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Author: Joan Livingston
Publisher: Open Road Media
ISBN: 1504099982
Category : Fiction
Languages : en
Pages : 321
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Book Description
A widowed and unemployed New England journalist decides to dig into a very cold case, in this novel that “zips along like a well-tuned snowmobile” (Anne Hillerman, New York Times–bestselling author of Lost Birds). Isabel Long has had a bad year. Her husband died unexpectedly, and she lost her longtime job as editor-in-chief of a newspaper. Living with her ninety-two-year-old mother and having some time on her hands, Isabel decides to investigate a cold case—her first big story as an independent reporter—about a woman who disappeared twenty-eight years ago in her small western Massachusetts town. To research further—and to make ends meet—she takes a job at the local watering hole, where she can get up close and personal with those connected to the mystery. But getting too close to the truth can be dangerous . . . As a journalist, Isabel never gave up on a story. Now, as an amateur private investigator, she’s not about to go down without a fight, no matter the cost . . . “A savvy and appealing protagonist.” —Frederick Reiken, author of Day for Night “A well crafted story with the perfect amount of tension, suspense and delicious intrigue.” —Joy Norstrom, author of Out of Play “Will keep you guessing right to the end.” —Susan Roebuck, author of Rising Tide
Author: Joan Livingston
Publisher: Open Road Media
ISBN: 1504099982
Category : Fiction
Languages : en
Pages : 321
Get Book Here
Book Description
A widowed and unemployed New England journalist decides to dig into a very cold case, in this novel that “zips along like a well-tuned snowmobile” (Anne Hillerman, New York Times–bestselling author of Lost Birds). Isabel Long has had a bad year. Her husband died unexpectedly, and she lost her longtime job as editor-in-chief of a newspaper. Living with her ninety-two-year-old mother and having some time on her hands, Isabel decides to investigate a cold case—her first big story as an independent reporter—about a woman who disappeared twenty-eight years ago in her small western Massachusetts town. To research further—and to make ends meet—she takes a job at the local watering hole, where she can get up close and personal with those connected to the mystery. But getting too close to the truth can be dangerous . . . As a journalist, Isabel never gave up on a story. Now, as an amateur private investigator, she’s not about to go down without a fight, no matter the cost . . . “A savvy and appealing protagonist.” —Frederick Reiken, author of Day for Night “A well crafted story with the perfect amount of tension, suspense and delicious intrigue.” —Joy Norstrom, author of Out of Play “Will keep you guessing right to the end.” —Susan Roebuck, author of Rising Tide
Author: Rob Russell
Publisher: Rowman & Littlefield
ISBN: 0811765962
Category : Sports & Recreation
Languages : en
Pages : 321
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Book Description
Fly patterns, step-by-step tying instructions, and fishing tips from hardcore West Coast and Great Lakes steelheaders. Includes over 30 tiers from around the country, ranging from British Columbia to Great Lakes. Features in depth analysis on topics such as important fly design characteristics, unconventional wisdom at the vise and on the water, and tying and fishing the popular style of fly known as Intruders. 14 patterns tied in detail with over 400 step by step images Fishing and tying tips Choosing the right materials Gallery of flies from famous anglers and tiers such as April Vokey, Lani Waller, Ed Ward, and Trey Combs
Author: Nadine Hubbs
Publisher: Univ of California Press
ISBN: 0520958349
Category : Music
Languages : en
Pages : 241
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Book Description
In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.
Author: Mike Quarles
Publisher: McFarland
ISBN: 9780786462575
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
Taboo breakers and trendsetters, shameless hucksters and famous directors. Exploitation filmmaking has seen it all. Fred Olen Ray made his first movie for $298. In 1936 Marijuana-Weed with Roots in Hell showed drug use and nudity on screen in an effort to "educate the public." Kroger Babb, the man behind Mom and Dad, spliced color medical footage of a baby's birth into his black and white "classic." Russ Meyer, John Waters, Andy Milligan, Doris Wishman, and many others are covered. "Classic" films such as The Immoral Mr. Teas, The Texas Chainsaw Massacre, and Nude on the Moon are examined. Production techniques and innovations are also discussed.
