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Author: Peter Brooks
Publisher: Yale University Press
ISBN: 0300127855
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
Realist Vision explores the claim to represent the world “as it is.” Peter Brooks takes a new look at the realist tradition and its intense interest in the visual. Discussing major English and French novels and paintings from the nineteenth and twentieth centuries, Brooks provides a lively and perceptive view of the realist project. Centering each chapter on a single novel or group of paintings, Brooks examines the “invention” of realism beginning with Balzac and Dickens, its apogee in the work of such as Flaubert, Eliot, and Zola, and its continuing force in James and modernists such as Woolf. He considers also the painting of Courbet, Manet, Caillebotte, Tissot, and Lucian Freud, and such recent phenomena as “photorealism” and “reality TV.”
Author: Peter Brooks
Publisher: Yale University Press
ISBN: 0300127855
Category : Literary Criticism
Languages : en
Pages : 342
Get Book
Book Description
Realist Vision explores the claim to represent the world “as it is.” Peter Brooks takes a new look at the realist tradition and its intense interest in the visual. Discussing major English and French novels and paintings from the nineteenth and twentieth centuries, Brooks provides a lively and perceptive view of the realist project. Centering each chapter on a single novel or group of paintings, Brooks examines the “invention” of realism beginning with Balzac and Dickens, its apogee in the work of such as Flaubert, Eliot, and Zola, and its continuing force in James and modernists such as Woolf. He considers also the painting of Courbet, Manet, Caillebotte, Tissot, and Lucian Freud, and such recent phenomena as “photorealism” and “reality TV.”
Author: Anatol Lieven
Publisher: Vintage
ISBN: 0307495337
Category : Political Science
Languages : en
Pages : 226
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Book Description
America today faces a world more complicated than ever before, but our politicians have failed to envision a foreign policy that addresses our greatest threats. Ethical Realism shows how the United States can successfully combine genuine morality with tough and practical common sense. By outlining core principles and a set of concrete proposals for tackling the terrorist threat and contend with Iran, Russia, the Middle East, and China, Anatol Lieven and John Hulsman show us how to strengthen our security, pursue our national interests, and restore American leadership in the world.
Author: Paul Marshall
Publisher: Routledge
ISBN: 1317621255
Category : Social Science
Languages : en
Pages : 296
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Book Description
This book sketches the contours of a vision that moves beyond the dominant paradigm or worldview that underlies and governs modernity (and postmodernity). It does so by drawing on the remarkable leap in human consciousness that occurred during the Axial Age and on a cross-pollination of what are arguably the three most comprehensive integrative metatheories available today: Complex thought, integral theory and critical realism – i.e. a complex integral realism. By deploying the three integrative metatheories this book recounts how the seeds of a number of biases within the Western tradition – analytical over dialectical, epistemology over ontology, presence over absence and exterior over interior – were first sown in axial Greece, later consolidated in European modernity and then challenged throughout the 20th century. It then discusses the remedies provided by the three integrative philosophies, remedies that have paved the way for a new vision. Outlining a ‘new axial vision’ for the twenty-first century which integrates the best of premodernity, modernity and postmodernity within a complex integral realist framework, this book will be of interest to students and scholars of the Axial Age, critical realism, integral theory and complex thought. It will also appeal to those interested in a possible integration of the insights and knowledge gleaned by science, spirituality and philosophy.
Author: Lindsay V. Reckson
Publisher: NYU Press
ISBN: 1479868922
Category : Social Science
Languages : en
Pages : 328
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Book Description
Honorable Mention, Barnard Hewitt Award from the American Society for Theater Research Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.
Author: Amy Holzapfel
Publisher:
ISBN: 9781138927728
Category : European drama
Languages : en
Pages : 0
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Book Description
Realism in theatre is traditionally defined as a mere seed of modernism, a simple or crude attempt to copy objective reality on stage. This book challenges this misconception by redefining realism as an under-examined form of visual modernism that positioned theatre at the crux of the unstable interaction between consciousness and the visible world. Tracing a historical continuum of acts of seeing occurring on the realist stage, Holzapfel illustrates how theatre participated in modernity's aggressive interrogation of vision's residence in the human body. New findings by scientists and philosophers -- such as Diderot, Goethe, Müller, Helmholtz, and Galton -- exposed how the visible world is experienced and framed by the unstable relativism of the physiological body rather than the fixed idealism of the mind. The book illustrates how realist artists across media embraced this paradigm shift, destabilizing the myth of a direct correspondence between reality and representation by giving focus in their art to the subject of the embodied observer. Drawing from extensive archival research, Holzapfel conducts close readings of iconic dramas and their productions -- including Scribe's The Glass of Water, Zola's Thérèse Raquin, Ibsen's A Doll House, Strindberg's The Father, and Hauptmann's Before Sunrise -- alongside intensive considerations of artwork by painters and photographers like Chardin, Manet, Nadar, Millais, Rejlander, and Liebermann to show how realist drama was influenced by new approaches towards vision arising in science, visual art, and visual culture. In a radical departure from the dominant critical approach to realism, Holzapfel argues that what realist dramatists sought on stage was not a copy of objective reality but greater acknowledgment of the gap that exists between the eye and the world.
