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Author: Jay M. Smith
Publisher: Harvard University Press
ISBN: 0674047168
Category : History
Languages : en
Pages : 392
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Book Description
In 1764 a peasant girl was killed and partially eaten while tending sheep. Eventually, over a hundred victims fell prey to a mysterious creature whose deadly efficiency mesmerized Europe. Monsters of the Gévaudan revisits this spellbinding tale and offers the definitive explanation for its mythic status in French folklore.
Author: Jay M. Smith
Publisher: Harvard University Press
ISBN: 0674047168
Category : History
Languages : en
Pages : 392
Get Book Here
Book Description
In 1764 a peasant girl was killed and partially eaten while tending sheep. Eventually, over a hundred victims fell prey to a mysterious creature whose deadly efficiency mesmerized Europe. Monsters of the Gévaudan revisits this spellbinding tale and offers the definitive explanation for its mythic status in French folklore.
Author: Frédéric Barbier
Publisher: Librairie Droz
ISBN: 9782600001984
Category : Authors
Languages : fr
Pages : 848
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Book Description
Etudes réunies en quatre grandes séquences historiques : L'apparition du livre : du manuscrit au livre (Moyen Age-XVIe siècle) ; Histoire et pouvoirs de l'écrit : l'Ancien Régime typographique (XVIIe siècle-années 1760) ; La seconde révolution du livre et le temps de l'industrialisation ; Le monde contemporain (années 1860-XXe siècle).
Author: George Herbert Powell
Publisher: London, Lawrence & bullen
ISBN:
Category : Book collecting
Languages : en
Pages : 306
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Book Description
Author: Gustave Cohen
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Christian literature, French
Languages : fr
Pages : 312
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Book Description
Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
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Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
Author: Music Library Association
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 934
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 718
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Book Description
Author: Dorothea Kullmann
Publisher: PIMS
ISBN:
Category : History
Languages : fr
Pages : 312
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Book Description
The rapid rise of vernacular literature in medieval France, within a culture which continued to acknowledge Latin as its vehicular language, is a fact that literary historians tend too easily to take for granted. Within a relatively short period, stretching roughly from the end of the eleventh century to the thirteenth century, French and Occitan literatures acquired an output and a level of sophistication that made them the leading models for other European literatures. New genres and new subject matters appear one after the other; new ideologies (such as the concept of love developed by the troubadours) are first expressed in vernacular creations; and even learned Latin authors soon feel obliged to take notice of these developments. Should we describe this astonishing chapter of cultural history as the development of a 'lay', or 'profane', literature alongside a Church-dominated learned and religious one, or as the emancipation of vernacular literature from the tutorship of the Church? Is the borderline between 'lay' and 'religious' texts and genres really as clear-cut as some literary histories would make us believe? How then did these new genres of written literature come into being in a culture in which the Church held the monopoly on education, including training in writing? Did the Church as an institution play any role in the birth and expansion of vernacular literature? In the present volume, specialists from the disciplines of linguistics, literature, history and musicology address the various aspects of this complex of questions. The examples studied here are witnesses not only to a constant interaction between lay and religious cultures but also to the productive tension that resulted from the particular situation of the Church in medieval France.
Author: Évariste Galois
Publisher: European Mathematical Society
ISBN: 9783037191040
Category : Mathematics
Languages : en
Pages : 426
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Book Description
Before he died at the age of twenty, shot in a mysterious early-morning duel at the end of May 1832, Evariste Galois created mathematics that changed the direction of algebra. This book contains English translations of almost all the Galois material. The translations are presented alongside a new transcription of the original French and are enhanced by three levels of commentary. An introduction explains the context of Galois' work, the various publications in which it appears, and the vagaries of his manuscripts. Then there is a chapter in which the five mathematical articles published in his lifetime are reprinted. After that come the testamentary letter and the first memoir (in which Galois expounded on the ideas that led to Galois Theory), which are the most famous of the manuscripts. These are followed by the second memoir and other lesser known manuscripts. This book makes available to a wide mathematical and historical readership some of the most exciting mathematics of the first half of the nineteenth century, presented in its original form. The primary aim is to establish a text of what Galois wrote. The details of what he did, the proper evidence of his genius, deserve to be well understood and appreciated by mathematicians as well as historians of mathematics.
