Radical Juxtaposition PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Radical Juxtaposition PDF full book. Access full book title Radical Juxtaposition by Shelley Green. Download full books in PDF and EPUB format.
Author: Shelley Green
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
Get Book Here
Book Description
Examines the work of Yvonne Rainer, an avante-garde filmmaker with film credits covering over 20 years. Green's attention falls specifically on Rainer's treatment of gender and multiculture issues. Annotation copyright by Book News, Inc., Portland, OR
Author: Shelley Green
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
Get Book Here
Book Description
Examines the work of Yvonne Rainer, an avante-garde filmmaker with film credits covering over 20 years. Green's attention falls specifically on Rainer's treatment of gender and multiculture issues. Annotation copyright by Book News, Inc., Portland, OR
Author: Sid Sachs
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 156
Get Book Here
Book Description
Radical Juxtapositions is the first book to present both artistic facets of Yvonne Rainer, dance innovator and award-winning filmmaker. One of the most respected artists of the twentieth century, Rainer broke new ground as part of the Judson Dance Theater in the early 1960s, where she created choreography that connected directly to life and utilized everyday movements--very much in sync with the contemporaneous aesthetics of Happenings, Pop art and Minimalism. When dance failed to provide her with avenues through which to broach political subject matter, Rainer became a radical filmmaker. In this monograph, her work is examined from various vantage points by noted dance, film and art historians, with Rainer herself contributing an essay on how aging has affected her work and life. Including the score for her new work, After Many a Summer Dies the Swan: Hybrid, this volume is completed by an annotated biography and a full chronology and filmography.
Author: Susan Sontag
Publisher: Farrar, Straus and Giroux
ISBN: 1466853522
Category : Philosophy
Languages : en
Pages : 336
Get Book Here
Book Description
Includes the essay "Notes on Camp," the inspiration for the 2019 exhibition Notes on Fashion: Camp at the Costume Institute of the Metropolitan Museum of Art Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the groundbreaking essays "Notes on Camp" and "Against Interpretation," as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought. This edition has a new afterword, "Thirty Years Later," in which Sontag restates the terms of her battle against philistinism and against ethical shallowness and indifference.
Author: Catherine Russell
Publisher: Duke University Press
ISBN: 9780822323198
Category : Performing Arts
Languages : en
Pages : 422
Get Book Here
Book Description
A sophisticated theoretical consideration of the related aesthetics and histories of ethnographic and experimental non-fiction films.
Author: Richard Cavell
Publisher: University of Toronto Press
ISBN: 9780802086587
Category : Science
Languages : en
Pages : 348
Get Book Here
Book Description
Demonstrates how McLuhan extended insights derived from advances in physics and artistic experimentation into a theory of acoustic space which he then used to challenge the assumptions of visual space that had been produced through print culture.
Author: Angus Kennedy
Publisher: Andrews UK Limited
ISBN: 1845407628
Category : Art
Languages : en
Pages : 244
Get Book Here
Book Description
Today culture is everywhere as maybe never before. We read culture reviews, watch culture shows, live in Cities of Culture, and witness the Cultural Olympiad. Government, museums and arts councils worry that we are not getting enough culture and shape policy around notions of art and culture for all. Access and inclusion are in. Difficulty and exclusivity out. In "Being Cultured: in defence of discrimination" Angus Kennedy asks if this explosion of culture, and the breaking down of distinctions between high and low culture, has emancipated us or left us adrift without cultural moorings. Is it true that all cultures are equal? Is cultural diversity a good thing? Is it unacceptably elitist to insist on the highest standards of judgment? To argue that some cultural works stand the test of time and some don't? Can anyone dare to call themselves cultured anymore? Might it even be the case that culture no longer actually means anything much to us? That our nervousness about exercising discrimination and good taste - the erosion of cultural authority - might have left us with a culture that may be open to all, but lacking in depth? This provocative book strikes a blow for discrimination in culture and argues that there is a responsibility on each of us as individuals to always be becoming more cultured beings: our best selves. Kennedy revisits the tradition - from Cicero to Kant, Arnold to Arendt - of autonomy in culture: both in the sense of its intrinsic value and how it rests on our individual freedom - quite apart from state and society - to discriminate and judge. A freedom, without which, we risk a widening culture of consensus and conformity. But which is the constitutive element of a world in common.
