Author: James W. Redfield
Publisher:
ISBN: 9781418118884
Category :
Languages : en
Pages :
Book Description
Comparative Physiognomy; Or, Resemblances Between Men and Animals. by James W. Redfield. Illustrated by 330 Engravings
Author: James W. Redfield
Publisher:
ISBN: 9781418118884
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781418118884
Category :
Languages : en
Pages :
Book Description
Comparative Physiognomy
Author: James W. Redfield
Publisher:
ISBN: 9781497882331
Category :
Languages : en
Pages : 338
Book Description
This Is A New Release Of The Original 1852 Edition.
Publisher:
ISBN: 9781497882331
Category :
Languages : en
Pages : 338
Book Description
This Is A New Release Of The Original 1852 Edition.
Comparative Physiognomy
Author: James W. Redfield
Publisher:
ISBN:
Category : Anatomy, Comparative
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Anatomy, Comparative
Languages : en
Pages : 348
Book Description
COMPARATIVE PHYSIOGNOMY
Author: JAMES W. REDFIELD
Publisher:
ISBN: 9781033092309
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781033092309
Category :
Languages : en
Pages : 0
Book Description
Framing the Victorians
Author: Jennifer Green-Lewis
Publisher: Cornell University Press
ISBN: 9780801432767
Category : History
Languages : en
Pages : 284
Book Description
A wide-ranging exploration of the complex and often conflicting discourse on photography in the nineteenth century, Framing the Victorians traces various descriptions of photography as art, science, magic, testimony, proof, document, record, illusion, and diagnosis. Victorian photography, argues Jennifer Green-Lewis, inspired such universal fascination that even two so self-consciously opposed schools as positivist realism and metaphysical romance claimed it as their own. Photography thus became at once the symbol of the inadequacy of nineteenth-century empiricism and the proof of its totalizing vision. Green-Lewis juxtaposes textual descriptions with pictorial representations of a diverse array of cultural activities from war and law enforcement to novel writing and psychiatry. She compares, for example, the exhibition of Roger Fenton's Crimean War photographs (1855) with W. H. Russell's written accounts of the war published in the Times of London (1884 and 1886). Nineteenth-century photography, she maintains, must be reread in the context of Victorian written texts from and against which it developed. Green-Lewis also draws on works by Thomas Hardy, Nathaniel Hawthorne, and Henry James, as well as published writing by Victorian photographers, in support of her view that photography provides an invaluable model for understanding the act of writing itself. We cannot talk about realism in the nineteenth century without talking about visuality, claims Green-Lewis, and Framing the Victorians explores the connections.
Publisher: Cornell University Press
ISBN: 9780801432767
Category : History
Languages : en
Pages : 284
Book Description
A wide-ranging exploration of the complex and often conflicting discourse on photography in the nineteenth century, Framing the Victorians traces various descriptions of photography as art, science, magic, testimony, proof, document, record, illusion, and diagnosis. Victorian photography, argues Jennifer Green-Lewis, inspired such universal fascination that even two so self-consciously opposed schools as positivist realism and metaphysical romance claimed it as their own. Photography thus became at once the symbol of the inadequacy of nineteenth-century empiricism and the proof of its totalizing vision. Green-Lewis juxtaposes textual descriptions with pictorial representations of a diverse array of cultural activities from war and law enforcement to novel writing and psychiatry. She compares, for example, the exhibition of Roger Fenton's Crimean War photographs (1855) with W. H. Russell's written accounts of the war published in the Times of London (1884 and 1886). Nineteenth-century photography, she maintains, must be reread in the context of Victorian written texts from and against which it developed. Green-Lewis also draws on works by Thomas Hardy, Nathaniel Hawthorne, and Henry James, as well as published writing by Victorian photographers, in support of her view that photography provides an invaluable model for understanding the act of writing itself. We cannot talk about realism in the nineteenth century without talking about visuality, claims Green-Lewis, and Framing the Victorians explores the connections.
Pre-Raphaelite Masculinities
Author: Dr Amelia Yeates
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409455580
Category : Art
Languages : en
Pages : 265
Book Description
Paying particular attention to the representation of non-normative or alternative masculinities, the contributors to Pre-Raphaelite Masculinities examine the works of Dante Gabriel Rossetti, William Morris, Edward Burne-Jones, William Bell Scott, William Holman Hunt, among others, to show how the ideas and models of masculinity were constructed in the work of artists and writers associated with the Pre-Raphaelite movement.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409455580
Category : Art
Languages : en
Pages : 265
Book Description
Paying particular attention to the representation of non-normative or alternative masculinities, the contributors to Pre-Raphaelite Masculinities examine the works of Dante Gabriel Rossetti, William Morris, Edward Burne-Jones, William Bell Scott, William Holman Hunt, among others, to show how the ideas and models of masculinity were constructed in the work of artists and writers associated with the Pre-Raphaelite movement.
