Raphael. Leonardo da Vinci. Michael Angelo PDF Download
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Author: Moses Foster Sweetser
Publisher:
ISBN:
Category :
Languages : en
Pages : 518
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Book Description
Author: Moses Foster Sweetser
Publisher:
ISBN:
Category :
Languages : en
Pages : 518
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Book Description
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0525506403
Category : Art
Languages : en
Pages : 289
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Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: Giorgio Vasari
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Raphael was for centuries considered the greatest artist who ever lived. Much of what we know about him comes from this biography, written by Florentine painter Giorgio Vasari. The Life of Raphael is a key text not only for the appreciation of Raphael's art--whose development Vasari portrays in detail--but also for its unprecedented attention to theoretical issues. This stand-alone edition of The Life of Raphael, published to coincide with a major exhibition of the artist's paintings and drawings at England's National Gallery, illuminates the entire span of Raphael's astonishing art.
Author: Ellen M. Cyr
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 222
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Book Description
Author: Moses Foster Sweetser
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 496
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Book Description
Author: Claudio Merlo
Publisher: Barron's Educational Series
ISBN: 9780764109461
Category : Juvenile Nonfiction
Languages : en
Pages : 124
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Book Description
An introduction to the Italian high Renaissance and the works of the artists Leonardo da Vinci, Michelangelo, and Raphael.
Author: George B. Rose
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
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Book Description
Author: Charles River Charles River Editors
Publisher:
ISBN: 9781492330103
Category :
Languages : en
Pages : 132
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Book Description
*Includes pictures of important people and places, as well as the artists' most famous works. *Discusses the relationships between the artists. *Includes a Bibliography on each man for further reading. The Renaissance spawned the use of the label "Renaissance Man" to describe a person who is extremely talented in multiple fields, and no discussion of the Renaissance is complete without the original "Renaissance Man", Leonardo da Vinci. Indeed, if 100 people are asked to describe Leonardo in one word, they might give 100 answers. As the world's most famous polymath and genius, Leonardo found time to be a painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. It would be hard to determine which field Leonardo had the greatest influence in. His "Mona Lisa" and "The Last Supper" are among the most famous paintings of all time, standing up against even Michelangelo's work. But even if he was not the age's greatest artist, Leonardo may have conducted his most influential work in other fields. His emphasis on the importance of Nature would influence Enlightened philosophers centuries later, and he sketched speculative designs for gadgets like helicopters that would take another 4 centuries to create. Leonardo's vision and philosophy were made possible by his astounding work as a mathematician, engineer and scientist. At a time when much of science was dictated by Church teachings, Leonardo studied geology and anatomy long before they truly even became scientific fields, and he used his incredible artistic abilities to sketch the famous Vitruvian Man, linking art and science together. It's possible that Michelangelo is the most famous artist in history, but it's also possible that he's an underrated artist. The vast influence of his career is reflected by the fact that he is not only known for his own art but has also come to embody an entire epoch of Western art. Along with Leonardo da Vinci, there are no other artists who so fully capture the spirit of scientific and artistic discovery that characterized art during the late 15th and early 16th centuries. Moreover, Michelangelo's career is distinguished from that of his peers through his seamless ability to work within different art forms, receiving acclaim regardless of the medium. After first rising to fame as a sculptor, he also painted and served as an architect, and since his death, Michelangelo has also become decorated for his prolific output as a poet. The diversity and high standard of his work, no matter the medium, make it difficult to even arrive at a most famous work. People can make a compelling argument for at least three works: the statue of David (1501-1504), the ceiling of the Sistine Chapel (1508-1512), or the design for St. Peter's Basilica (worked on from 1546 through his death). That the same artist produced these canonical monuments of Western art is remarkable, but that each was made through a different medium defines Michelangelo as a sui generis talent. Although Raphael was perhaps the most favored artist of the Italian Renaissance, his reputation has since been surpassed by famous contemporaries like Leonardo da Vinci and Michelangelo. To this day, it is difficult to think of Raphael without considering his artistic rivals, and comparing the artwork between Raphael and his contemporaries illuminates Raphael's artistic style and the reception surrounding his work. In many ways, his art synthesized the styles of other artists; Raphael's artwork was not produced in a vacuum, and his career reflects the rise of the artist as a culturally significant figure while also preserving the grandeur of the church. Even if he lacked the innovation of Leonardo or Michelangelo, Raphael was every bit as renowned during the time period, and an analysis of his life explains his mass appeal and cultural significance.
