Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
Resonant Recoveries
Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
CHANTECLER PLAY IN FOUR ACTS
Author: EDMOND ROSTAND
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
Book Description
Philostratus
Author: Philostratus (the Athenian)
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
Book Description
La Princesse Lointaine
Author: Edmond Rostand
Publisher:
ISBN: 9781017541243
Category : History
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781017541243
Category : History
Languages : en
Pages : 0
Book Description
The Romancers
Author: Edmond Rostand
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 56
Book Description
In his play "The Romancers" Edmond Rostand satirizes the sentimentalism and escapism of Romantic literature of his times. Percinet is the only son of Bergamin and Sylvette is the only daughter of Pasquinot. Their fathers who are widowers and neighbors make a plan to marry their children with each other. In order to accomplish this, the fathers separate their children so that they may love each other the more, and desire to be re-united. As a part of their plan, Bergamin warns his son to stay away from Pasquinot and his daughter. Similarly, Pasquinot also warns his daughter that she should not be near to his mortal enemy Bergamin and his son. Inspite of their fathers' warnings, Percinet and Sylvette fall in love. They think themselves as the counterparts of Romeo and Juliet. They are worried that their love will also end in tragedy like that of Romeo and Juliet. They are emotional, daydreaming teenagers who have recently finished their school studies. They are deeply influenced by romantic literature of their times, especially by the romantic play "Romeo and Juliet" of William Shakespeare. They are so in love with each other that they desire to die rather than separate with each other. Bergamin then hires Straforel and his company for a fake kidnapping. At midnight hours, when Percinet and Sylvette are about to meet, Straforel with his company kidnap Sylvette and put her into the sedan chair. Percinet hears the cry of Sylvette, jumps over the wall and fights with his sword. At the same time, as planned, Pasquinot enters and calls Percinet a hero. He suggests Bergamin to put an end to their enmity and arrange the marriage of their children. Thus in the end the two children seem like puppets in the hands of their fathers. - MeroSpark Cloud Reference, http://www.merospark.com
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 56
Book Description
In his play "The Romancers" Edmond Rostand satirizes the sentimentalism and escapism of Romantic literature of his times. Percinet is the only son of Bergamin and Sylvette is the only daughter of Pasquinot. Their fathers who are widowers and neighbors make a plan to marry their children with each other. In order to accomplish this, the fathers separate their children so that they may love each other the more, and desire to be re-united. As a part of their plan, Bergamin warns his son to stay away from Pasquinot and his daughter. Similarly, Pasquinot also warns his daughter that she should not be near to his mortal enemy Bergamin and his son. Inspite of their fathers' warnings, Percinet and Sylvette fall in love. They think themselves as the counterparts of Romeo and Juliet. They are worried that their love will also end in tragedy like that of Romeo and Juliet. They are emotional, daydreaming teenagers who have recently finished their school studies. They are deeply influenced by romantic literature of their times, especially by the romantic play "Romeo and Juliet" of William Shakespeare. They are so in love with each other that they desire to die rather than separate with each other. Bergamin then hires Straforel and his company for a fake kidnapping. At midnight hours, when Percinet and Sylvette are about to meet, Straforel with his company kidnap Sylvette and put her into the sedan chair. Percinet hears the cry of Sylvette, jumps over the wall and fights with his sword. At the same time, as planned, Pasquinot enters and calls Percinet a hero. He suggests Bergamin to put an end to their enmity and arrange the marriage of their children. Thus in the end the two children seem like puppets in the hands of their fathers. - MeroSpark Cloud Reference, http://www.merospark.com
L'Aiglon
Author: Edmond Rostand
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
L'Aiglon is a play in six acts based on the life of Napoleon's son, Napoleon II of France, Duke of Reichstadt. The title comes from a nickname for Napoleon II, the French word for 'eaglet' (a young eagle). The title role was created by Sarah Bernhardt in the play's premiere on 15 March 1900 at the Théàtre Sarah Bernhardt.
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
L'Aiglon is a play in six acts based on the life of Napoleon's son, Napoleon II of France, Duke of Reichstadt. The title comes from a nickname for Napoleon II, the French word for 'eaglet' (a young eagle). The title role was created by Sarah Bernhardt in the play's premiere on 15 March 1900 at the Théàtre Sarah Bernhardt.
Analecta: Or, Materials For a History of Remarkable Providences; Mostly Relating to Scotch Ministers and Christians
Author: Robert Wodrow
Publisher: BoD – Books on Demand
ISBN: 3385129664
Category : Fiction
Languages : en
Pages : 410
Book Description
Reprint of the original, first published in 1842.
Publisher: BoD – Books on Demand
ISBN: 3385129664
Category : Fiction
Languages : en
Pages : 410
Book Description
Reprint of the original, first published in 1842.
English Landscape Scenery
Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : England
Languages : en
Pages : 96
Book Description
Lettres De Mon Moulin
Author: Daudet Alphonse
Publisher: Createspace Independent Publishing Platform
ISBN: 9781548068431
Category :
Languages : en
Pages : 146
Book Description
Lettres de mon moulin est un recueil de nouvelles d'Alphonse Daudet. Le titre fait r�f�rence au Moulin Saint-Pierre, situ� � Fontvieille (Bouches-du-Rh�ne).La premi�re �dition est celle de Hetzel en 1869. Elle avait pour sous-titre : l'Impressions et des souvenirs. En 1879, Alphonse Lemerre publie, sous le titre : OEuvres de Alphonse Daudet. Lettres de mon moulin. �dition d�finitive, une nouvelle �dition o� ont �t� ajout�s : Les �toiles, Les Douaniers, Les Oranges, Les Sauterelles, En Camargue et Les Trois Messes basses.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781548068431
Category :
Languages : en
Pages : 146
Book Description
Lettres de mon moulin est un recueil de nouvelles d'Alphonse Daudet. Le titre fait r�f�rence au Moulin Saint-Pierre, situ� � Fontvieille (Bouches-du-Rh�ne).La premi�re �dition est celle de Hetzel en 1869. Elle avait pour sous-titre : l'Impressions et des souvenirs. En 1879, Alphonse Lemerre publie, sous le titre : OEuvres de Alphonse Daudet. Lettres de mon moulin. �dition d�finitive, une nouvelle �dition o� ont �t� ajout�s : Les �toiles, Les Douaniers, Les Oranges, Les Sauterelles, En Camargue et Les Trois Messes basses.
The Indian Cottage
Author: Bernardin de Saint-Pierre
Publisher:
ISBN:
Category : Caste
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category : Caste
Languages : en
Pages : 132
Book Description