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Author: Ragnar Kjartansson
Publisher: Art Book Magazine Distribution
ISBN: 2847111263
Category : Art
Languages : en
Pages : 100
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Book Description
Ragnar Kjartansson’s singular work is a cross between performance and cinema, sculpture and opera, plein air painting and music. He often produces large-scale multidisciplinary projects and the production of his works often requires the collaboration of several participants―actors, musicians, friends and family members. Experimenting the mechanisms of theatre and the dramatic impulses of tragedy, Ragnar Kjartansson succeeds in bringing emotions out of melodramatic actions and in revealing the reality on which relies every interpretation. Through repetition, which is genuine motif in his work, Ragnar Kjartansson enlightens the theatricality and efforts at work in everyday life. Book contents - “Once Again”: An essay by Laure Fernandez. - “Only He Who Knows Desire”: A conversation between Ragnar Kjartansson and Julien Fronsacq. About the authors - Laure Fernandez is a researcher in performing arts. Her research projects focus in particular on the idea of theatricality in the contemporary visual arts. - Julien Fronsacq is a curator at the Palais de Tokyo and the curator of Ragnar Kjartansson’s solo exhibition. Book published on the occasion of Ragnar Kjartansson’s solo exhibition at the Palais de Tokyo, “Seul celui qui connaît le désir,” 21.10 2015 – 10.01 2016
Author: Ragnar Kjartansson
Publisher: Art Book Magazine Distribution
ISBN: 2847111263
Category : Art
Languages : en
Pages : 100
Get Book Here
Book Description
Ragnar Kjartansson’s singular work is a cross between performance and cinema, sculpture and opera, plein air painting and music. He often produces large-scale multidisciplinary projects and the production of his works often requires the collaboration of several participants―actors, musicians, friends and family members. Experimenting the mechanisms of theatre and the dramatic impulses of tragedy, Ragnar Kjartansson succeeds in bringing emotions out of melodramatic actions and in revealing the reality on which relies every interpretation. Through repetition, which is genuine motif in his work, Ragnar Kjartansson enlightens the theatricality and efforts at work in everyday life. Book contents - “Once Again”: An essay by Laure Fernandez. - “Only He Who Knows Desire”: A conversation between Ragnar Kjartansson and Julien Fronsacq. About the authors - Laure Fernandez is a researcher in performing arts. Her research projects focus in particular on the idea of theatricality in the contemporary visual arts. - Julien Fronsacq is a curator at the Palais de Tokyo and the curator of Ragnar Kjartansson’s solo exhibition. Book published on the occasion of Ragnar Kjartansson’s solo exhibition at the Palais de Tokyo, “Seul celui qui connaît le désir,” 21.10 2015 – 10.01 2016
Author: Ragnar Kjartansson
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Edited by Christian Schoen. Text by Cecilia Alemani, Markus Th. Andresson.
Author: Ragnar Kjartansson
Publisher:
ISBN: 9783863359706
Category :
Languages : en
Pages : 240
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Book Description
Published alongside the exhibition at the Barbican, London (14 July - 4 September 2016), 'bringing together live performance, music, film, painting, sculpture and drawing' - and the first UK survey of this internationally acclaimed Icelandic artist.The fully illustrated book features a pictorial autobiography compiled by Ragnar Kjartansson himself, and is designed by John Morgan studio. Clichés and motifs of Western culture, romantic melancholy and even his own conception, provide the personal and often playful subject matter of the artist
Author: Halldor Laxness
Publisher: Vintage
ISBN: 0307430316
Category : Fiction
Languages : en
Pages : 626
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Book Description
A magnificently humane novel from the acclaimed Icelandic Nobel Prize winner: as an unloved foster child on a farm in rural Iceland, Olaf Karason has only one consolation, the belief that one day he will be a great poet. The indifference and contempt of most of the people around him only reinforces his sense of destiny, for in Iceland poets are as likely to be scorned as they are to be revered. Over the ensuing years, Olaf comes to lead the paradigmatic poet’s life of poverty, loneliness, ruinous love affairs and sexual scandal. But he will never attain anything like greatness. As imagined by Nobel Prize winner Halldor Laxness in this extraordinary novel, what might be cruel farce achieves pathos and genuine exaltation. For as Olaf’s ambition drives him onward—and into the orbits of an unstable spiritualist, a shady entrepreneur, and several susceptible women—World Light demonstrates how the creative spirit can survive in even the most crushing environment and even the most unpromising human vessel.
