Author: Franco Sciannameo
Publisher: Rowman & Littlefield
ISBN: 1498569013
Category : Music
Languages : en
Pages : 201
Book Description
Reflections on the Music of Ennio Morricone: Fame and Legacy provides new contextualized perspectives on Ennio Morricone’s position as a radical composer working at the cutting edge of music within the frame work of his cinematic compositions. The Italian composer has reached world fame as the creator of some 500 film scores and hundreds more arrangements for commercial recordings; however, Sciannameo argues that Morricone’s legacy must include his concert works, a catalogued list of more than 100 titles. By analyzing the composer’s formative years as a music practitioner and his transition into the world of composing for the screen, Franco Sciannameo reconsiders the best of Morricone’s popular compositions and reveals the challenging concert works which have been an intimate expression of Morricone’s lifelong creative season. Reflections on the Music of Ennio Morricone exploresMorricone’s legacy, its nature, and its eventual impact on posterity.
Reflections on the Music of Ennio Morricone
Author: Franco Sciannameo
Publisher: Rowman & Littlefield
ISBN: 1498569013
Category : Music
Languages : en
Pages : 201
Book Description
Reflections on the Music of Ennio Morricone: Fame and Legacy provides new contextualized perspectives on Ennio Morricone’s position as a radical composer working at the cutting edge of music within the frame work of his cinematic compositions. The Italian composer has reached world fame as the creator of some 500 film scores and hundreds more arrangements for commercial recordings; however, Sciannameo argues that Morricone’s legacy must include his concert works, a catalogued list of more than 100 titles. By analyzing the composer’s formative years as a music practitioner and his transition into the world of composing for the screen, Franco Sciannameo reconsiders the best of Morricone’s popular compositions and reveals the challenging concert works which have been an intimate expression of Morricone’s lifelong creative season. Reflections on the Music of Ennio Morricone exploresMorricone’s legacy, its nature, and its eventual impact on posterity.
Publisher: Rowman & Littlefield
ISBN: 1498569013
Category : Music
Languages : en
Pages : 201
Book Description
Reflections on the Music of Ennio Morricone: Fame and Legacy provides new contextualized perspectives on Ennio Morricone’s position as a radical composer working at the cutting edge of music within the frame work of his cinematic compositions. The Italian composer has reached world fame as the creator of some 500 film scores and hundreds more arrangements for commercial recordings; however, Sciannameo argues that Morricone’s legacy must include his concert works, a catalogued list of more than 100 titles. By analyzing the composer’s formative years as a music practitioner and his transition into the world of composing for the screen, Franco Sciannameo reconsiders the best of Morricone’s popular compositions and reveals the challenging concert works which have been an intimate expression of Morricone’s lifelong creative season. Reflections on the Music of Ennio Morricone exploresMorricone’s legacy, its nature, and its eventual impact on posterity.
Ennio Morricone
Author: Alessandro De Rosa
Publisher: Oxford University Press
ISBN: 0190681039
Category : Biography & Autobiography
Languages : en
Pages : 397
Book Description
Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."
Publisher: Oxford University Press
ISBN: 0190681039
Category : Biography & Autobiography
Languages : en
Pages : 397
Book Description
Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."
The Palgrave Handbook of Music in Comedy Cinema
Author: Emilio Audissino
Publisher: Springer Nature
ISBN: 3031334221
Category : Music
Languages : en
Pages : 792
Book Description
This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors.
Publisher: Springer Nature
ISBN: 3031334221
Category : Music
Languages : en
Pages : 792
Book Description
This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors.
Film Music in the Sound Era
Author: Jonathan Rhodes Lee
Publisher: Routledge
ISBN: 1000091287
Category : Music
Languages : en
Pages : 1155
Book Description
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Publisher: Routledge
ISBN: 1000091287
Category : Music
Languages : en
Pages : 1155
Book Description
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
The Aesthetical Writings of Giacinto Scelsi
Author:
Publisher: Rowman & Littlefield
ISBN: 1538166828
Category : Music
Languages : en
Pages : 175
Book Description
Giacinto Scelsi (1905-1988), an extraordinary, innovative, and often controversial moving force in modern music, has been the subject of a vast amount of literary criticism, philosophical discussions, and groundbreaking performances. Originally in French, Scelsi’s writings have been included in anthologies of prose, poetry, and memories published in French, Italian, and German. For the first time, this volume brings selected writings into English. His writings enlighten the creative process and facilitate further the understanding of his musical message. Following Eric Drott’s Preface, Franco Sciannameo and Alessandra Carlotta Pellegrini provide two introductory essays to Scelsi’s Meaning of Music, The Evolution of Harmony, The Evolution of Rhythm, Art and Satanism, Unity and Equality of the Arts, Sound and Music, and Art and Knowledge–writings spanning from the early 1940s to February 1987. Additionally, the editors place Scelsi’s aesthetical writings within a densely contextualized historical, social, and cultural landscape to provide scholarly yet approachable critical information. Iconographic plates, bibliography, discography and a comprehensive index complete the volume.
