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Author: Rustom Bharucha
Publisher: Honolulu : University of Hawaii Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Author: Rustom Bharucha
Publisher: Honolulu : University of Hawaii Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Author: Colin Barker
Publisher: Haymarket Books
ISBN: 164259489X
Category : History
Languages : en
Pages : 436
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Book Description
This ambitious volume examines revolutionary situations during a non-revolutionary historical conjuncture--the neoliberal era. The last three decades have seen an increase in the number of political upheavals that challenge existing power structures, many of them taking the form of urban revolts. This book compellingly explores a series of such upheavals--in Eastern Europe, South Africa, Indonesia, Argentina, Bolivia, Venezuela, sub-Saharan Africa (including Congo, Zimbabwe, Burkina Faso) and Egypt. Each chapter studies the ways in which protest movements developed into insurgent challenges to state power, and the strategies that regimes have deployed to contain and repress revolt. In addition to empirical chapters, the book engages in theorization of revolution, dealing with questions such as the patterning of revolution in contemporary history, the relationship between class struggle and social movements, and the prospects of socialist revolution in the twenty-first century.
Author: Colin Barker
Publisher: Haymarket Books
ISBN: 9781931859028
Category : History
Languages : en
Pages : 278
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Book Description
Five times in the last 40 years, the working class has posed a radical alternative to the status quo. France 1968: A general strike and factory occupations by millions of workers shake the country. Chile 1972: Workers defending the Popular Unity government set up workers' councils--the cordones--and demand control over production. Portugal 1974: Army officers overthrow the dictator Caetano and release an upsurge of "popular power" whichs last 18 months. Iran 1979: The viciously repressive Shah is toppled and workers set up independent councils, the shoras. Poland 1980: Demanding radical change, workers build the independent trade union Solidarity to fight for their own interests, exposing the false socialism of the Eastern Bloc. In each of these cases, the actions of workers themselves were the driving force of struggles with revolutionary potential. They demonstrate that workers can and will fight back on a mass scale. Each episode offers an inspiring glimpse of the way in which workers rise to the challenge of fighting for a better world--and pose their own alternative to the system. Although none of these struggles ultimately achieved their goals, they were "revolutionary rehearsals" that hold important lessons about the struggle for socialism under modern conditions.
Author: Neil Davidson
Publisher: Haymarket Books
ISBN: 160846265X
Category : Philosophy
Languages : en
Pages : 841
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Book Description
“An impressive contribution both to the history of ideas and to political philosophy.” —Alasdair MacIntyre, author of After Virtue Once of central importance to left historians and activists alike, recently the concept of the “bourgeois revolution” has come in for sustained criticism from both Marxists and conservatives. In this magisterial work, Neil Davidson offers theoretical and historical insights about the nature of revolutions. Through extensive research and comprehensive analysis, Davidson demonstrates that what’s at stake is far from a stale issue for the history books—understanding that these struggles of the past offer far-reaching lessons for today’s radicals. “A monumental work. Neil Davidson has given us what is easily the most comprehensive account yet of the ‘life and times’ of the concept of ‘bourgeois revolution’ [and] has also provided us with a refined set of theoretical tools for understanding the often complex interactions between political revolutions which overturn state institutions and social revolutions which involve a more thoroughgoing transformation of social relations.” —Colin Mooers, author of The Making of Bourgeois Europe “Davidson’s book is one of immense and impressive erudition. His knowledge of the history of Marxist theory and historiography is as detailed as it is comprehensive, and must be well-nigh unrivalled. The endless, complex debates that characterize the Marxist tradition are distilled with clarity and illumination.” —Times Literary Supplement “A brilliant and fascinating book, wide-ranging and lucidly written.” —Jairus Banaji, author of Theory as History
Author: Nandi Bhatia
Publisher: University of Michigan Press
ISBN: 0472024620
Category : Performing Arts
Languages : en
Pages : 215
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Book Description
Despite its importance to literary and cultural texts of resistance, theater has been largely overlooked as a field of analysis in colonial and postcolonial studies. Acts of Authority/Acts of Resistance seeks to address that absence, as it uniquely views drama and performance as central to the practice of nationalism and anti-colonial resistance. Nandi Bhatia argues that Indian theater was a significant force in the struggle against oppressive colonial and postcolonial structures, as it sought to undo various schemes of political and cultural power through its engagement with subjects derived from mythology, history, and available colonial models such as Shakespeare. Bhatia's attention to local histories within a postcolonial framework places performance in a global and transcultural context. Drawing connections between art and politics, between performance and everyday experience, Bhatia shows how performance often intervened in political debates and even changed the course of politics. One of the first Western studies of Indian theater to link the aesthetics and the politics of that theater, Acts of Authority/Acts of Resistance combines in-depth archival research with close readings of dramatic texts performed at critical moments in history. Each chapter amplifies its themes against the backdrop of specific social conditions as it examines particular dramatic productions, from The Indigo Mirror to adaptations of Shakespeare plays by Indian theater companies, illustrating the role of theater in bringing nationalist, anticolonial, and gendered struggles into the public sphere. Nandi Bhatia is Associate Professor of English at the University of Western Ontario.