Author: Alexander Dumbadze
Publisher: University of Chicago Press
ISBN: 022603867X
Category : Art
Languages : en
Pages : 197
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Book Description
On July 9, 1975, Dutch-born artist Bas Jan Ader set sail from Chatham, Massachusetts, on a thirteen-foot sailboat. He was bound for Falmouth, England, on the second leg of a three-part piece titled In Search of the Miraculous. The damaged boat was found south of the western tip of Ireland nearly a year later. Ader was never seen again. Since his untimely death, Ader has achieved mythic status in the art world as a figure literally willing to die for his art. Considering the artist’s legacy and concise oeuvre beyond the romantic and tragic associations that accompany his peculiar end, Alexander Dumbadze resituates Ader’s art and life within the conceptual art world of Los Angeles in the early 1970s and offers a nuanced argument about artistic subjectivity that explains Ader’s tremendous relevance to contemporary art. Bas Jan Ader blends biography, theoretical reflection, and archival research to draw a detailed picture of the world in which Ader’s work was rooted: a vibrant international art scene populated with peers such as Ger van Elk, William Leavitt, and Allen Ruppersberg. Dumbadze looks closely at Ader’s engagement with questions of free will and his ultimate success in creating art untainted by mediation. The first in-depth study of this enigmatic conceptual artist, Bas Jan Ader is a thoughtful reflection on the necessity of the creative act and its inescapable relation to death.
Author: RYAN GANDER AND. JONATHAN P. WATTS
Publisher:
ISBN: 9781907908545
Category :
Languages : en
Pages :
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Book Description
Author: Christian Schoen
Publisher:
ISBN: 9783775732833
Category : Art, Icelandic
Languages : en
Pages : 0
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Book Description
Icelandic culture is so strongly oriented towards language that the visual arts didn't truly begin to develop until the early twentieth century - which is remarkable for a Western country. This unique situation may explain the nature of the contemporary art scene in Iceland. Even though Conceptual art remains a considerable international influence, and globalization is most certainly affecting this isolated island in the North Atlantic, Icelandic art continues to develop at its own speed, marked by a playful creative energy and the pleasure of experimentation. Icelandic Art Today introduces 50 of the country's most important artists - including Finnbogi Petursson, Gabriela Fridriksdottir, Helgi Thorgils Fridjonsson, Icelandic Love Corporation, Katrin Sigurdardottir, Margret H. Blondal, Olafur Olafsson + Libia Castro, Ragnar Kjartansson and Ruri and Steingrimur Eyfjord - who have contributed to the contemporary landscape of Icelandic art from the 1970s through the present. Essays by historian and curator Christian Schoen, critic Halldor Bjorn Runolfsson and Director of the Reykjavik Art Museum Hafthor Yngvason trace the development of Iceland's avant-garde over the past 40 years.
