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Author: Paul Nietupski
Publisher: Lehigh University Press
ISBN: 1611460727
Category : Social Science
Languages : en
Pages : 249
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Book Description
This book begins with the understanding that, in addition to its aesthetic qualities, Asian art and material artifacts are expressive of cultural realities and constitute a 'visible language' with messages that can be read, interpreted, and analyzed. Asian art and artifacts are understood in their contexts, as 'windows' into cultures, and as such can be used as a powerful pedagogical tool in many academic disciplines. The book includes essays by scholars of Asian art, philosophy, anthropology, and religion that focus on objects held in ASIANetwork schools. The ASIANetwork collections are reflective of Asian societies, historical and religious environments, political positions, and economic conditions. The art objects and artifacts were discovered sometimes in storage and were sometimes poorly understood and variously described as fine art, curiosities, souvenirs, and markers of events in a school's history. The chapter authors tell the stories of the collections, and the collections themselves tell stories of the collectors. This volume is intended for use in many disciplines, and its interpretive structures are adaptable to other examples of art and artifacts in other colleges, universities, and museums. An online database of some 2000 art objects held in the ASIANetwork schools' collections supplements this book.
Author: Paul Nietupski
Publisher: Lehigh University Press
ISBN: 1611460727
Category : Social Science
Languages : en
Pages : 249
Get Book Here
Book Description
This book begins with the understanding that, in addition to its aesthetic qualities, Asian art and material artifacts are expressive of cultural realities and constitute a 'visible language' with messages that can be read, interpreted, and analyzed. Asian art and artifacts are understood in their contexts, as 'windows' into cultures, and as such can be used as a powerful pedagogical tool in many academic disciplines. The book includes essays by scholars of Asian art, philosophy, anthropology, and religion that focus on objects held in ASIANetwork schools. The ASIANetwork collections are reflective of Asian societies, historical and religious environments, political positions, and economic conditions. The art objects and artifacts were discovered sometimes in storage and were sometimes poorly understood and variously described as fine art, curiosities, souvenirs, and markers of events in a school's history. The chapter authors tell the stories of the collections, and the collections themselves tell stories of the collectors. This volume is intended for use in many disciplines, and its interpretive structures are adaptable to other examples of art and artifacts in other colleges, universities, and museums. An online database of some 2000 art objects held in the ASIANetwork schools' collections supplements this book.
Author: Paul Kocot Nietupski
Publisher: Rowman & Littlefield
ISBN: 1611460700
Category : Art
Languages : en
Pages : 249
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Book Description
Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. These essays by scholars of Asian art, philosophy, anthropology, and religion focus on objects held in ASIANetwork schools. The chapters' authors tell the stories of the collections, and the collections themselves tell stories of the collectors.
Author: Sue DiCicco
Publisher: Tuttle Publishing
ISBN: 1462918700
Category : Juvenile Nonfiction
Languages : en
Pages : 87
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Book Description
Ride on a rhino, enter a mandala, or climb Mt. Fuji! Asia is an entire world of wonderful places to go and things to see and do! Exploring other cultures is a favorite classroom activity for teachers and students alike. Now, author Sue DiCicco draws on her background as a writer, illustrator, sculptor, and former Disney animator to take kids on an imaginative tour of China, Japan, Korea, India, and beyond through artifacts on display at the Asian Art Museum in San Francisco. Adventures in Asian Art travels from exhibit to exhibit, inviting kids to picture themselves in a variety of Asian countries as they ride on a rhino, become a samurai, or climb Mt. Fuji! Asia is home to an endless array of wonderful places to go and things to see and do, and through the magic of DiCicco's charming verse narrative, readers join a cartoon mom as she takes her three cartoon children through the museum for an afternoon of nonstop fun and learning. This delightfully illustrated, classroom-friendly book shares a series of fun facts about each of the exhibits and explains the culture, beliefs, and daily life informing these wonderful works of art.
Author: Karl E. Meyer
Publisher: St. Martin's Press
ISBN: 1466879297
Category : Art
Languages : en
Pages : 442
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Book Description
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
Author: Adrian Cheng
Publisher: Assouline Publishing
ISBN: 1614288844
Category : Travel
Languages : en
Pages : 6
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Book Description
While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
Author: Meher McArthur
Publisher:
ISBN: 9780500284285
Category : Art
Languages : en
Pages : 216
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Book Description
"A concise, accessible primer to the intricate world of Buddhist art." Publishers Weekly"
Author: Colin Christopher Mackenzie
Publisher: Asia Society Museum
ISBN:
Category : Art
Languages : en
Pages : 332
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Book Description
Author: Vladimir Lukonin
Publisher: Parkstone International
ISBN: 1780428944
Category : Art
Languages : en
Pages : 256
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Book Description
The strict prohibition on the representation of the human form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and a repository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin, and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years.
Author: Clare Harris
Publisher: University of Chicago Press
ISBN: 0226317471
Category : Art
Languages : en
Pages : 344
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Book Description
For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them. Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.
Author: Gordon H. Chang
Publisher: Stanford General Books
ISBN:
Category : Art
Languages : en
Pages : 578
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Book Description
Asian American Art: A History, 1850-1970 is a first-ever survey exploring the lives and artistic production of artists of Asian Ancestry active in the United States before 1970, and features ten essays by leading scholars, biographies of more than 150 artists, and more than 400 reproductions of artwork and photographs of artists, together creating compelling narratives of this heretofore forgotten American art history.
