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Author: Willard Bohn
Publisher: University of Toronto Press
ISBN: 9780802088161
Category : Social Science
Languages : en
Pages : 244
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Book Description
Their provocative manifestos and outrageous performances earned the Italian Futurists international fame but, surprisingly, very little recognition outside of Italy for their actual achievements. The few English and American critics who have studied the movement in any depth have focused on the first phase, which spanned the years 1909-15 and was centred in Milan, Rome, and Florence. By contrast, the second phase covered a much longer period and represented a pan-Italian phenomenon. Despite the wealth of material available about this later part of the movement, there has been little attempt to survey Futurist activity outside of the major geographical centres in any detail or to relate it to the Futurist mainstream. In The Other Futurism, Willard Bohn seeks to remedy this oversight by examining the work of Futurists in Venice, Padua, and Verona from 1909 to 1944. He considers these local artists and writers both in terms of their relationship with F.T. Marinetti, who remained the major theorist and organizer of Futurist activities, and of their own specific adaptations and appropriations of Futurist theory. Conceived as a combination literary history and critical study, The Other Futurism looks at particular examples of literature, visual arts, and the performing arts and, using a series of rare documents, sheds new light on the complex cultural and political issues at the heart of this neglected chapter in Italy's history.
Author: Willard Bohn
Publisher: University of Toronto Press
ISBN: 9780802088161
Category : Social Science
Languages : en
Pages : 244
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Book Description
Their provocative manifestos and outrageous performances earned the Italian Futurists international fame but, surprisingly, very little recognition outside of Italy for their actual achievements. The few English and American critics who have studied the movement in any depth have focused on the first phase, which spanned the years 1909-15 and was centred in Milan, Rome, and Florence. By contrast, the second phase covered a much longer period and represented a pan-Italian phenomenon. Despite the wealth of material available about this later part of the movement, there has been little attempt to survey Futurist activity outside of the major geographical centres in any detail or to relate it to the Futurist mainstream. In The Other Futurism, Willard Bohn seeks to remedy this oversight by examining the work of Futurists in Venice, Padua, and Verona from 1909 to 1944. He considers these local artists and writers both in terms of their relationship with F.T. Marinetti, who remained the major theorist and organizer of Futurist activities, and of their own specific adaptations and appropriations of Futurist theory. Conceived as a combination literary history and critical study, The Other Futurism looks at particular examples of literature, visual arts, and the performing arts and, using a series of rare documents, sheds new light on the complex cultural and political issues at the heart of this neglected chapter in Italy's history.
Author: Peter Brooker
Publisher: Oxford Critical Cultural Histo
ISBN: 0199659583
Category : Art
Languages : en
Pages : 1527
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Book Description
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
Author: Günter Berghaus
Publisher: Walter de Gruyter
ISBN: 3110804220
Category : Literary Criticism
Languages : en
Pages : 660
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Book Description
This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110334100
Category : Literary Criticism
Languages : en
Pages : 632
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Book Description
The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism. Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.
Author: David Mather
Publisher: Bloomsbury Publishing USA
ISBN: 1501343114
Category : Photography
Languages : en
Pages : 261
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Book Description
Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early 20th century. Yet, as David Mather's sweeping intellectual and art historical scholarship demonstrates, it was the camera-not the engine-that proved to be the primary invention against which many futurist ideas and practices were measured. Overturning several misconceptions about Italian futurism's interest in the disruptive and destructive effects of technology, Futurist Conditions provides a refreshing update to the historical narrative by arguing that the formal and conceptual approaches by futurist visual artists reoriented the possibly dehumanizing effects of mechanized imagery toward more humanizing, spiritual aims. Through its sustained analysis of the artworks and writings of Umberto Boccioni, Giacomo Balla, and the Bragaglia brothers, dating to the first decade after the movement's founding in 1909, Mather's account of their obsession with kinetic motion pivots around a 1913 debate on the place and relative import of photography among traditional artistic mediums-a debate culminating in the expulsion of the Bragaglias, but one that also prompted a range of productive responses by other futurist artists to world-changing social, political, and economic conditions.
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311027356X
Category : Art
Languages : en
Pages : 984
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Book Description
The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.
Author: Enrico Crispolti
Publisher:
ISBN:
Category : Architects
Languages : en
Pages : 260
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Book Description
Author: Michel Carlana
Publisher: Park Publishing (WI)
ISBN: 9783038601760
Category : Architects
Languages : en
Pages : 0
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Book Description
Quirino De Giorgio (1907-1997) is among the few Italian architects whose careers represents the entirety of the twentieth century: from futurism through fascism to the experimentations linked to the invention of reinforced concrete. Too often remembered exclusively for his early futurist and fascist works, De Giorgio is an architect whose production continued, until his last years, to develop in the experimental and dynamic way which had characterized its beginnings. Quirino De Giorgio: An Architects Legacy, the first English-language book dedicated to the Italian architect, is a constellation of his surviving buildings shown through the eyes of photographer Enrico Rizzato. In Rizzato's pictures, each one of the ninety surviving works will showcase the universality of De Giorgio's projects and the transformations that time has stamped on his creations, taking the reader on a voyage across the different facets of Italian architecture. Accompanying site plans, floorplans and sections provide deeper insight into De Giorgio's spatial, structural, urban, and landscaping inventions. An opening essay will introduce the reader to the still relatively unknown method and life of this highly original yet still too little known architect. The book also includes a full list of De Giorgio's works that has been reconstructed here for the first time through extensive archival work.
Author: Kay Bea Jones
Publisher: Routledge
ISBN: 1000061442
Category : Architecture
Languages : en
Pages : 719
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Book Description
Today, nearly a century after the National Fascist Party came to power in Italy, questions about the built legacy of the regime provoke polemics among architects and scholars. Mussolini’s government constructed thousands of new buildings across the Italian Peninsula and islands and in colonial territories. From hospitals, post offices and stadia to housing, summer camps, Fascist Party Headquarters, ceremonial spaces, roads, railways and bridges, the physical traces of the regime have a presence in nearly every Italian town. The Routledge Companion to Italian Fascist Architecture investigates what has become of the architectural and urban projects of Italian fascism, how sites have been transformed or adapted and what constitutes the meaning of these buildings and cities today. The essays include a rich array of new arguments by both senior and early career scholars from Italy and beyond. They examine the reception of fascist architecture through studies of destruction and adaptation, debates over reuse, artistic interventions and even routine daily practices, which may slowly alter collective understandings of such places. Paolo Portoghesi sheds light on the subject from his internal perspective, while Harald Bodenschatz situates Italy among period totalitarian authorities and their symbols across Europe. Section editors frame, synthesize and moderate essays that explore fascism’s afterlife; how the physical legacy of the regime has been altered and preserved and what it means now. This critical history of interpretations of fascist-era architecture and urban projects broadens our understanding of the relationships among politics, identity, memory and place. This companion will be of interest to students and scholars in a range of fields, including Italian history, architectural history, cultural studies, visual sociology, political science and art history.
Author: Giovanni Lista
Publisher: Universe Publishing(NY)
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
A comprehensive survey of the most famous movement in Italian modern art.
