Records of Journeys to Venice and the Low Countries PDF Download
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Author: Albrecht Dürer
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 162
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Book Description
Author: Albrecht Dürer
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 162
Get Book Here
Book Description
Author: Albrecht Albrecht Dürer
Publisher:
ISBN:
Category :
Languages : en
Pages : 57
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Book Description
Records of Journeys to Venice and the Low Countries by Albrecht Dürer
Author: Albrecht Dürer
Publisher: Forgotten Books
ISBN: 9780484597791
Category : Biography & Autobiography
Languages : en
Pages : 146
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Book Description
Excerpt from Records of Journeys to Venice and the Low Countries The letters from Venice and the Diary of his journey in the Netherlands, which form the con tents of this volume, are indeed the singularly fortunate means for this pleasant intercourse with the man himself. They reveal Diirer as one of the distinctively modern men of the Renaissance intensely, but not arrogantly, conscious of his own personality; accepting with a pleasant ease the universal admiration of his genius, - a personal. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Albrecht Dürer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
This book draws on Durer's letters and journals written in the course of two journeys that did much to acquaint him with the artistic developments of his time. It comprises two parts: the first is a rich selection of letters written by Durer to his close friend Wilibad Pirkheimer in 1506, during his stay in Venice. These letters shed much light on Durer's exposure to the ideals and techniques of Italian Renaissance art, particularly the work of Giovanni Bellini. The second part consists of Durer's record of his travels to the low countries in 1520-21, where he met Matthias Grunewald and saw the works of Jan and Hubert van Eyck, Rogier van dew Weyden, Hugo van der Goes and other artists, as well as the Michelangelo Madonna.
Author: Albrecht Dürer
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Enoch Pratt Free Library of Baltimore City
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 376
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Author:
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 682
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Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 542
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 996
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Author: Theodor Dumitrescu
Publisher: Routledge
ISBN: 1351544969
Category : Music
Languages : en
Pages : 351
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Book Description
Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