Author: Anthony Harkins
Publisher: Oxford University Press
ISBN: 9780198033431
Category : History
Languages : en
Pages : 346
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Book Description
In this pioneering work of cultural history, historian Anthony Harkins argues that the hillbilly-in his various guises of "briar hopper," "brush ape," "ridge runner," and "white trash"-has been viewed by mainstream Americans simultaneously as a violent degenerate who threatens the modern order and as a keeper of traditional values of family, home, and physical production, and thus symbolic of a nostalgic past free of the problems of contemporary life. "Hillbilly" signifies both rugged individualism and stubborn backwardness, strong family and kin networks but also inbreeding and bloody feuds. Spanning film, literature, and the entire expanse of American popular culture, from D. W. Griffith to hillbilly music to the Internet, Harkins illustrates how the image of the hillbilly has consistently served as both a marker of social derision and regional pride. He traces the corresponding changes in representations of the hillbilly from late-nineteenth century America, through the great Depression, the mass migrations of Southern Appalachians in the 1940s and 1950s, the War on Poverty in the mid 1960s, and to the present day. Harkins also argues that images of hillbillies have played a critical role in the construction of whiteness and modernity in twentieth century America. Richly illustrated with dozens of photographs, drawings, and film and television stills, this unique book stands as a testament to the enduring place of the hillbilly in the American imagination. Hillbilly received an Honorable Mention, John G. Cawelti Book Award of the American Culture Association.
Author: Wenying Xu
Publisher: Rowman & Littlefield
ISBN: 1538157322
Category : Literary Criticism
Languages : en
Pages : 513
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Book Description
A Library Journal Best Reference Book of 2022 This book represents the culmination of over 150 years of literary achievement by the most diverse ethnic group in the United States. Diverse because this group of ethnic Americans includes those whose ancestral roots branch out to East Asia, Southeast Asia, South Asia, and Western Asia. Even within each of these regions, there exist vast differences in languages, cultures, religions, political systems, and colonial histories. From the earliest publication in 1887 to the latest in 2021, this dictionary celebrates the incredibly rich body of fiction, poetry, memoirs, plays, and children’s literature. Historical Dictionary of Asian American Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on genres, major terms, and authors. This book is an excellent resource for students, researchers, and anyone wanting to know more about this topic.
Author: Thomas Sowell
Publisher: ReadHowYouWant.com
ISBN: 1459602218
Category : Political Science
Languages : en
Pages : 582
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Book Description
This explosive new book challenges many of the long-prevailing assumptions about blacks, about Jews, about Germans, about slavery, and about education. Plainly written, powerfully reasoned, and backed with a startling array of documented facts, Black Rednecks and White Liberals takes on not only the trendy intellectuals of our times but also suc...
Author:
Publisher:
ISBN:
Category : Political campaigns
Languages : en
Pages : 460
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Book Description
Author: Derek Nystrom
Publisher: Oxford University Press
ISBN: 0199714320
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore. Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women's and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade's upheavals. Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation's most tumultuous decades.
Author: Julian Petley
Publisher: Bloomsbury Publishing
ISBN: 1350136301
Category : Art
Languages : en
Pages : 285
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Book Description
This collection focuses on 1970s films from a variety of countries, and from the marginal to the mainstream, which, by tackling various 'difficult' subjects, have proved to be controversial in one way or another. It is not an uncritical celebration of the shocking and the subversive but an attempt to understand why this decade produced films which many found shocking, and what it was that made them shocking to certain audiences. To this end it includes not only films that shocked the conventionally minded, such as hard core pornography, but also those that outraged liberal opinion – for example, Death Wish and Dirty Harry. The book does not simply cast a critical light on a series of controversial films which have been variously maligned, misinterpreted or just plain ignored, but also assesses how their production values, narrative features and critical receptions can be linked to the wider historical and social forces that were dominant during this decade. Furthermore, it explores how these films resonate in our own historical moment – replete as it is with shocks of all kinds.