Author: Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983545573
Category :
Languages : en
Pages : 230
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Book Description
*Includes pictures of important people and places, as well as the artists' most famous works. *Discusses the relationships between the artists. *Includes a Bibliography on each man for further reading. The Renaissance spawned the use of the label "Renaissance Man" to describe a person who is extremely talented in multiple fields, and no discussion of the Renaissance is complete without the original "Renaissance Man," Leonardo da Vinci. Indeed, if 100 people are asked to describe Leonardo in one word, they might give 100 answers. As the world's most famous polymath and genius, Leonardo found time to be a painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. It would be hard to determine which field Leonardo had the greatest influence in. His "Mona Lisa" and "The Last Supper" are among the most famous paintings of all time, standing up against even Michelangelo's work. But even if he was not the age's greatest artist, Leonardo may have conducted his most influential work in other fields. His emphasis on the importance of Nature would influence Enlightened philosophers centuries later, and he sketched speculative designs for gadgets like helicopters that would take another 4 centuries to create. Leonardo's vision and philosophy were made possible by his astounding work as a mathematician, engineer and scientist. At a time when much of science was dictated by Church teachings, Leonardo studied geology and anatomy long before they truly even became scientific fields, and he used his incredible artistic abilities to sketch the famous Vitruvian Man, linking art and science together. It's possible that Michelangelo is the most famous artist in history, but it's also possible that he's an underrated artist. The vast influence of his career is reflected by the fact that he is not only known for his own art but has also come to embody an entire epoch of Western art. Along with Leonardo da Vinci, there are no other artists who so fully capture the spirit of scientific and artistic discovery that characterized art during the late 15th and early 16th centuries. Moreover, Michelangelo's career is distinguished from that of his peers through his seamless ability to work within different art forms, receiving acclaim regardless of the medium. After first rising to fame as a sculptor, he also painted and served as an architect, and since his death, Michelangelo has also become decorated for his prolific output as a poet. The diversity and high standard of his work, no matter the medium, make it difficult to even arrive at a most famous work. People can make a compelling argument for at least three works: the statue of David (1501-1504), the ceiling of the Sistine Chapel (1508-1512), or the design for St. Peter's Basilica (worked on from 1546 through his death). That the same artist produced these canonical monuments of Western art is remarkable, but that each was made through a different medium defines Michelangelo as a sui generis talent. Although Raphael was perhaps the most favored artist of the Italian Renaissance, his reputation has since been surpassed by famous contemporaries like Leonardo da Vinci and Michelangelo. To this day, it is difficult to think of Raphael without considering his artistic rivals, and comparing the artwork between Raphael and his contemporaries illuminates Raphael's artistic style and the reception surrounding his work. In many ways, his art synthesized the styles of other artists; Raphael's artwork was not produced in a vacuum, and his career reflects the rise of the artist as a culturally significant figure while also preserving the grandeur of the church. Even if he lacked the innovation of Leonardo or Michelangelo, Raphael was every bit as renowned during the time period, and an analysis of his life explains his mass appeal and cultural significance.
Author: Rona Goffen
Publisher: Yale University Press
ISBN: 9780300105896
Category : Art
Languages : en
Pages : 540
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Book Description
For sixteenth-century Italian masters, the creation of art was a contest. They knew each other's work and patrons, were collegues and rivals. Survey of this artistic rivalry, the emotional and professional circumstances of their creations.