Author: Brian Meeks
Publisher:
ISBN: 9789766401047
Category : Philosophy
Languages : en
Pages : 228
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Book Description
A sophisticated comparative study of the Cuban, Nicaraguan and Grenadian revolutions, using techniques derived from J. S. Mill and perfected by Theda S. Skopol. Despite the unfulfilled promise of all three revolutions, they do suggest that people have the potential to make history and affect positive changes. Originally published by Macmillan Caribbean 1993, this classic contains a new preface by Anthony Maingot, Florida International University.
Author:
Publisher:
ISBN:
Category : Vietnam (Democratic Republic)
Languages : en
Pages : 718
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Book Description
Author: Willie Lee Rose
Publisher: University of Georgia Press
ISBN: 9780820320618
Category : History
Languages : en
Pages : 448
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Book Description
Just seven months into the Civil War, a Union fleet sailed into South Carolina’s Port Royal Sound, landed a ground force, and then made its way upriver to Beaufort. Planters and farmers fled before their attackers, allowing virtually all their major possessions, including ten thousand slaves, to fall into Union hands. Rehearsal for Reconstruction, winner of the Allan Nevins Prize, the Francis Parkman Prize, and the Charles S. Sydnor Prize, is historian Willie Lee Rose’s chronicle of change in this Sea Island region from its capture in 1861 through Reconstruction. With epic sweep, Rose demonstrates how Port Royal constituted a stage upon which a dress rehearsal for the South’s postwar era was acted out.
Author: Vladimir Sharov
Publisher: SCB Distributors
ISBN: 1910213616
Category : Fiction
Languages : en
Pages : 288
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Book Description
New Jerusalem Monastery, seventeenth-century Moscow. Patriarch Nikon has instructed an itinerant French dramatist to stage the New Testament and hasten the Second Coming. But this will be a strange form of theatre. The actors are untrained, illiterate Russian peasants, and nobody is allowed to play Christ. They are persecuted, arrested, displaced, and ultimately replaced by their own children. Yet the rehearsals continue... A stunning reflection on art, history, religion and national identity, Rehearsals is the seminal work in the unique oeuvre of Vladimir Sharov, Russian Booker Prize winner (2014) and author of Before & During (Read Russia award for best translation, 2015). 'The clarity and directness of Sharov's prose - wonderfully rendered by Oliver Ready - are disconcerting, almost hallucinatory. His writing is at times funny, at times so piercingly moving, so brimful of unassuaged sorrow, that it causes a double-take. How did I get here? is a question his reader will likely ask again and again.' Rachel Polonsky, New York Review of Books '... the reader is rewarded with an unforgettable experience. Not because Vladimir Sharov forsakes the intellectual heft of these early pages, but because he finds a more accessible vehicle for his profound thinking in an intriguing premiss.' Jamie Rann in the Times Literary Supplement
Author: Jason A. Frank
Publisher:
ISBN: 0190658150
Category : Political Science
Languages : en
Pages : 281
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Book Description
The transition from royal to popular sovereignty during the age of democratic revolutions--from 1776 to 1848--entailed not only the reorganization of institutions of governance and norms of political legitimacy, but also a dramatic transformation in the iconography and symbolism of political power. The personal and external rule of the king, whose body was the physical locus of political authority, was replaced with the impersonal and immanent self-rule of the people, whose power could not be incontestably embodied. This posed representational difficulties that went beyond questions of institutionalization and law, extending into the aesthetic realm of visualization, composition, and form. How to make the people's sovereign will tangible to popular judgment was, and is, a crucial problem of democratic political aesthetics. The Democratic Sublime offers an interdisciplinary exploration of how the revolutionary proliferation of popular assemblies--crowds, demonstrations, gatherings of the people out of doors--came to be central to the political aesthetics of democracy during the age of democratic revolutions. Jason Frank argues that popular assemblies allowed the people to manifest as a collective actor capable of enacting dramatic political reforms and change. Moreover, Frank asserts that popular assemblies became privileged sites of democratic representation as they claimed to support the voice of the people while also signaling the material plenitude beyond any single representational claim. Popular assemblies continue to retain this power, in part, because they embody that which escapes representational capture: they disrupt the representational space of appearance and draw their power from the ineffability and resistant materiality of the people's will. Engaging with a wide range of sources, from canonical political theorists (Rousseau, Burke, and Tocqueville) to the novels of Hugo, the visual culture of the barricades, and the memoirs of popular insurgents, The Democratic Sublime demonstrates how making the people's sovereign will tangible to popular judgment became a central dilemma of modern democracy, and how it remains so today.
