Regarding Charlottesville Music - An Oral History PDF Download
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Author: Rich Tarbell
Publisher: Lulu.com
ISBN: 0359061141
Category : Art
Languages : en
Pages : 215
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Book Description
"A photography portrait project of the present rooted in the past with a supplementary oral history that makes no claims to being comprehensive, definitive or chronologically accurate. One hundred local musicians are captured in their creative spaces with minimal intrusion (one light, one camera, two lenses). The creative spaces offer a high level of comfort for the subject while offering the audience a rarely seen behind the scenes view of noteworthy local musicians." -- provided by publisher.
Author: Rich Tarbell
Publisher: Lulu.com
ISBN: 0359061141
Category : Art
Languages : en
Pages : 215
Get Book Here
Book Description
"A photography portrait project of the present rooted in the past with a supplementary oral history that makes no claims to being comprehensive, definitive or chronologically accurate. One hundred local musicians are captured in their creative spaces with minimal intrusion (one light, one camera, two lenses). The creative spaces offer a high level of comfort for the subject while offering the audience a rarely seen behind the scenes view of noteworthy local musicians." -- provided by publisher.
Author: Rich Tarbell
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 260
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Book Description
Regarding Charlottesville Music is a photography project of the present, rooted in the past, documenting five decades of local musicians. This book is the oral history. The book focuses on local musical centers of influence. The stories of a few bands are included in this reflection - some of these bands are well-known, some obscure, some still playing, and some long gone. The limited selection of photographs included are mostly for narrative context.
Author: James Robert Saunders
Publisher: McFarland
ISBN: 1476632383
Category : Social Science
Languages : en
Pages : 145
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Book Description
From the 1920s through the 1950s, the center of black social and business life in Charlottesville, Virginia, was the area known as Vinegar Hill. But in 1960, noting the prevalence of aging frame houses and "substandard" conditions such as outdoor toilets, voters decided that Vinegar Hill would be redeveloped. Charlottesville's black residents lost a cultural center, largely because they were deprived of a voice in government. Vinegar Hill's displaced residents discuss the loss of homes and businesses and the impact of the project on black life in Charlottesville. The interviews raise questions about motivations behind urban renewal. Instructors considering this book for use in a course may request an examination copy here.
Author: Robert Darden
Publisher: Penn State Press
ISBN: 0271080124
Category : Music
Languages : en
Pages : 395
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Book Description
Volume 1 of Nothing but Love in God’s Water traced the music of protest spirituals from the Civil War to the American labor movement of the 1930s and 1940s, and on through the Montgomery bus boycott. This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement. Robert Darden, former gospel music editor for Billboard magazine and the founder of the Black Gospel Music Restoration Project at Baylor University, brings this vivid, vital story to life. He explains why black sacred music helped foster community within the civil rights movement and attract new adherents; shows how Martin Luther King Jr. and other leaders used music to underscore and support their message; and reveals how the songs themselves traveled and changed as the fight for freedom for African Americans continued. Darden makes an unassailable case for the importance of black sacred music not only to the civil rights era but also to present-day struggles in and beyond the United States. Taking us from the Deep South to Chicago and on to the nation’s capital, Darden’s grittily detailed, lively telling is peppered throughout with the words of those who were there, famous and forgotten alike: activists such as Rep. John Lewis, the Reverend Ralph Abernathy, and Willie Bolden, as well as musical virtuosos such as Harry Belafonte, Duke Ellington, and The Mighty Wonders. Expertly assembled from published and unpublished writing, oral histories, and rare recordings, this is the history of the soundtrack that fueled the long march toward freedom and equality for the black community in the United States and that continues to inspire and uplift people all over the world.
Author: National Endowment for the Arts
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 686
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Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Author: James Andrew Davis
Publisher: U of Nebraska Press
ISBN: 0803262779
Category : Music
Languages : en
Pages : 342
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Book Description
In December 1863, Civil War soldiers took refuge from the dismal conditions of war and weather. They made their winter quarters in the Piedmont region of central Virginia: the Union’s Army of the Potomac in Culpeper County and the Confederacy’s Army of Northern Virginia in neighboring Orange County. For the next six months the opposing soldiers eyed each other warily across the Rapidan River. In Music Along the Rapidan James A. Davis examines the role of music in defining the social communities that emerged during this winter encampment. Music was an essential part of each soldier’s personal identity, and Davis considers how music became a means of controlling the acoustic and social cacophony of war that surrounded every soldier nearby. Music also became a touchstone for colliding communities during the encampment—the communities of enlisted men and officers or Northerners and Southerners on the one hand and the shared communities occupied by both soldier and civilian on the other. The music enabled them to define their relationships and their environment, emotionally, socially, and audibly.
Author: Rachel Carroll
Publisher: Routledge
ISBN: 131710420X
Category : Music
Languages : en
Pages : 258
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Book Description
Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ’Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ’Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.
Author: Barry Allen Lanman
Publisher: Rowman Altamira
ISBN: 9780759108530
Category : Education
Languages : en
Pages : 516
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Book Description
Preparing the Next Generation of Oral Historians is an invaluable resource to educators seeking to bring history alive for students at all levels. Filled with insightful reflections on teaching oral history, it offers practical suggestions for educators seeking to create curricula, engage students, gather community support, and meet educational standards. By the close of the book, readers will be able to successfully incorporate oral history projects in their own classrooms.
Author: Nicholas Cook
Publisher: Cambridge University Press
ISBN: 0521865824
Category : Music
Languages : en
Pages : 381
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Book Description
Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.
Author: Bill C Malone
Publisher: University of Illinois Press
ISBN: 0252098978
Category : Biography & Autobiography
Languages : en
Pages : 235
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Book Description
The most atypical of bluegrass artists, Bill Clifton has enjoyed a long career as a recording artist, performer, and champion of old-time music. Bill C. Malone pens the story of Clifton's eclectic life and influential career. Born into a prominent Maryland family, Clifton connected with old-time music as a boy. Clifton made records around earning a Master's degree, fifteen years in the British folk scene, and stints in the Peace Corps and Marines. Yet that was just the beginning. Closely allied with the Carter Family, Woody Guthrie, Mike Seeger, and others, Clifton altered our very perceptions of the music--organizing one of the first outdoor bluegrass festivals, publishing a book of folk and gospel standards that became a cornerstone of the folk revival, and introducing both traditional and progressive bluegrass around the world. As Malone shows, Clifton clothed the music of working-class people in the vestments of romance, celebrating the log cabin as a refuge from modernism that rang with the timeless music of Appalachia. An entertaining account by an eminent music historian, Bill Clifton clarifies the myths and illuminates the paradoxes of an amazing musical life.