Publisher: Rowman & Littlefield
ISBN: 1538166828
Category : Music
Languages : en
Pages : 175
Book Description
Giacinto Scelsi (1905-1988), an extraordinary, innovative, and often controversial moving force in modern music, has been the subject of a vast amount of literary criticism, philosophical discussions, and groundbreaking performances. Originally in French, Scelsi’s writings have been included in anthologies of prose, poetry, and memories published in French, Italian, and German. For the first time, this volume brings selected writings into English. His writings enlighten the creative process and facilitate further the understanding of his musical message. Following Eric Drott’s Preface, Franco Sciannameo and Alessandra Carlotta Pellegrini provide two introductory essays to Scelsi’s Meaning of Music, The Evolution of Harmony, The Evolution of Rhythm, Art and Satanism, Unity and Equality of the Arts, Sound and Music, and Art and Knowledge–writings spanning from the early 1940s to February 1987. Additionally, the editors place Scelsi’s aesthetical writings within a densely contextualized historical, social, and cultural landscape to provide scholarly yet approachable critical information. Iconographic plates, bibliography, discography and a comprehensive index complete the volume.
Reflections on the Music of Ennio Morricone
Author: Franco Sciannameo
Publisher: Lexington Books
ISBN: 9781498569026
Category :
Languages : en
Pages : 200
Book Description
By analyzing Ennio Morricone's formative years as a music practitioner and his transition into composing for the screen, Franco Sciannameo studies the best of Morricone's popular compositions and concert works as he explores Morricone's legacy, its nature, and its eventual impact on posterity.
Publisher: Lexington Books
ISBN: 9781498569026
Category :
Languages : en
Pages : 200
Book Description
By analyzing Ennio Morricone's formative years as a music practitioner and his transition into composing for the screen, Franco Sciannameo studies the best of Morricone's popular compositions and concert works as he explores Morricone's legacy, its nature, and its eventual impact on posterity.
Dirt, Mess and Danger
Author: Glendon Macaulay
Publisher: Wild Goose Publications
ISBN: 1849522111
Category : Religion
Languages : en
Pages : 272
Book Description
Liturgies, meditations, reflections, prayers, poems etc that have been tried and tested with local congregations, often at ecumenical worship events. They celebrate the One who came to earth to live a fully human life, who understands what it is to be human. Material for Advent, Christmas, Epiphany, Lent, Holy Week, Easter, Pentecost and more.
Publisher: Wild Goose Publications
ISBN: 1849522111
Category : Religion
Languages : en
Pages : 272
Book Description
Liturgies, meditations, reflections, prayers, poems etc that have been tried and tested with local congregations, often at ecumenical worship events. They celebrate the One who came to earth to live a fully human life, who understands what it is to be human. Material for Advent, Christmas, Epiphany, Lent, Holy Week, Easter, Pentecost and more.
The Cambridge Companion to Film Music
Author: Mervyn Cooke
Publisher: Cambridge University Press
ISBN: 1107094518
Category : Music
Languages : en
Pages : 439
Book Description
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
Publisher: Cambridge University Press
ISBN: 1107094518
Category : Music
Languages : en
Pages : 439
Book Description
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
Film Music: A Very Short Introduction
Author: Kathryn Kalinak
Publisher: Oxford University Press
ISBN: 0199707979
Category : Performing Arts
Languages : en
Pages : 162
Book Description
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
Publisher: Oxford University Press
ISBN: 0199707979
Category : Performing Arts
Languages : en
Pages : 162
Book Description
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
The Little Book of Music for the Classroom
Author: Nina Jackson
Publisher: Crown House Publishing
ISBN: 1845903374
Category : Education
Languages : en
Pages : 101
Book Description
If you ever want to start a fight in the staffroom then bring up the question of the use of music in the classroom. And if you want to settle that perennial dispute then this is the book to do it with. Nina's groundbreaking research has proven how music can be of direct benefit for learning and motivation in classrooms across the school and this book , simply and effectively, tells you what music to use, when and why. So, put away your whale song CD and your James Last box set and explore how real music can transform your classroom.
Publisher: Crown House Publishing
ISBN: 1845903374
Category : Education
Languages : en
Pages : 101
Book Description
If you ever want to start a fight in the staffroom then bring up the question of the use of music in the classroom. And if you want to settle that perennial dispute then this is the book to do it with. Nina's groundbreaking research has proven how music can be of direct benefit for learning and motivation in classrooms across the school and this book , simply and effectively, tells you what music to use, when and why. So, put away your whale song CD and your James Last box set and explore how real music can transform your classroom.