Author: Anne Lesley Selcer
Publisher:
ISBN: 9780998346199
Category :
Languages : en
Pages : 104
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Book Description
Literary Nonfiction. Poetry. Fiction. California Interest. African & African American Studies. Latinx Studies. Middle Eastern Studies. Women's Studies. LGBTQIA Studies. Art. Film. Music. Art Criticism. BLANK SIGN BOOK is a collection of innovative art writing from poet and essayist Anne Lesley Selcer. Writing in the confluence of politics and aesthetics through the work of Ana Mendieta, The Otolith Group, Juliana Huxtable, Dolores Dorantes, Janet Cardiff, Ragnar Kjartansson, and more, Selcer's debut collection culminates the interdisciplinary thinking and formal risk of fifteen years of public critical writing. Selcer's work has been nationally and internationally commissioned and solicited by museums, galleries and art magazines. Anchored by the feminist, queer, and decolonial thought of Susan Sontag, Saidiya Hartman, Lisa Robertson, Micha Cárdenas, and many more, BLANK SIGN BOOK explores representation from the image to the agora. The essays are embedded deeply within the pleasure of art and the power of artist. They consider topics from the materiality of the internet, protest, sound, and gentrification, to teenage literary obsession, femicide, and decolonized time. BLANK SIGN BOOK unfolds within Selcer's decade long investigation of Western beauty, from which two award-winning poetry publications have emerged. With lyricism, incisive clarity and a deep commitment to the power of art and artists as a vehicle for experimental advocacy and radical insight, BLANK SIGN BOOK displays Selcer's capacious and assiduous grasp as an art writer and cultural thinker to be read for decades to come. BLANK SIGN BOOK emerged from Anne Lesley Selcer's tenure as inaugural Art Writing Fellow at Southern Exposure.
Author: Dorian Gaudin
Publisher: Art Book Magazine Distribution
ISBN: 2847111212
Category : Art
Languages : en
Pages : 100
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Book Description
Dorian Gaudin focuses on the interplay of correspondences between the organic, psychical, and material worlds. Combining performance, sculpture and cinema, his oeuvre moves back and forth between automation and living systems. He mobilizes, dislocates, and mechanizes in an amalgamation of genres: absurdist theater, science fiction cinema, burlesque and Minimalism. In his exhibition at the Palais de Tokyo machines and social rituals, visual illusion and physical presence set in motion a mechanism which is also that of the emotions. Revealing the capacity of objects to generate narrative and elicit our emotional and intellectual involvement, his works remind us of the way fetishization of objects and technology governs our relationship with the world. Book Contents - “Incomparable Theatre”: The Splendid Ambiguity of Dorian Gaudin’s Machines” an essay by Kate Sutton - “The Mechanism of the Emotions”: interview between Dorian Gaudin and Julien Fronsacq About the authors - Kate Sutton is a writer currently based in Zagreb. In addition to writing articles and reviews for magazines including Artforum, Bidoun, Frieze, Ibraaz, and LEAP, Sutton is a regular contributor to Artforum.com. In 2013, she was recognized with an Art Writers Grant from the Andy Warhol Foundation. - Julien Fronsacq is a curator at the Palais de Tokyo. He curated Dorian Gaudin’s solo show. A book published on the occasion of Dorian Gaudin’s solo show at the Palais de Tokyo, 03.02 – 08.05 2017
Author: Julien Creuzet
Publisher: Art Book Magazine Distribution
ISBN: 2847111328
Category : Art
Languages : en
Pages : 100
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Book Description
Julien Creuzet is an artist, videographer, performer and poet. He links forgotten, minority histories and imaginary representations of distant places with the social realities of the here and now. His exhibition at the Palais de Tokyo, which visit is rhythmed by a soundtrack composed specifically for it, takes the form of an immersive environment akin to a large public space suffused with the permanent state of tension that characterizes our era. It presents a multiplicity of different works and offers an array of disjointed narratives. Preferring anachronism to the linearity of established stories, Creuzet thus invokes poetry and politics to unfold a mobile imaginary that brings together different temporalities and geographies. Book contents - “An Interview or Not,” interview between Julien Creuzet and Yoann Gourmel - “Flashing Light-Elegy,” by Eva Barois De Caevel and Dorothée Dupuis. About the authors - Eva Barois De Caevel is an independent curator. She is in charge of publications at RAW Material Company—Center for Art Knowledge and Society (Dakar). - Dorothée Dupuis is an independent curator, art critic and publisher. She is the founder and editor in chief of the magazine Terremoto.mx. - Yoann Gourmel is a curator at the Palais de Tokyo. He curated Julien Creuzet’s solo show. A book published on the occasion of Julien Creuzet’s solo show at the Palais de Tokyo, 20.02 – 12.05.2019
