Rape and Sexual Power In Early America (Volume 2 of 2) (EasyRead Super Large 18pt Edition) PDF Download
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Author:
Publisher: ReadHowYouWant.com
ISBN: 1442958111
Category :
Languages : en
Pages : 338
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Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1442958111
Category :
Languages : en
Pages : 338
Get Book Here
Book Description
Author: SHARON BLOCK.
Publisher: ReadHowYouWant.com
ISBN: 1442957670
Category :
Languages : en
Pages : 526
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Book Description
Author: Golfo Alexopoulos
Publisher: Yale University Press
ISBN: 0300227531
Category : History
Languages : en
Pages : 325
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Book Description
A new and chilling study of lethal human exploitation in the Soviet forced labor camps, one of the pillars of Stalinist terror In a shocking new study of life and death in Stalin’s Gulag, historian Golfo Alexopoulos suggests that Soviet forced labor camps were driven by brutal exploitation and often administered as death camps. The first study to examine the Gulag penal system through the lens of health, medicine, and human exploitation, this extraordinary work draws from previously inaccessible archives to offer a chilling new view of one of the pillars of Stalinist terror.
Author: Olaudah Equiano
Publisher: Penguin UK
ISBN: 0141963158
Category : Biography & Autobiography
Languages : en
Pages : 87
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Book Description
In an adventurous and extraordinary life, Equiano (c.1745-c.1797) criss-crossed the Atlantic world, from West Africa to the Caribbean to the USA to Britain, either as a slave or fighting with the Royal Navy. His account of his life is not only one of the great documents of the abolition movement, but also a startling, moving story of danger and betrayal. Great Journeys allows readers to travel both around the planet and back through the centuries – but also back into ideas and worlds frightening, ruthless and cruel in different ways from our own. Few reading experiences can begin to match that of engaging with writers who saw astounding things: Great civilisations, walls of ice, violent and implacable jungles, deserts and mountains, multitudes of birds and flowers new to science. Reading these books is to see the world afresh, to rediscover a time when many cultures were quite strange to each other, where legends and stories were treated as facts and in which so much was still to be discovered.
Author: Margot Norris
Publisher: University of Virginia Press
ISBN: 9780813919928
Category : Art
Languages : en
Pages : 328
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Book Description
The twentieth century will be remembered for great innovation in two particular areas: art and culture, and technological advancement. Much of its prodigious technical inventiveness, however, was pressed into service in the conduct of warfare. Why, asks Margot Norris, did violence and suffering on such an immense scale fail to arouse artistic and cultural expressions powerful enough to prevent the recurrence of these horrors? Why was art not more successful--through its use of dramatic, emotionally charged material, its ability to stir imagination and arouse empathy and outrage--in producing an alternative to the military logic that legitimates war? Military argument in the twentieth century has been fortified by the authority of the rationalism that we attribute to science, Norris argues. Warfare is therefore legitimized by powerful discourses that art's own arsenal of styles and genres has limited power to counter. Art's difficulty in representing the violent death of entire generations or populations has been particularly acute. Choosing works that have become representative of their historically violent moment, Norris explores not only their aesthetic strategies and perspectives but also the nature of the power they wield and the ethical engagements they enable or impede. She begins by mapping the altered ethical terrain of modern technological warfare, with its increasing targeting of civilian populations for destruction. She then proceeds historically with chapters on the trench poetry and modernist poetry of World War I, Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front, both the book and the film of Schindler's List, the conflicting historical stories of the Manhattan Project, a comparison of American and Japanese accounts of Hiroshima, Francis Ford Coppola's film Apocalypse Now, and the effects of press censorship in the Persian Gulf War. By looking at the whole span of the century's writing on war, Norris provides a fascinating critique of art's ethical power and limitations, along with its participation in--as well as protest against--the suffering that human beings have brought upon themselves.
Author: Audrey Fisch
Publisher: Cambridge University Press
ISBN: 1139827596
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
Author: Jim Hicks
Publisher:
ISBN: 9781625340009
Category : War and literature
Languages : en
Pages : 0
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Book Description
Intro -- Title Page -- Copyright -- Dedication -- Contents -- Preface -- 1. Case Study: Of Phantom Nations -- 2. Thesis: The Crime of the Scene -- 3. Victims: The Talking Dead -- 4. Observers: The Real War and the Books -- 5. Aggressors: The Beast Is Back -- Conclusion: Bringing the Stories Home -- Notes -- Works Cited -- Index.
Author: Michael Rothberg
Publisher: U of Minnesota Press
ISBN: 9780816634590
Category : History
Languages : en
Pages : 340
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Book Description
Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public.
Author: Chris Baldick
Publisher: Oxford University Press, USA
ISBN: 9780198608837
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Provides explanations of literary terms and includes information on such topics as drama, rhetoric, and textual criticism.
Author: Berel Lang
Publisher: JHU Press
ISBN: 0801876362
Category : History
Languages : en
Pages : 198
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Book Description
Since Theodor Adorno's attack on the writing of poetry "after Auschwitz," artists and theorists have faced the problem of reconciling the moral enormity of the Nazi genocide with the artist's search for creative freedom. In Holocaust Representation, Berel Lang addresses the relation between ethics and art in the context of contemporary discussions of the Holocaust. Are certain aesthetic means or genres "out of bounds" for the Holocaust? To what extent should artists be constrained by the "actuality" of history—and is the Holocaust unique in raising these problems of representation? The dynamics between artistic form and content generally hold even more intensely, Lang argues, when art's subject has the moral weight of an event like the Holocaust. As authors reach beyond the standard conventions for more adequate means of representation, Holocaust writings frequently display a blurring of genres. The same impulse manifests itself in repeated claims of historical as well as artistic authenticity. Informing Lang's discussion are the recent conflicts about the truth-status of Benjamin Wilkomirski's "memoir" Fragments and the comic fantasy of Roberto Benigni's film Life Is Beautiful. Lang views Holocaust representation as limited by a combination of ethical and historical constraints. As art that violates such constraints often lapses into sentimentality or melodrama, cliché or kitsch, this becomes all the more objectionable when its subject is moral enormity. At an extreme, all Holocaust representation must face the test of whether its referent would not be more authentically expressed by silence—that is, by the absence of representation.
