Rafal Olbinski and the Opera PDF Download
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Author: Agata Passent
Publisher: Hudson Hills
ISBN: 9781878768018
Category : Antiques & Collectibles
Languages : en
Pages : 104
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Book Description
In 40 extraordinary posters, surprise, witty tricks, and sexual content create a visual pun, and capture the grandeur of the costumes, the music, and the tragedy in beautifully crafted paintings, classical in appearance. ILLUSTRATIONS: 86 colour & 40 b/w
Author: Agata Passent
Publisher: Hudson Hills
ISBN: 9781878768018
Category : Antiques & Collectibles
Languages : en
Pages : 104
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Book Description
In 40 extraordinary posters, surprise, witty tricks, and sexual content create a visual pun, and capture the grandeur of the costumes, the music, and the tragedy in beautifully crafted paintings, classical in appearance. ILLUSTRATIONS: 86 colour & 40 b/w
Author: Rafal Olbinski
Publisher: Hudson Hills
ISBN: 9781878768049
Category : Art
Languages : en
Pages : 156
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Book Description
This is the first full-scale publication to celebrate Olbinski and his exceptional ability to depict the world of performing arts and entertainment in his own unique form. Olbinski's posters dare the viewer to explore beyond the surface and seek out the often overlooked surrounding scene.
Author:
Publisher:
ISBN: 9781878768063
Category :
Languages : en
Pages :
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Book Description
Created for Vendome Studio New York for opening of exhibition. Full Color with texts by Robert Morgan and Isabela Gabrielson
Author: Rafal Olbinski
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9781555952662
Category : Art
Languages : en
Pages : 186
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Book Description
At once both controversial and classical, Rafal Olbinski has built a career around examining the mystery of women. In this first publication of his paintings, Olbinski creates a world that seeks to celebrate the secrets of women without destroying their mystery.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443845515
Category : Music
Languages : en
Pages : 240
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Book Description
Robert le Diable by Giacomo Meyerbeer is regarded as a musical milestone, a definitive statement in the 19th-century development of French grand opéra from the tragédie lyrique of Lully, Rameau, Gluck and Spontini. The libretto by Eugène Scribe and Germain Delavigne was derived from the medieval legend of “Robert the Devil”. First performed on 21 November 1831 at the Paris Opéra, the work brought Meyerbeer international celebrity. Robert le Diable remains a legend in the annals of opera. The fascinating story reveals a complex imagery and symbolism that touches on the deepest intuitions of human experience and personal development, and exercises an archetypal unconscious appeal akin to the nature of fairy tales. The musical language, richly melodic and theatrically powerful, looks back to Rossini and the traditions of bel canto, and yet forges a new formal pliancy and dramatic urgency. The harmony and orchestration, the melodramatic plot, and overwhelming stage effects (especially the famous act 3 Ballet of the Nuns, a touchstone of dark Romanticism) confirmed Meyerbeer as the leading opera composer of his age. His style fuses German counterpoint, Italian melody, French grandeur, and unprecedented orchestral riches in a unique and overwhelming artistic blend. Robert became one of the greatest successes in the history of opera. In the first two years of its history it was given in 69 different theatres, and was performed 754 times at the Paris Opéra until 1893. This huge success was reflected in more than 160 transcriptions, arrangements, paraphrases and fantasias for the orchestra, military band, dance band, piano and other solo instruments written between 1832 and 1955. After many years of neglect, there is a resurgence of interest in this work with its fascinating appeal. This book is devoted to the story of this exceptional opera. It traces the origins, the première, the performance history, and also considers the special characteristics of both the libretto and the music. One of the most intriguing aspects of Robert le Diable was the nature of the iconography generated by its most famous scenes. Artists and illustrators responded in many different ways to the Gambling Scene, the Scene at the Cross, the Cloister Scene for the legendary Ballet of the Nuns, and the great trio in act 5. All of these are examined in terms of the the many different pictorial and plastic responses they inspired over some 60 years.
Author: Krzysztof Dydo
Publisher:
ISBN:
Category : Film posters, Polish
Languages : pl
Pages : 316
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Book Description
Author: Alan Male
Publisher: Bloomsbury Publishing
ISBN: 1474263038
Category : Design
Languages : en
Pages : 233
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Book Description
Illustration practice is not judged purely by visual literacy and technical qualities, but also requires intellectual engagement with its subject matter. Illustration: A Theoretical & Contextual Perspective, 2nd Edition examines the breadth and many uses of this diverse discipline, through nearly 300 colour examples. From developing a brief, conducting research and analysing visual language, the book goes on to explore the role of illustration in documentation, commentary, storytelling, persuasion and identity. It concludes with an overview of current professional practice, demonstrating that the ability to communicate meaningfully and effectively for a global audience is key to navigating today's creative industries. Examples of work from award-winning illustrators showcase a huge range of applications, from the author's own collaboration with the British Museum of Natural History and Olivier Kugler's Portraits of Syrian Refugees in Iraqi Kurdistan, to Levi Pinfold's fictional picture book Black Dog and Malika Favre's promotional images for the BAFTA (British Academy of Film and Television Arts) Film Awards.
Author: Jerelle Kraus
Publisher: Columbia University Press
ISBN: 0231533233
Category : Humor
Languages : en
Pages : 281
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Book Description
From the New York Times’s former Op-Ed art director, the true story of the world’s first Op-Ed page, a public platform that prefigured the blogosphere. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury’s Garry Trudeau, and why reporter Syd Schanburg—whose story was told in the movie The Killing Fields—stated that he would travel anywhere to see Kissinger hanged, as well as Kraus’s tale of surviving two and a half hours alone with the dethroned outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse . . . Features 142 artists from thirty nations and five continents, and 324 pictures—gleaned from a total of 30,000—that stir our cultural-political pot. “To discover what really goes on inside the belly of the media beast, read this book.” —Bill Maher “In this overflowing treasure chest of ideas, politics and cultural critiques, Kraus proves that “art is dangerous” and sometimes necessarily so.” —Publishers Weekly
Author: Aleksander Fredro
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