Author: Lucy Fischer
Publisher: Princeton University Press
ISBN: 1400859956
Category : Performing Arts
Languages : en
Pages : 361
Get Book Here
Book Description
Do films made by women comprise a "counter-cinema" radically different from the dominant tradition? Feminist film critics contend that women filmmakers do present from a distinctive vision, or "countershot," and Lucy Fischer argues persuasively for this view. In rich detail this book relates the idea of a counter-cinema to theories of intertextuality and locates it in the broad context of recent feminist film, literary, and art criticism. Fischer also employs an original critical model of the dialogue between women's cinema and film tradition in the very organization of the book. Each chapter discusses a theme or genre (such as the musical, the "double," the myth of womanhood, and the figure of the actress), counterposing two or more works--from the feminist and from the dominant cinema. What emerges is a fascinating picture of a women's film tradition that not only addresses but reworks and remakes the mainstream cinema. Fischer successfully combines two main strains of feminist criticism: the deconstructive critique of the dominant culture from a feminist standpoint and the study of a feminist counterculture. Examining films from Persona and The Lady from Shanghai to Girlfriends and Sisters, or the Balance of Happiness, the book offers fresh interpretations of individual works and can, incidentally, serve as an introduction to the field of feminist film criticism. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Zoran Samardzija
Publisher: Rutgers University Press
ISBN: 081358714X
Category : History
Languages : en
Pages : 220
Get Book Here
Book Description
Post-Communist Malaise examines political modernism within the context of post-communist Eastern Europe and the Balkans. It focuses on how select cinemas from the regions critique European unification and how they represent related issues like the transition from communism to free-market capitalism, the Euro crisis and austerity, and the rise of nationalism and right-wing politics.
Author: Stefka Mihaylova
Publisher: University of Michigan Press
ISBN: 0472903705
Category : Performing Arts
Languages : en
Pages : 223
Get Book Here
Book Description
Conventional notions of avant-garde art suggest innovative artists rebelling against artistic convention and social propriety, shocking unwilling audiences into new ways of seeing and living. Viewers in Distress tells a different story. Beginning in the tumultuous 1990s, after the fall of the Berlin Wall and in the wake of the Los Angeles riots, rebellious spectators in American and British theaters broke with theater decorum and voiced their radical interpretations of shows that were not meant to be radical. In doing so, audiences tried to understand the complex racial, gender, and religious politics of their times, while insisting that liberal societies fulfill their promise of dignity for all. Stefka Mihaylova argues that such non-conforming viewing amounts to an avant-garde of its own: a bold reimagining of how we live together and tell stories of our lives together, aimed to achieve liberalism’s promise. In telling this story, she analyzes the production and reception politics of works by Susan-Lori Parks, Sarah Kane, Forced Entertainment, Gurpreet Kaur Bhatti, and Young Jean Lee, as well as non-theatrical controversies such as the conflict over Halloween costumes at Yale in 2015. At the core of spectators’ discontent, this book suggests, is an effort to figure out how to get along with people different from ourselves in the diverse U.S. and British societies in which we live.
Author: Mark A. Pegrum
Publisher: Berghahn Books
ISBN: 9781571811301
Category : Social Science
Languages : en
Pages : 360
Get Book Here
Book Description
This book, for the first time, examines in depth the link between modernism and postmodernism and demonstrates the extensive similarities, as well as the few crucial differences between the ideas and art of the Dadaists on the one hand, and those of contemporary postmodern thinkers and artists on the other.
