publisher: Columbia University Press
ISBN: 9780231505284
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
-- Greg Bak, Early Modern Literary Studies
Author: D. Vitkus
Publisher: Springer
ISBN: 1137052929
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
Turning Turk looks at contact between the English and other cultures in the early modern Mediterranean, and analyzes the representation of that experience on the London stage. Vitkus's book demonstrates that the English encounter with exotic alterity, and the theatrical representations inspired by that encounter, helped to form the emergent identity of an English nation that was eagerly fantasizing about having an empire, but was still in the preliminary phase of its colonizing drive. Vitkus' research shows how plays about the multi-cultural Mediterranean participated in this process of identity formation, and how anxieties about religious conversion, foreign trade and miscegenation were crucial factors in the formation of that identity.
Author: Holly Crawford Pickett
Publisher: University of Pennsylvania Press
ISBN: 1512825654
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
In The Drama of Serial Conversion in Early Modern England, Holly Crawford Pickett reconceptualizes early modern religious identity by exploring the astonishing stories of serial converts: historical figures such as William Alabaster, Kenelm Digby, William Chillingworth, and Marc Antonio De Dominis, along with fictional ones, who changed their religious affiliations between Catholicism and Protestantism multiple times. Pickett argues that serial converts both reveal and helped revise early modern understandings of the self. Through investigation of the techniques that serial converts used to stage and justify their conversions, Pickett demonstrates the performative nature of the act of conversion itself, offering a counternarrative to the paradigm of sincere, private conversion that was on the rise in the tumultuous years following the Reformation. Drawing from archival investigation into the lives and works of serial converts and performance studies theory, this book shows how the genres and conventions associated with conversion shaped not only forms of communication but also the very experience of conversion. By juxtaposing plays about serial conversion—by Thomas Dekker and Philip Massinger, Thomas Middleton, Elizabeth Cary, Ben Jonson, and William Shakespeare—with spiritual autobiographies, Pickett highlights the shared task of convert and playwright: performing conversion for an audience. Serial converts served as uncomfortable reminders to their contemporaries that religious identity is always unverifiable. The first study to explore serial conversion as a discrete phenomenon in this era, The Drama of Serial Conversion in Early Modern England challenges confessional divisions within much early modern historiography by analyzing the surprising convergence of Protestant and Catholic in the figure of the serial convert. It also reveals a neglected strain of religious discourse in early modern England that valued mutability and flexibility even in the midst of hardening and increasingly narrow understandings of conversion.
Author: Kilian Schindler
Publisher: Cambridge University Press
ISBN: 1009226312
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Kilian Schindler reveals how religious persecution in early modern England was a shaping force for drama and conceptions of theatricality.