Author: Amy Holzapfel
Publisher: Routledge
ISBN: 1136768432
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
Realism in theatre is traditionally defined as a mere seed of modernism, a crude attempt to reproduce an exact copy of reality on stage. Art, Vision & Nineteenth-Century Realist Drama redefines realism as a complex and under-examined form of visual modernism, one that positioned theatre at the crux of the encounter between consciousness and the visible world. Tracing a historical continuum of "acts of seeing" on the realist stage, Holzapfel demonstrates how theatre participated in modernity’s aggressive interrogation of vision’s residence in the human body. New findings by scientists and philosophers—such as Diderot, Goethe, Müller, Helmholtz, and Galton—exposed how the visible world is experienced and framed by the unstable relativism of the physiological body rather than the fixed idealism of the mind. Realist artists across media paradoxically embraced this paradigm shift by focusing on the embodied observer. Drawing from extensive archival research, Holzapfel conducts close readings of iconic dramas and their productions—including Scribe’s The Glass of Water, Zola’s Thérèse Raquin, Ibsen’s A Doll House, Strindberg’s The Father, and Hauptmann’s Before Sunrise—alongside analyses of artwork by major painters and photographers—such as Chardin, Nadar, Millais, Rejlander, and Liebermann. In a radical challenge to existing criticism, Holzapfel argues that realism in theatre was never the attempt to reproduce an exact copy of the seen world but rather the struggle to make visible the act of seeing.
Author: Edward Barnaby
Publisher: Springer
ISBN: 3319773232
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
Have industrial-age technologies and visual discourses transformed us into spectators of the real, and can realist fiction make that transformation visible to us? This book brings Situationist Guy Debord’s Society of the Spectacle and an array of cultural criticism into dialogue with novels by Hardy, Forster, Woolf, Rushdie, Carey and Barnes to foreground literary realism’s critique of visual culture, including Gothic architectural revival, neoclassicism, tourism, historical pageantry, postcolonial cinema and photography, museums, preservationism, urbanism and artisanal neo-folk movements. Barnaby advances the concept of meta-spectacle to distinguish realist fiction that engages ethically with visual discourses from realist-ic fiction that reproduces the visible veneer of reality for aesthetic consumption. He highlights the limitations of artistic critiques of spectacle, considers their resilience toward a culture industry that continuously repackages iconoclasm as iconicity, and reflects upon the process of reorienting the reader to comprehend realist gestures. By heightening the capacity to recognize our own immersion within objectified representations of the real, Realist Critiques of Visual Culture demonstrates how literary realism remains vital within a society that is so deeply invested in visually replicating and archiving lived experience.
Author: Aga Skrodzka
Publisher: Edinburgh University Press
ISBN: 0748669361
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
Magic Realist Cinema is the first book-length critical analysis of magic realism in cinema.
Author: Brian Z. Tamanaha
Publisher: Princeton University Press
ISBN: 1400831989
Category : Law
Languages : en
Pages : 265
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Book Description
According to conventional wisdom in American legal culture, the 1870s to 1920s was the age of legal formalism, when judges believed that the law was autonomous and logically ordered, and that they mechanically deduced right answers in cases. In the 1920s and 1930s, the story continues, the legal realists discredited this view by demonstrating that the law is marked by gaps and contradictions, arguing that judges construct legal justifications to support desired outcomes. This often-repeated historical account is virtually taken for granted today, and continues to shape understandings about judging. In this groundbreaking book, esteemed legal theorist Brian Tamanaha thoroughly debunks the formalist-realist divide. Drawing from extensive research into the writings of judges and scholars, Tamanaha shows how, over the past century and a half, jurists have regularly expressed a balanced view of judging that acknowledges the limitations of law and of judges, yet recognizes that judges can and do render rule-bound decisions. He reveals how the story about the formalist age was an invention of politically motivated critics of the courts, and how it has led to significant misunderstandings about legal realism. Beyond the Formalist-Realist Divide traces how this false tale has distorted studies of judging by political scientists and debates among legal theorists. Recovering a balanced realism about judging, this book fundamentally rewrites legal history and offers a fresh perspective for theorists, judges, and practitioners of law.
Author: Keith Allen
Publisher: Oxford University Press
ISBN: 0198755368
Category : Philosophy
Languages : en
Pages : 215
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Book Description
'A Naïve Realist Theory of Colour' defends the view that colours are mind-independent properties of things in the environment. Keith Allen argues that a naïve realist theory of colour best explains how colours appear to perceiving subjects, and that this view is not undermined by our modern scientific understanding of the world.
