Real Rape, Real Pain (Volume 1 of 2) (EasyRead Super Large 18pt Edition) PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Real Rape, Real Pain (Volume 1 of 2) (EasyRead Super Large 18pt Edition) PDF full book. Access full book title Real Rape, Real Pain (Volume 1 of 2) (EasyRead Super Large 18pt Edition) by . Download full books in PDF and EPUB format.
Author:
Publisher: ReadHowYouWant.com
ISBN: 1458722813
Category :
Languages : en
Pages : 438
Get Book Here
Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1458722813
Category :
Languages : en
Pages : 438
Get Book Here
Book Description
Author: Carolyn Mackler
Publisher: Candlewick Press
ISBN: 9780763619589
Category : Juvenile Fiction
Languages : en
Pages : 258
Get Book Here
Book Description
Feeling like she does not fit in with the other members of her family, who are all thin, brilliant, and good-looking, fifteen-year-old Virginia Shreves tries to deal with her self-image, her first physical relationship, and her disillusionment with some of the people closest to her. 10,000 first printing.
Author: Andrea Dworkin
Publisher: ReadHowYouWant.com
ISBN: 1458723771
Category : Men
Languages : en
Pages : 310
Get Book Here
Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1554807786
Category :
Languages : en
Pages : 430
Get Book Here
Book Description
Author: Bill McClanahan
Publisher: Policy Press
ISBN: 1529207444
Category : Social Science
Languages : en
Pages : 190
Get Book Here
Book Description
In this pioneering work, Bill McClanahan provides a concise overview of visual criminology. With examples of the most prominent methods at work in visual criminology, this book explores the visual perspective in relation to prisons, police, the environment, and drugs, while noting the complex ethical implications embedded in visual research.
Author: Anastasia Powell
Publisher: Routledge
ISBN: 1351795058
Category : Social Science
Languages : en
Pages : 544
Get Book Here
Book Description
The infusion of digital technology into contemporary society has had significant effects for everyday life and for everyday crimes. Digital Criminology: Crime and Justice in Digital Society is the first interdisciplinary scholarly investigation extending beyond traditional topics of cybercrime, policing and the law to consider the implications of digital society for public engagement with crime and justice movements. This book seeks to connect the disparate fields of criminology, sociology, legal studies, politics, media and cultural studies in the study of crime and justice. Drawing together intersecting conceptual frameworks, Digital Criminology examines conceptual, legal, political and cultural framings of crime, formal justice responses and informal citizen-led justice movements in our increasingly connected global and digital society. Building on case study examples from across Australia, Canada, Europe, China, the UK and the United States, Digital Criminology explores key questions including: What are the implications of an increasingly digital society for crime and justice? What effects will emergent technologies have for how we respond to crime and participate in crime debates? What will be the foundational shifts in criminological research and frameworks for understanding crime and justice in this technologically mediated context? What does it mean to be a ‘just’ digital citizen? How will digital communications and social networks enable new forms of justice and justice movements? Ultimately, the book advances the case for an emerging digital criminology: extending the practical and conceptual analyses of ‘cyber’ or ‘e’ crime beyond a focus foremost on the novelty, pathology and illegality of technology-enabled crimes, to understandings of online crime as inherently social. Twitter: @DigiCrimRMIT
Author: Michelle Brown
Publisher: Routledge
ISBN: 1317497538
Category : Social Science
Languages : en
Pages : 1182
Get Book Here
Book Description
Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions. This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field: • Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images. • Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics. • Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law. • Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved. • Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field. This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.
Author: Margot Norris
Publisher: University of Virginia Press
ISBN: 9780813919928
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
The twentieth century will be remembered for great innovation in two particular areas: art and culture, and technological advancement. Much of its prodigious technical inventiveness, however, was pressed into service in the conduct of warfare. Why, asks Margot Norris, did violence and suffering on such an immense scale fail to arouse artistic and cultural expressions powerful enough to prevent the recurrence of these horrors? Why was art not more successful--through its use of dramatic, emotionally charged material, its ability to stir imagination and arouse empathy and outrage--in producing an alternative to the military logic that legitimates war? Military argument in the twentieth century has been fortified by the authority of the rationalism that we attribute to science, Norris argues. Warfare is therefore legitimized by powerful discourses that art's own arsenal of styles and genres has limited power to counter. Art's difficulty in representing the violent death of entire generations or populations has been particularly acute. Choosing works that have become representative of their historically violent moment, Norris explores not only their aesthetic strategies and perspectives but also the nature of the power they wield and the ethical engagements they enable or impede. She begins by mapping the altered ethical terrain of modern technological warfare, with its increasing targeting of civilian populations for destruction. She then proceeds historically with chapters on the trench poetry and modernist poetry of World War I, Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front, both the book and the film of Schindler's List, the conflicting historical stories of the Manhattan Project, a comparison of American and Japanese accounts of Hiroshima, Francis Ford Coppola's film Apocalypse Now, and the effects of press censorship in the Persian Gulf War. By looking at the whole span of the century's writing on war, Norris provides a fascinating critique of art's ethical power and limitations, along with its participation in--as well as protest against--the suffering that human beings have brought upon themselves.
Author: Reece Walters
Publisher: Routledge
ISBN: 1135991464
Category : Social Science
Languages : en
Pages : 230
Get Book Here
Book Description
In this important and original book, Reece Walters examines the politics of criminology and the ways in which criminological knowledge is generated. It includes an overview of the politics and practice of conducting criminological research (drawing upon material from Britain, Europe, Australia, New Zealand and the USA), and the ways that regulatory and governing authorities set research agendas, manipulate the processes and production of knowledge and silence or suppress critical voices through various techniques of neutralisation. The book argues for 'knowledges of resistance' - a position that promotes critique, challenges concepts of power and social order, wrestles with notions of truth and adheres to intellectual autonomy and independence. It provides invaluable insights into the relationship between the criminological researcher, public officials and corporate representatives. Drawing upon a wide range of interviews with academics and administrators from government and business, the book provides rare insights into the ways that knowledge about crime and criminal justice is produced and consumed, revealing why certain topics of criminological enquiry are rarely funded and why others receive ongoing political and governmental support. The book will be essential reading for anybody interested in the development of criminological theory and research, and the context and influences that shape it.
Author: Audrey Fisch
Publisher: Cambridge University Press
ISBN: 1139827596
Category : Literary Criticism
Languages : en
Pages : 230
Get Book Here
Book Description
The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
