Adagio and rondo in C minor, K. 617, for piano, flute, oboe, viola and cello PDF Download
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Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music Publishing
ISBN: 9780769281889
Category : Music
Languages : en
Pages : 36
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Book Description
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music Publishing
ISBN: 9780769281889
Category : Music
Languages : en
Pages : 36
Get Book Here
Book Description
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.
Author: Danuta Mirka PhD
Publisher: Oxford University Press
ISBN: 0199841586
Category : Music
Languages : en
Pages : 713
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Book Description
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60
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Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Author: Wolfgang Amadeus Mozart
Publisher: Schott Music
ISBN: 3795729823
Category : Music
Languages : en
Pages : 48
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Book Description
At about the same time as 1783-85, a version for piano duet was made which rearranged the movements of the five Divertimenti as '6 Viennese Sonatinas'. Our new edition is based on the piano version of 1803 but also takes into account the original wind divertimenti and attempts to combine the original phrasing and part-writing with an idiomatic pianistic style.
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457477683
Category : Music
Languages : en
Pages : 36
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Book Description
Expertly arranged Clarinet Duet by Wolfgang Amadeus Mozart from the Kalmus Edition series. This is from the Classical era.
Author: Julian Rushton
Publisher: Oxford University Press
ISBN: 0195182642
Category : Biography & Autobiography
Languages : en
Pages : 327
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Book Description
Synthesizes existing research into a chronologically based narrative. This volume on Wolfgang Amadeus Mozart (1756 - 1791) takes the work and the life in parallel; for the vents of Mozart's life cannot be separated from his existence as a musical creator and performer.
Author: David Brodbeck
Publisher: U of Nebraska Press
ISBN: 9780803212435
Category : Music
Languages : en
Pages : 220
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Book Description
Examines the broad range of current Brahms research, including documentary studies, historical and critical essays, and case studies of individuals works
Author: Elaine Rochelle Sisman
Publisher: Harvard University Press
ISBN: 9780674383159
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
Sisman aims to demonstrate that it was Haydn's prophetic innovations that truly created the Classical variation. Her analysis reflects both the musical thinking of the Classical period and contemporary critical interests. The book offers a revaluation of t
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 1108394108
Category : Music
Languages : en
Pages : 719
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Book Description
Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them.
Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 9780253346964
Category : Music
Languages : en
Pages : 732
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Book Description
The Piano in Chamber Ensemble describes more than 3,200 compositions, from duos to octets, by more than 1,600 composers. It is divided into sections according to the number of instruments involved, then subdivided according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and their teachers will find a wealth of chamber works from all periods.
