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Author: Mala Renganathan
Publisher: Anthem Press
ISBN: 1785273957
Category : Drama
Languages : en
Pages : 198
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Book Description
‘Rabindranath Tagore's Drama in the Perspective of Indian Theatre’ maps Tagore’s place in the Indian dramatic/performance traditions by examining unexplored critical perspectives on his drama such as his texts as performance texts; their exploration in multimedia; reflections of Indian culture in his plays; comparison with playwrights; theatrical links to his world of music and performance genres; his plays in the context of cross-cultural, intercultural theatre; the playwright as a poet-performer-composer and their interconnections and his drama on the Indian stage.
Author: Mala Renganathan
Publisher: Anthem Press
ISBN: 1785273957
Category : Drama
Languages : en
Pages : 198
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Book Description
‘Rabindranath Tagore's Drama in the Perspective of Indian Theatre’ maps Tagore’s place in the Indian dramatic/performance traditions by examining unexplored critical perspectives on his drama such as his texts as performance texts; their exploration in multimedia; reflections of Indian culture in his plays; comparison with playwrights; theatrical links to his world of music and performance genres; his plays in the context of cross-cultural, intercultural theatre; the playwright as a poet-performer-composer and their interconnections and his drama on the Indian stage.
Author: Abhijit Sen
Publisher: Routledge
ISBN: 1000433315
Category : Performing Arts
Languages : en
Pages : 309
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Book Description
This book analyses Rabindranath Tagore’s contribution to Bengali drama and theatre. Throughout this book, Abhijit Sen locates and studies Rabindranath’s experiments with drama/theatre in the context of the theatre available in nineteenth-century Bengal, and explores the innovative strategies he adopted to promote his ‘brand’ of theatre. This approach finds validation in the fact that Rabindranath combined in himself the roles of author-actor-producer, who always felt that, without performance, his dramatic compositions fell short of the desired completeness. Various facets of his plays as theatre and his own role as a theatre-practitioner are the prime focus of this book. This book will be of great interest to students and scholars in Theatre and Performance Studies and most notably, those focusing on Indian Theatre and Postcolonial Theatre.
Author: Arnab Bhattacharya
Publisher: Routledge
ISBN: 1317619404
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
Author: Ananda Lal
Publisher: Jadavpur University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
The three plays collected in the volume are ‘The Persecuted’ by Krishna Mohan Banerjee, ‘Rizia’ by Michael Madhusudan Dutt, and ‘Kaminee’ (anon.) From the beginning, Indian dramatists who chose to write in English made sociopolitical statements that resonate even today. The unavailability of their plays has resulted in little or no analysis other than secondary references, often inaccurate. For the first time, three of these texts have been unearthed and reprinted in this volume, enhanced by a general introduction, separate introductions to each play, and explanatory notes. Krishna Mohana Banerjea based ‘The Persecuted, or Dramatic Scenes Illustrative of the Present State of Hindoo Society in Calcutta’ (1831), the first Indian drama in English, on his own experience of ostracism after his “Young Bengal” friends flouted the conservative codes at his home. Michael Madhusudan Dutt composed in Madras his first play, ‘Rizia: Empress of Inde’ (1855), a tragedy about the 13th-century Sultana of Delhi who loved her Abyssinian slave. It has been reconstructed with the aid of a recently-discovered manuscript in Dutt’s hand. The anonymously-published ‘Kaminee: The Virgin Widow’ (1874) relates the fate of an accomplished teenage widow in Calcutta when the Hindu Widows’ Remarriage Act has become law yet most people pay no heed to it.
Author: David Wiles
Publisher:
ISBN: 1009197576
Category : Drama
Languages : en
Pages : 252
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Book Description
Democracy, argues David Wiles, is actually a form of theatre. In making his case, the author deftly investigates orators at the foundational moments of ancient and modern democracy, demonstrating how their performative skills were used to try to create a better world. People often complain about demagogues, or wish that politicians might be more sincere. But to do good, politicians (paradoxically) must be hypocrites - or actors. Moving from Athens to Indian independence via three great revolutions - in Puritan England, republican France and liberal America - the book opens up larger questions about the nature of democracy. When in the classical past Plato condemned rhetoric, the only alternative he could offer was authoritarianism. Wiles' bold historical study has profound implications for our present: calls for personal authenticity, he suggests, are not an effective way to counter the rise of populism.
Author: Chandrava Chakravarty
Publisher: Taylor & Francis
ISBN: 1040183352
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
This book explores the dramatic rise in popularity of the women’s biopic in contemporary Bollywood, within the context of wider cultural shifts over the past decade. Delving into the societal shifts reflected in the genre, both on and off screen, the book explores the contours of individual agency and the centring of women in Indian cinema. The book offers new insight into women-centric Hindi biopics, a fast-rising genre carving out a tradition of its own, with female directors and actors contributing to this rising postfeminist celebration of women’s agency and individuality. The authors posit that the alternative narratives, created by Bollywood and accepted by mainstream audiences, have become a catalyst to elevate women or female actors to protagonists, without the need to conform to the sexist mores of mainstream Bollywood. This book will be of interest to scholars, researchers and upper-level students in the areas of film studies, media industries, gender and feminism, and South Asian studies.
Author: Rabindranath Tagore
Publisher:
ISBN:
Category : Bengali drama
Languages : en
Pages : 200
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Book Description
Author: Natesan Sharda Iyer
Publisher: Sarup & Sons
ISBN: 9788176258012
Category : India
Languages : en
Pages : 296
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Book Description
Author: Biswajit Sinha
Publisher:
ISBN:
Category : Indic drama
Languages : en
Pages : 320
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Book Description
Author: Rimli Bhattacharya
Publisher:
ISBN: 9789382381983
Category : Choreography
Languages : en
Pages : 0
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Book Description
Drawing on a range of visual archives and personal collections, the book casts Rabindranath Tagore as the 'Dancing Poet' - in whom the contours of a pan-Indian diversity seek to merge, albeit selectively, with that of the world, eschewing most emphatically the territorial borders of the nation-state while reiterating 'civilizational' strands. The book outlines the contradictions and possibilities in such aspirations, central to the new cultural texts that Tagore seeks to produce in lyric, song, dance, image and sangeet. These are strategic juxtapositions that may yet yield new insights into our old debates on modernity. The locus of this work continues to be the performing woman and the creation of new publics. Dance is the great signifier in this exercise. In the idiom of performance-dance, attempts are made to resolve anxieties about the erotic, to sublimate sexuality, and new dimensions explored in multiple modes of physical culture. Masculinities, whose other need not be femininity, figure prominently in these narratives. Focusing on the first three decades of the twentieth century, the book evokes an international backdrop - of Europe, Asia and the Americas between the world wars - and movements, revolutionary and reactionary, whose thrust was on putting 'the people' centre stage. It takes as a comparative frame cultural fronts emerging in locations as disparate as Russia, Japan and Germany alongside movements in colonial India. Overall, it marks a period when experiments were being made to weave together the hitherto exclusive discourses of education, art and entertainment in self-consciously alternative locales, often with a founding guru at the centre of activities. --
