Quintet in E-flat major, for piano and strings, op. 44 PDF Download
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Author: Robert Schumann
Publisher:
ISBN:
Category : Piano quintets
Languages : en
Pages : 1
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Book Description
Author: Robert Schumann
Publisher:
ISBN:
Category : Piano quintets
Languages : en
Pages : 1
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Book Description
Author: Robert Schumann
Publisher: Eulenburg
ISBN: 3795728983
Category : Music
Languages : de
Pages : 87
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Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author:
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 120
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Book Description
Composed in 1842, Schumann's Piano Quintet in E flat is one of the cornerstones of the chamber music repertory. This classic Edition Peters volume contains a piano score and individual string parts.
Author: Robert (composer) Schumann
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Robert Schumann
Publisher:
ISBN:
Category : Piano quintets
Languages : en
Pages : 55
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Book Description
Author: Robert Schumann
Publisher:
ISBN:
Category : Piano quartets
Languages : en
Pages : 101
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Book Description
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769251981
Category : Piano quintets
Languages : en
Pages : 0
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Book Description
Quintet for piano, 2 violins, viola, and cello.
Author: Robert Schumann
Publisher: Alfred Music
ISBN: 9781457487583
Category : Music
Languages : en
Pages : 112
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Book Description
Quintet for piano, 2 violins, viola, and cello.
Author: Schumann
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Henry Burnett
Publisher: Routledge
ISBN: 135157132X
Category : Music
Languages : en
Pages : 378
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Book Description
Musicology, having been transmitted as a compilation of disparate events and disciplines, has long necessitated a 'magic bullet', a 'unified field theory' so to speak, that can interpret the steady metamorphosis of Western art music from late medieval modality to twentieth-century atonality within a single theoretical construct. Without that magic bullet, discussions of this kind are increasingly complicated and, to make matters worse, the validity of any transformational models and ideas of the natural evolution of styles is questioned and even frowned upon today as epitomizing a grotesque teleological bigotry. Going against current thinking, Henry Burnett and Roy Nitzberg claim that the teleological approach to observing stylistic change is still valid when considered from the purely compositional perspective. The authors challenge the traditional understanding of development, and advance a new theory of eleven-pitch tonality as it relates to the corpus of Western composition. The book plots the evolution of tonality and its bearing on style and the compositional process itself. The theory is not based on the diatonic aspect of the various tonal systems exploited by composers; rather, the theory is chromatically based - the chromatically inflected octave being the source not only of a highly ingenious developmental dialectic, but also encompassing the moment-to-moment progression of the musical narrative itself. Even the most profound teachings of Schenker, and the often startlingly original and worthwhile speculations of Riemann, Tovey, Dahlhaus and others, still provide no theory of development and so are ultimately unable to unite the various tendrils of the compositional organism into a unified whole. Burnett and Nitzberg move beyond existing theory and analysis to base their theory from the standpoint of chromatic 'pitch fields'. These fields are the specific chromatic pitch choices that a composer uses to inform and design a complete composition, utilizing
