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Author: Patrick Fessenbecker
Publisher: EUP
ISBN: 9781474460606
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 0
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Book Description
Argues against the repeated emphasis on literary form and for the artistic importance of literary content It is natural to assume that if works of literature are artistically valuable, it's not because of anything they say but because of what they are: beautiful. Works of art try to say nothing, to use their content only as matter for realizing the beauty of complex form. But what if appreciating the things a work of literature has to say is a way of appreciating it as a work of art? Often dismissed as too lengthy, messy, and preachy to qualify as genuine art, in fact Victorian narrative challenges our conceptions about what makes art worth engaging. Key Features - Appeals to those interested in philosophy and literature, especially the philosophy of literature - Brings together thinkers from the analytic and continental traditions in aesthetics - Contains an updated and expanded version of the award-winning essay 'In Defence of Paraphrase' - Makes a case for why Victorian literature and Victorian moral thought are worthy of attention - Offers new readings of George Eliot, Anthony Trollope, and Augusta Webster Patrick Fessenbecker is Assistant Professor, Programme in Cultures, Civilisations and Ideas at Bilkent University.
Author: Patrick Fessenbecker
Publisher: EUP
ISBN: 9781474460606
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 0
Get Book Here
Book Description
Argues against the repeated emphasis on literary form and for the artistic importance of literary content It is natural to assume that if works of literature are artistically valuable, it's not because of anything they say but because of what they are: beautiful. Works of art try to say nothing, to use their content only as matter for realizing the beauty of complex form. But what if appreciating the things a work of literature has to say is a way of appreciating it as a work of art? Often dismissed as too lengthy, messy, and preachy to qualify as genuine art, in fact Victorian narrative challenges our conceptions about what makes art worth engaging. Key Features - Appeals to those interested in philosophy and literature, especially the philosophy of literature - Brings together thinkers from the analytic and continental traditions in aesthetics - Contains an updated and expanded version of the award-winning essay 'In Defence of Paraphrase' - Makes a case for why Victorian literature and Victorian moral thought are worthy of attention - Offers new readings of George Eliot, Anthony Trollope, and Augusta Webster Patrick Fessenbecker is Assistant Professor, Programme in Cultures, Civilisations and Ideas at Bilkent University.
Author: Leah Price
Publisher: Princeton University Press
ISBN: 0691159548
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
Author: Richard Daniel Altick
Publisher:
ISBN:
Category : History
Languages : en
Pages : 362
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Book Description
Life in the Victorian period, focusing on the social, religious, scientific, and artistic movements that characterized the age.
Author: Elaine Freedgood
Publisher: University of Chicago Press
ISBN: 0226261638
Category : Language Arts & Disciplines
Languages : en
Pages : 208
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Book Description
Presents an analysis of nineteenth-century English fiction, focusing on objects found in three Victorian novels, arguing that these items have meanings the modern reader does not understand, but were clear to the Victorian reader.
Author: Sean Purchase
Publisher: Bloomsbury Publishing
ISBN: 1350310387
Category : Study Aids
Languages : en
Pages : 276
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Book Description
Key Concepts in Victorian Literature is a lively, clear and accessible resource for anyone interested in Victorian literature. It contains major facts, ideas and contemporary literary theories, is packed with close and detailed readings and offers an overview of the historical and cultural context in which this literature was produced.
Author: Wolfreys Julian Wolfreys
Publisher: Edinburgh University Press
ISBN: 1474448003
Category : English literature
Languages : en
Pages : 642
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Book Description
A Festschrift honouring J. Hillis Miller and his contribution to Victorian Studies and nineteenth-century criticismProvides stheoretically informed critical essays on nineteenth-century and Victorian literature, by major internationally recognized scholarsChapters provide detailed close readings of the work of J Hillis Miller, Thomas Hardy, Walter Pater, William Michael Rossetti, George Gissing, Charles Dickens, Alfred, Lord Tennyson, Anthony Trollope, George Eliot, and Joseph ConradShowcases a major new essay by J Hillis Miller, as well as a previously unpublished interview with MillerReading Victorian Literature provides a critical commentary on major authors of the nineteenth and early twentieth centuries, from Dickens to Conrad. At the same time, the assembled group of internationally recognised scholars engages with Miller's work, influence and significance in the study of that era. The volume includes original work by Miller and interviews with him.
Author: David Amigoni
Publisher: Edinburgh University Press
ISBN: 0748631089
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian stage.
Author: Marisa Palacios Knox
Publisher: Cambridge University Press
ISBN: 1108496164
Category : History
Languages : en
Pages : 255
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Book Description
Explains how Victorian women readers strategically identified with literature to defy stereotypes and inspire their action and creativity.
Author: Lisa Rodensky
Publisher: Oxford University Press (UK)
ISBN: 0199533148
Category : History
Languages : en
Pages : 829
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Book Description
The Oxford Handbook of the Victorian Novel contributes substantially to a thriving scholarly field by offering new approaches to familiar topics as well as essays on topics often overlooked.
Author: Sarah Danielle Allison
Publisher: JHU Press
ISBN: 1421425629
Category : Computers
Languages : en
Pages : 185
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Book Description
Introduction the syntax of Victorian moralizing: on choosing a proxy for style -- In defense of reading reductively -- The shockingly subtle criticism of the London Quarterly Review, 1855-1861 -- Relative clauses and the narrative present tense in George Eliot -- generalization and declamation : Elizabeth Barrett Browning's present-tense poetics -- A moral technology: speech tags in Charles Dickens's dialogue -- Conclusion : a grammar of perception
