The Recollections and Reflections of J.R. Planché, (Somerset Herald). PDF Download
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Author: James Robinson Planché
Publisher:
ISBN:
Category : Actors, English
Languages : en
Pages : 366
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Book Description
Author: James Robinson Planché
Publisher:
ISBN:
Category : Actors, English
Languages : en
Pages : 366
Get Book Here
Book Description
Author: James Robinson Planché
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 344
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Book Description
Author: James Robinson Planché
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 464
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Book Description
Author: James R. Planché
Publisher:
ISBN:
Category :
Languages : en
Pages : 464
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Book Description
Author: James Hamley Tregenna
Publisher:
ISBN:
Category :
Languages : en
Pages : 290
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Author: Robert Bateman Paul
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
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Book Description
Author: Robert Terrell Bledsoe
Publisher: Routledge
ISBN: 042984395X
Category : Social Science
Languages : en
Pages : 381
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Book Description
First published in 1998, this book focuses on the once celebrated but now neglected musical journalism of Henry Forthergill Chorley. For nearly forty years he effectively used his acerbic pen and idiosyncratic critical judgments to celebrate the works of Rossini, Mendelssohn, Meyerbeer, Gounod and Sullivan, and to scorn those of Schumann , Verdi and Wagner. This book also discusses his friendships with literary figures such as Charles Dickens, Elizabeth Barrett Browning, and Felicia Hemans, as well as his ongoing efforts to establish himself as a novelist as well as a journalist.
Author: Isobel Armstrong
Publisher: Oxford University Press
ISBN: 0199205205
Category : Art
Languages : en
Pages : 470
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Book Description
Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
Author: Sam George
Publisher: Manchester University Press
ISBN: 1526166372
Category : Literary Criticism
Languages : en
Pages : 462
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Book Description
John Polidori’s novella The Vampyre (1819) is perhaps ‘the most influential horror story of all time’ (Frayling). Polidori’s story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori’s Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori’s vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. The essays emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
Author: William Shakespeare
Publisher: Cambridge University Press
ISBN: 9780521667418
Category : Drama
Languages : en
Pages : 300
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Book Description
Table of contents