Comparative Physiognomy
Author: James W. Redfield
Publisher:
ISBN: 9781330625385
Category : Literary Collections
Languages : en
Pages : 340
Book Description
Excerpt from Comparative Physiognomy: Or Resemblances Between Men and Animals The word preface is an indication that a book, like its author, must have a face; and unless it be a misnomer, there is no reason why it should not be illustrated with faces. That it comes first and foremost it would be useless to observe, had not certain persons been inclined to put it in the background. We will slate frankly, at the outset, that this particular preface is intended to "face down" - not by "barefaced assertions," but by a presentation of faces and arguments - the unjust treatment to which the face has been subjected. Why should a periodical, that professes to be a "Journal" of Phrenology and of kindred sciences, look out at the back of its head whenever it takes a peep at Physiognomy? We know not, but humanity claims that the eyes in such a case should be set right. Wo address ourselves, therefore, to answering the objections contained in two articles on this subject in the "Phrenological Journal," both of them new-year's presents, for which we have reason to be thankful. The first formidable obstacle we meet with is this: "The naked skull of poor Yorick, notwithstanding its yawning eye-sockets and ghastly grin, presents the evidences of his former warmth of affection and his racy wit, although the signs of these emotions in the face are obliterated for ever." Is there, then, nothing left of the skull but the cranial portion? and does not Physiognomy claim that the character is indicated in the features of the face, as well as in the expressions? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher:
ISBN: 9781330625385
Category : Literary Collections
Languages : en
Pages : 340
Book Description
Excerpt from Comparative Physiognomy: Or Resemblances Between Men and Animals The word preface is an indication that a book, like its author, must have a face; and unless it be a misnomer, there is no reason why it should not be illustrated with faces. That it comes first and foremost it would be useless to observe, had not certain persons been inclined to put it in the background. We will slate frankly, at the outset, that this particular preface is intended to "face down" - not by "barefaced assertions," but by a presentation of faces and arguments - the unjust treatment to which the face has been subjected. Why should a periodical, that professes to be a "Journal" of Phrenology and of kindred sciences, look out at the back of its head whenever it takes a peep at Physiognomy? We know not, but humanity claims that the eyes in such a case should be set right. Wo address ourselves, therefore, to answering the objections contained in two articles on this subject in the "Phrenological Journal," both of them new-year's presents, for which we have reason to be thankful. The first formidable obstacle we meet with is this: "The naked skull of poor Yorick, notwithstanding its yawning eye-sockets and ghastly grin, presents the evidences of his former warmth of affection and his racy wit, although the signs of these emotions in the face are obliterated for ever." Is there, then, nothing left of the skull but the cranial portion? and does not Physiognomy claim that the character is indicated in the features of the face, as well as in the expressions? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Made-Up Asians
Author: Esther Kim Lee
Publisher: University of Michigan Press
ISBN: 0472055437
Category : Performing Arts
Languages : en
Pages : 283
Book Description
Why and how Asian characters have been represented by non-Asian actorson stage and screen
Publisher: University of Michigan Press
ISBN: 0472055437
Category : Performing Arts
Languages : en
Pages : 283
Book Description
Why and how Asian characters have been represented by non-Asian actorson stage and screen
The Invention of the Jewish People
Author: Shlomo Sand
Publisher: Verso Books
ISBN: 1788736613
Category : History
Languages : en
Pages : 369
Book Description
A historical tour de force that demolishes the myths and taboos that have surrounded Jewish and Israeli history, The Invention of the Jewish People offers a new account of both that demands to be read and reckoned with. Was there really a forced exile in the first century, at the hands of the Romans? Should we regard the Jewish people, throughout two millennia, as both a distinct ethnic group and a putative nation—returned at last to its Biblical homeland? Shlomo Sand argues that most Jews actually descend from converts, whose native lands were scattered far across the Middle East and Eastern Europe. The formation of a Jewish people and then a Jewish nation out of these disparate groups could only take place under the sway of a new historiography, developing in response to the rise of nationalism throughout Europe. Beneath the biblical back fill of the nineteenth-century historians, and the twentieth-century intellectuals who replaced rabbis as the architects of Jewish identity, The Invention of the Jewish People uncovers a new narrative of Israel’s formation, and proposes a bold analysis of nationalism that accounts for the old myths. After a long stay on Israel’s bestseller list, and winning the coveted Aujourd’hui Award in France, The Invention of the Jewish People is finally available in English. The central importance of the conflict in the Middle East ensures that Sand’s arguments will reverberate well beyond the historians and politicians that he takes to task. Without an adequate understanding of Israel’s past, capable of superseding today’s opposing views, diplomatic solutions are likely to remain elusive. In this iconoclastic work of history, Shlomo Sand provides the intellectual foundations for a new vision of Israel’s future.
Publisher: Verso Books
ISBN: 1788736613
Category : History
Languages : en
Pages : 369
Book Description
A historical tour de force that demolishes the myths and taboos that have surrounded Jewish and Israeli history, The Invention of the Jewish People offers a new account of both that demands to be read and reckoned with. Was there really a forced exile in the first century, at the hands of the Romans? Should we regard the Jewish people, throughout two millennia, as both a distinct ethnic group and a putative nation—returned at last to its Biblical homeland? Shlomo Sand argues that most Jews actually descend from converts, whose native lands were scattered far across the Middle East and Eastern Europe. The formation of a Jewish people and then a Jewish nation out of these disparate groups could only take place under the sway of a new historiography, developing in response to the rise of nationalism throughout Europe. Beneath the biblical back fill of the nineteenth-century historians, and the twentieth-century intellectuals who replaced rabbis as the architects of Jewish identity, The Invention of the Jewish People uncovers a new narrative of Israel’s formation, and proposes a bold analysis of nationalism that accounts for the old myths. After a long stay on Israel’s bestseller list, and winning the coveted Aujourd’hui Award in France, The Invention of the Jewish People is finally available in English. The central importance of the conflict in the Middle East ensures that Sand’s arguments will reverberate well beyond the historians and politicians that he takes to task. Without an adequate understanding of Israel’s past, capable of superseding today’s opposing views, diplomatic solutions are likely to remain elusive. In this iconoclastic work of history, Shlomo Sand provides the intellectual foundations for a new vision of Israel’s future.
The Nation
Author:
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 844
Book Description
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 844
Book Description