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Author:
Publisher: Cambria Press
ISBN: 1621968359
Category :
Languages : en
Pages : 206
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Book Description
Author:
Publisher: Cambria Press
ISBN: 1621968359
Category :
Languages : en
Pages : 206
Get Book Here
Book Description
Author: Enrique Morales-Díaz
Publisher:
ISBN: 9781604976175
Category : Literary Collections
Languages : en
Pages : 192
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Book Description
Reinaldo Arenas Fuentes (1943-1990) was a novelist, poet, playwright, essayist, and short story writer considered by many as one of the most eloquent and daring literary figures of his generation. Some of his most known works include the five novel series known as the Pentagony (Pentagona): Celestino antes del alba, El palacio de las blanqusimas mofetas, Otra vez el mar, El color del verano o el jardn de las delicias, and El as alto. Other literary works by Arenas include El central, Voluntad de vivir manifestndose, La vieja Rosa, Arturo, la estrella ms brillante, El mundo alucinante, Adios a mam, Antes que anochezca: una autobiografa and his one act plays Persecucin: cinco piezas de teatro experimental. The themes he explored in his writing ran counter to what Fidel Castro and the revolutionary regime expected from its intellectual citizens. While Castro wanted everyone that wished to be published on the island to succumb to the ideals of the revolution, to promote them in their works, Arenas refused because he believed in the artistic freedom of expression. While he began his adolescence in support of the rebels that were fighting against Fulgencio Batista's dictatorship, he began attacking the revolution when the institutionalized persecution of homosexuals began in Cuba. The research that has been done on Reinaldo Arenas has often focused on his sexuality and his opposition to the revolution. Hundreds of articles have dealt with either specific literary works or themes present in his writing, either using Queer Theory or more traditional literary analysis. However, none have focused on the idea that Arenas could be considered a postcolonial writer since there is a question as to whether that particular theoretical approach can be applied to that region. A study of the relationship between a writer such as Arenas, who refused to conform to the idea that the individual had to become part of a larger collective, and the iconic image of Caliban as he has been appropriated by many Latin American scholars and activists, is necessary to understand the conditions under which many marginalized groups lived whether we are referring to Cuba or any other Latin American country. This is the first critical study of Reinaldo Arenas from a postcolonial venue. It seeks to find the commonalities that exist between Arenas and the image of Caliban which first appeared in William Shakespeare's The Tempest. The focus is to show how the appropriation of this seventeenth-century image of the New World native can be used to understand the goals of Arenas' writing: to counter attack the regime's goals and false promises which fueled his desire to create a literary counter-discourse that promoted freedom of expression and assertion of an identity separate from that expected by Cuban revolutionary society. Arenas' characters represent imperialistic influences in Cuba that opposed the regime's demands upon expected literary support of their agenda: not only because his characters could be interpreted as a form of mimesis of the treatment various individuals endured on the island, but also because Arenas' messages opposed the ideals of the Revolution. As homosexuality became marginalized and discrimination of homosexuals became institutionalized, Arenas' writing transgressed the expected silence by graphically describing his life, and particularly his sexual adventures and voracity. At the same time, his writings reflect a search for his identity and authorial voice. The arguments in this book focus on a discussion of Reinaldo Arenas' struggle against censorship focused precisely on reestablishing the individual the regime hopes to reeducate. The author's motivations for interpolating his writing at the root of the very society that denies him an existence can be equated to postcolonial discourse. This book is of interest to areas such as Latin American studies and postcolonial studies.
Author: Enrique Morales-Díaz
Publisher:
ISBN: 9781624991998
Category : Caliban (Fictitious character)
Languages : en
Pages : 205
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Book Description
Reinaldo Arenas Fuentes (1943-1990) was a novelist, poet, playwright, essayist, and short story writer considered by many as one of the most eloquent and daring literary figures of his generation. Some of his most known works include the five novel series known as the Pentagony (Pentagona): Celestino antes del alba, El palacio de las blanqusimas mofetas, Otra vez el mar, El color del verano o el jardn de las delicias, and El as alto. Other literary works by Arenas include El central, Voluntad de vivir manifestndose, La vieja Rosa, Arturo, la estrella ms brillante, El mundo alucinante, Adios a mam, Antes que anochezca: una autobiografa and his one act plays Persecucin: cinco piezas de teatro experimental. The themes he explored in his writing ran counter to what Fidel Castro and the revolutionary regime expected from its intellectual citizens. While Castro wanted everyone that wished to be published on the island to succumb to the ideals of the revolution, to promote them in their works, Arenas refused because he believed in the artistic freedom of expression. While he began his adolescence in support of the rebels that were fighting against Fulgencio Batista's dictatorship, he began attacking the revolution when the institutionalized persecution of homosexuals began in Cuba. The research that has been done on Reinaldo Arenas has often focused on his sexuality and his opposition to the revolution. Hundreds of articles have dealt with either specific literary works or themes present in his writing, either using Queer Theory or more traditional literary analysis. However, none have focused on the idea that Arenas could be considered a postcolonial writer since there is a question as to whether that particular theoretical approach can be applied to that region. A study of the