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Author: Hugo Gernsback
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 120
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Book Description
The eponymous protagonist saves the life of the heroine by directing energy remotely at an approaching avalanche. As the novel goes on, he describes the technological wonders of the modern world, frequently using the phrase "As you know..." The hero finally rescues the heroine by travelling into space on his own "space flyer" to rescue her from the villain's clutches.
Author: Hugo Gernsback
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 120
Get Book Here
Book Description
The eponymous protagonist saves the life of the heroine by directing energy remotely at an approaching avalanche. As the novel goes on, he describes the technological wonders of the modern world, frequently using the phrase "As you know..." The hero finally rescues the heroine by travelling into space on his own "space flyer" to rescue her from the villain's clutches.
Author: Hugo Gernsback
Publisher: U of Minnesota Press
ISBN: 1452953147
Category : Literary Criticism
Languages : en
Pages : 745
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Book Description
In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies. Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback’s writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback’s publications evolved from an electrical parts catalog to a full-fledged literary genre. The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.
Author: Robert Barry
Publisher: Watkins Media Limited
ISBN: 1910924873
Category : Music
Languages : en
Pages : 225
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Book Description
The Music of the Future is not a book of predictions or speculations about how to save the music business or the bleeding edge of technologies. Rather, it's a history of failures, mapping 200 years of attempts by composers, performers and critics to imagine a future for music. Encompassing utopian dream cities, temporal dislocations and projects for the emancipation of all sounds, The Music of the Future is in the end a call to arms for everyone engaged in music: "to fail again, fail better."
Author: Mike Ashley
Publisher: Wildside Press LLC
ISBN: 0809510553
Category : Literary Criticism
Languages : en
Pages : 502
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Book Description
"In recent years there has been a resurgence of interest in Hugo Gernsback, and the start of a serious study of the contribution he made to the development of science fiction. . . . It seemed to me that the time was due to reinvestigate the Gernsback era and dig into the facts surrounding the origins of Amazing Stories. I wanted to find out exactly why Hugo Gernsback had launched the magazine, what he was trying to achieve, and to consider what effects he had-good and bad. . . . Too many writers and editors from the Gernsback days have been unjustly neglected, or unfairly criticized. Now, I hope, Robert A. W. Lowndes and I have provided the grounds for a fair consideration of their efforts, and a true reconstruction of the development of science fiction. It's the closest to time travel you'll ever get. I hope you enjoy the trip."-Mike Ashley, Preface
Author: Gary Westfahl
Publisher: Liverpool University Press
ISBN: 9780853235637
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
This is a sustained argument about the idea of science fiction by a renowned critic. Overturning many received opinions, it is both controversial and stimulating Much of the controversy arises from Westfahl's resurrection of Hugo Gernsback - for decades a largely derided figure - as the true creator of science fiction. Following an initial demolition of earlier critics, Westfahl argues for Gernsback's importance. His argument is fully documented, showing a much greater familiarity with early American science fiction, particularly magazine fiction, than previous academic critics or historians. After his initial chapters on Gernsback, he examines the way in which the Gernsback tradition was adopted and modified by later magazine editors and early critics. This involves a re-evaluation of the importance of John W. Campbell to the history of science fiction as well as a very interesting critique of Robert Heinlein's Beyond the Horizon, one the seminal texts of American science fiction. In conclusion, Westfahl uses the theories of Gernsback and Campbell to develop a descriptive definition of science fiction and he explores the ramifications of that definition. The Mechanics of Wonder will arouse debate and force the questioning of presuppositions. No other book so closely examines the origins and development of the idea of science fiction, and it will stand among a small number of crucial texts with which every science fiction scholar or prospective science fiction scholar will have to read.
Author: Arthur C. Clarke
Publisher: Rosetta Books
ISBN: 0795325517
Category : Fiction
Languages : en
Pages : 261
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Book Description
A gripping novel of human ingenuity during World War II, based on the visionary author’s own wartime experiences as a radar control operator. One of the most influential science fiction writers of the twentieth century, Arthur C. Clarke has consistently anticipated the actual achievements of science and technology. In Glide Path, he turns back the clock to tell a thrilling story about the groundbreaking exploration of radar during WWII. Clarke’s only non–science fiction novel shines with the same qualities that made his award-winning space adventures timeless classics: topnotch suspense, fascinating science, and memorable characters. A hidden gem in Clarke’s impressive body of work, Glide Path is an enthralling read for both science fiction fans and history aficionados.
Author: Howard M. Tremaine
Publisher:
ISBN:
Category : Sound
Languages : en
Pages : 1757
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Book Description
Author: Eric S. Rabkin
Publisher: Oxford [Oxfordshire] ; New York : Oxford University Press
ISBN: 9780195032727
Category : Fiction
Languages : en
Pages : 548
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Book Description
Presents a chronological survey of this genre from the beginnings of modern science and technology to the present.
Author: Karel Capek
Publisher: Wildside Press LLC
ISBN: 1667661116
Category : Fiction
Languages : en
Pages : 175
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Book Description
The Absolute at Large (Továrna na absolutno in the original Czech, literally translated as The Factory for the Absolute), is a science fiction novel written by Czech author Karel Čapek in 1922. The first sentence opens the story on New Year's Day 1943 -- a future date at the time of writing -- and describes the fundamental transformations in society as the result of a new mystical source of virtually free energy.
Author: Victor Appleton
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 100
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Book Description
“Have you anything special to do to-night, Ned?” asked Tom Swift, the well-known inventor, as he paused in front of his chum’s window, in the Shopton National Bank. “No, nothing in particular,” replied the bank clerk, as he stacked up some bundles of bills. “Why do you ask?” “I wanted you to come over to the house for a while.” “Going to have a surprise party, or something like that?” “No, only I’ve got something I’d like to show you.” “A new invention?” “Well, not exactly new. You’ve seen it before, but not since I’ve improved it. I’m speaking of my new electric rifle. I’ve got it ready to try, now, and I’d like to see what you think of it. There’s a rifle range over at the house, and we can practice some shooting, if you haven’t anything else to do.” “I haven’t, and I’ll be glad to come. What are you doing in the bank, anyhow; putting away more of your wealth, Tom?” “Yes, I just made a little deposit. It’s some money I got from the government for the patents on my sky racer, and I’m salting it down here until Dad and I can think of a better investment.” “Good idea. Bring us all the money you can,” and the bank clerk, who held a small amount of stock in the financial institution, laughed, his chum joining in with him. “Well, then. I’ll expect you over this evening,” went on the youthful inventor, as he turned to leave the bank. “Yes, I’ll be there. Say, Tom, have you heard the latest about Andy Foger?” “No, I haven’t heard much since he left town right after I beat him in the aeroplane race at Eagle Park.”
