Racine's Phèdre, literally tr. by R. Mongan PDF Download
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Author: Jean Racine
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 92
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Book Description
Author: Jean Racine
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 92
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Book Description
Author: Jean Racine
Publisher: Legare Street Press
ISBN: 9781020418419
Category : Drama
Languages : en
Pages : 0
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Book Description
Jean Racine's Phèdre is a classic French tragedy that tells the story of Phèdre, wife of King Theseus, and her illicit love for her stepson Hippolyte. This translation by R. Mongan provides an accurate and faithful rendition of Racine's original work. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Euripides
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 100
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Book Description
Author: Marcus Tullius Cicero
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
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Book Description
Author: Livy
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Book Description
Author: Peter Newmark
Publisher:
ISBN:
Category : Translating and interpreting
Languages : en
Pages : 292
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Book Description
Author: Gerard Genette
Publisher: Cambridge University Press
ISBN: 9780521424066
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Gennet's work in contemporary literary theory.
Author: Kirk Varnedoe
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 468
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Book Description
Readins in high & low
Author: Jean-luc Godard
Publisher: Da Capo Press
ISBN: 9780306802591
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.
