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Author: Joseph Wesley Zeigler
Publisher: U of Minnesota Press
ISBN: 1452911428
Category :
Languages : en
Pages : 314
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Book Description
Author: Joseph Wesley Zeigler
Publisher: U of Minnesota Press
ISBN: 1452911428
Category :
Languages : en
Pages : 314
Get Book Here
Book Description
Author: J. Ullom
Publisher: Springer
ISBN: 1137394358
Category : Performing Arts
Languages : en
Pages : 433
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Book Description
The Cleveland Play House has mirrored the achievements and struggles of both the city of Cleveland and the American theatre over the past one hundred years. This book challenges the established history (often put forward by the theatre itself) and long-held assumptions concerning the creation of the institution and its legacy.
Author: Donatella Galella
Publisher: Studies Theatre Hist & Culture
ISBN: 1609386256
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
More than a chronicle, America in the Round is a critical history that reveals how far Washington D.C.'s Arena Stage could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power. With an innovative "in the round" approach, the narrative simulates sitting in different parts of the arena space to see the theatre through different lenses--economics, racial dynamics, and American identity.
Author: John Vacha
Publisher: Kent State University Press
ISBN: 9780873386975
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
This work takes the reader from the city's first professional theatrical presentation in 1820, through the heyday of vaudeville, to the grand reopening of the newly renovated Allen Theatre in 1999 and the return of touring Broadway shows to Cleveland. In 1820 Cleveland was able to draw a visit from a troupe of professional actors. With no theater in which to perform, the troupe made do with Mowrey's Tavern on Public Square, where a standing-room-only audience saw The Purse; or the Benevolent Tar. It was five years before another professional company would visit. As the city grew, theater blossomed and vaudeville flourished. In the early 1920s, five magnificent theaters opened at Playhouse Square - the State and the Palace, for mixed programs of vaudeville and movies; the Hanna Theater and Ohio, for legitimate Broadway-style theater, and the Allen, for movies. Cleveland was also in the vanguard of the little theater movement with the establishment of the Cleveland Play House and the interracial Karamu Theatre. After a period of decline in the 1960s and 1970s, live theater was reborn in Playhouse Square, which is now the second-largest performing arts complex in the country, and a
Author: Joseph Wesley Zeigler
Publisher: U of Minnesota Press
ISBN: 9780816606757
Category : Theater
Languages : en
Pages : 277
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Book Description
Regional Theatre was first published in 1973. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This is a social history of a recent American cultural phenomenon--the development since World War II of numerous nonprofit regional theatres which, as a group, have changed the complexion of the American theatre. It is the story of a revolution, now over, and a call for a new purpose to follow it. After a discussion of the background against which the regional theatre movement began, the author traces the histories of individual theatre companies. And yet the book is less about actors, directors, and productions than it is about the struggle to create and sustain new cultural forms, and the tension between regional and central phenomena.Mr. Zeigler sees several related themes: institutionalism -- theatre as a continuing creative organism; decentralization--the bringing of theatre to all areas of the country; and the development of a National Theatre to serve the entire country. A significant element in the book consists of examination of some of the important funding programs which have aided the development of regional theatres.
Author: Jim Volz
Publisher: Random House Digital, Inc.