relationship between a writer such as Arenas, who refused to conform to the idea that the individual had to become part of a larger collective, and the iconic image of Caliban as he has been appropriated by many Latin American scholars and activists, is necessary to understand the conditions under which many marginalized groups lived whether we are referring to Cuba or any other Latin American country. This is the first critical study of Reinaldo Arenas from a postcolonial venue. It seeks to find the commonalities that exist between Arenas and the image of Caliban which first appeared in William Shakespeare's The Tempest. The focus is to show how the appropriation of this seventeenth-century image of the New World native can be used to understand the goals of Arenas' writing: to counter attack the regime's goals and false promises which fueled his desire to create a literary counter-discourse that promoted freedom of expression and assertion of an identity separate from that expected by Cuban revolutionary society. Arenas' characters represent imperialistic influences in Cuba that opposed the regime's demands upon expected literary support of their agenda: not only because his characters could be interpreted as a form of mimesis of the treatment various individuals endured on the island, but also because Arenas' messages opposed the ideals of the Revolution. As homosexuality became marginalized and discrimination of homosexuals became institutionalized, Arenas' writing transgressed the expected silence by graphically describing his life, and particularly his sexual adventures and voracity. At the same time, his writings reflect a search for his identity and authorial voice. The arguments in this book focus on a discussion of Reinaldo Arenas' struggle against censorship focused precisely on reestablishing the individual the regime hopes to reeducate. The author's motivations for interpolating his writing at the root of the very society that denies him an existence can be equated to postcolonial discourse. This book is of interest to areas such as Latin American studies and postcolonial studies.
Author: Donna Woodford-Gormley
Publisher: Springer Nature
ISBN: 3030873676
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
Shakespeare in Cuba: Caliban’s Books explores how Shakespeare is consumed and appropriated in Cuba. It contributes to the underrepresented field of Latin American Shakespeares by applying the lens of cultural anthropophagy, a theory with Latin American roots, to explore how Cuban artists ingest and transform Shakespeare’s plays. By consuming these works and incorporating them into Cuban culture and literature, Cuban writers make the plays their own while also nourishing the source texts and giving Shakespeare a new afterlife.
Author: Hatem Mohammed Al-Shamea
Publisher: 24by7 Publishers.com
ISBN: 9388484584
Category : Literary Criticism
Languages : en
Pages : 101
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Book Description
The book is a critical search for the hidden threads of origins of unfinished colonialism in the Arab World, particularly Yemen. It exposes the new form of colonialism which has been running in the name of fighting terrorism. The book also unravels the man-made norms that deconstruct the (Yemeni) Arab identity and herald the emergence of the violent sects. For that, the book has critically decoded the unread messages of the Yemeni novelist Wajdi al-Ahdal in his controversial novels, Mountainous Boats 2002, A Donkey among Songs 2004, Quarantine Philosopher 2007, A Land without Jasmine 2008. The book also questions the ongoing violence and the Arab Spring (Uprisings) which began in 2010 and is still up-to-now leading to a socio-political collapse of the Arab countries, particularly Yemen. The book reveals the dark side of religious clerics who have been legitimizing the corruption of the dictators in the Arab world.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 644
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Book Description
Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 1690
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Book Description
Author: Richard Terdiman
Publisher: Cornell University Press
ISBN: 1501717618
Category : History
Languages : en
Pages : 364
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Book Description
Discourse/Counter-Discourse is situated on the border between cultural history and literary criticism: combining the insights of Marxism and semiotics, it attempts to delineate the cultural function of texts. Focusing on France during a period of remarkable cultural, social, and political transformation, Richard Terdiman examines both the dominant bourgeois discourse—novels, newspapers, and other mass forms of expression—and the effort of intellectuals to devise counter-discourses to combat it.
Author: Ronald Cummings
Publisher: Cambridge University Press
ISBN: 9781108474009
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
The period from the 1970s to the present day has produced an extraordinarily rich and diverse body of Caribbean writing that has been widely acclaimed. Caribbean Literature in Transition, 1970-2020 traces the region's contemporary writings across the established genres of prose, poetry, fiction and drama into emerging areas of creative non-fiction, memoir and speculative fiction with a particular attention on challenging the narrow canon of Anglophone male writers. It maps shifts and continuities between late twentieth century and early twenty-first century Caribbean literature in terms of innovations in literary form and style, the changing role and place of the writer, and shifts in our understandings of what constitutes the political terrain of the literary and its sites of struggle. Whilst reaching across language divides and multiple diasporas, it shows how contemporary Caribbean Literature has focused its attentions on social complexity and ongoing marginalizations in its continued preoccupations with identity, belonging and freedoms.
Author: Shani Mootoo
Publisher: Grove Press
ISBN: 9780802144621
Category : Fiction
Languages : en
Pages : 268
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Book Description
"This book is a haunting multi-generational novel about the shifting faces of Mala - adventurer and protector, recluse and madwoman. The plot contains sexual violence and mature themes" -- Prové de l'editor.