ISBN: 9780823078806
Category : Performing Arts
Languages : en
Pages : 394
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Book Description
Everyacting student and working actor needs a copy of this book! Here’s the essential guide to surviving and thriving as an actor in regional theaters. The thousands and thousands of students in the hundreds and hundreds of acting programs all over the country would all love to become stars right out of school—but the reality of a career in acting usually means honing the craft at regional theaters.The Back Stage Guide to Working in Regional Theaterincludes a history of the movement and a description of each of the League of Regional Theater (LORT) houses in the U.S, plus sections on personal marketing for the actor, the business of acting, strategies and career planning. Essential web sites, a sample organizational chart, contact names, a guide to theater unions, and listings of more than 100 theaters across the country makeThe Back Stage Guide to Regional Theatera must-have for every actor who’s working or wants to be. • Full listings for every regional theater in the US • Valuable information on websites, resources, getting organized • Helps acting students find employers near home or school while they train
Author: Steven Archer
Publisher: Rowman & Littlefield
ISBN: 9780939693610
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
Theatre: Its Art and Craft is intended for use in theatre appreciation and introduction to theatre courses. This new edition features updated statistics and references that keep the text current. The first chapter of the text introduces readers to the broad issues of artistic practice, while the second chapter inspects the specific area of live theatre. The remainder of chapters examine in detail the various functionaries of the theatre (audience, critics, playwrights, directors, actors, designers, historians, and dramaturgs). As in previous volumes, readers are encouraged to examine the complex interaction of all theatrical elements. Just as in music some instruments supply the basic structure and some embellish that structure, so in the theatre the elements of script, directing, acting, and design interact in shifting configurations to offer a new work of art at every performance. Examining these relationships will enrich the theatrical experience. A Collegiate Press book
Author: Jeffrey Ullom
Publisher: SIU Press
ISBN: 9780809328499
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
Far from the glittering lights of Broadway, in a city known more for its horse racing than its artistic endeavors, an annual festival in Louisville, Kentucky, has transformed the landscape of the American theater. The Actors Theatre of Louisville—the Tony Award–winning state theater of Kentucky—in 1976 successfully created what became the nation's most respected new-play festival, the Humana Festival of New American Plays. The Humana Festival: The History of New Plays at Actors Theatre of Louisville examines the success of the festival and theater’s Pulitzer Prize–winning productions that for decades have reflected new-play trends in regional theaters and on Broadway—the result of the calculated decisions, dogged determination, and good luck of its producing director, Jon Jory. The volume details how Actors Theatre of Louisville was established, why the Humana Festival became successful in a short time, and how the event’s success has been maintained by the Louisville venue that has drawn theater critics from around the world for more than thirty years. Author Jeffrey Ullom charts the theater’s early struggles to survive, the battles between troupe leaders, and the desperate measures to secure financial support from the Louisville community. He examines how Jory established and expanded the festival to garner extraordinary local support, attract international attention, and entice preeminent American playwrights to premier their works in the Kentucky city. In The Humana Festival, Ullom provides a broad view of new-play development within artistic, administrative, and financial contexts. He analyzes the relationship between Broadway and regional theaters, outlining how the Humana Festival has changed the process of new-play development and even Broadway’s approach to discovering new work, and also highlights the struggles facing regional theaters across the country as they strive to balance artistic ingenuity and economic viability. Offering a rare look at the annual event, The Humana Festival provides the first insider’s view of the extraordinary efforts that produced the nation’s most successful new-play festival.
Author: Donatella Galella
Publisher: University of Iowa Press
ISBN: 1609386264
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
Washington D.C.’s Arena Stage was the first professional regional theatre in the nation’s capital to welcome a racially integrated audience; the first to perform behind the Iron Curtain; and the first to win the Tony Award for best regional theatre. This behind-the-scenes look at one of the leading theatres in the United States shows how key financial and artistic decisions were made, using a range of archival materials such as letters and photographs as well as interviews with artists and administrators. Close-ups of major productions from The Great White Hope to Oklahoma! illustrate how Arena Stage navigated cultural trends. More than a chronicle, America in the Round is a critical history that reveals how far the theatre could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power. With an innovative “in the round” approach, the narrative simulates sitting in different parts of the arena space to see the theatre through different lenses—economics, racial dynamics, and American identity.
Author: George Rowell
Publisher: Cambridge University Press
ISBN: 9780521319195
Category : Drama
Languages : en
Pages : 246
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Book Description
This is an account of the origins, development and current state of the repertory theatre movement in Britain. The movement had its roots in ideas, experiments and traditions stretching back into the nineteenth century, and first found its voice in 1907 with Miss Horniman's company in Manchester. Since then it has played a vital - often a dominant - role in British twentieth-century theatre. As a method of theatre organisation, repertory refers to those theatres based primarily in the regions, housing a resident acting company and seeking to maintain each season a programme of plays catering for the tastes of the whole community. But the theory has never been dogmatic and the movement has evolved from a gamut of complex factors, not least the visions of particular personalities. Major landmarks in the history include the effects of the two World Wars, the advent of substantial state funding for the Arts, the growth of cinema and television and the renewal of theatre's link with the community in the form of such initiatives as Theatre- in-Education. The history concludes with a detailed study of six representative regional theatres: The Nottingham Playhouse; The Citizens' Theatre, Glasgow; The Salisbury Playhouse; The Victoria Theatre, Stoke; The Everyman, Liverpool; and The Royal Exchange, Manchester. Appendixes include a Chronology, sample repertory programmes from the period, audience attendance figures and some comparative statistics about funding. Interspersed through the text are photographs of selected theatre exteriors, auditoria, stages and productions.
