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Author: Konstantinos Eleftheriadis
Publisher: Amsterdam University Press
ISBN: 9048532787
Category : Social Science
Languages : en
Pages : 219
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Book Description
To what extent is queer anti-identitarian? And how is it experienced by activists at the European level? At queer festivals, activists, artists and participants come together to build new forms of sociability and practice their ideals through anti-binary and inclusive idioms of gender and sexuality. These ideals are moreover channelled through a series of organisational and cultural practices that aim at the emergence of queer as a collective identity. Through the study of festivals in Amsterdam, Berlin, Rome, Copenhagen, and Oslo, Queer Festivals: Challenging Collective Identities in a Transnational Europe thoughtfully analyses the role of activist practices in the building of collective identities for social movement studies as well as the role of festivals as significant repertoires of collective action and sites of identitarian explorations in contemporary Europe.
Author: Konstantinos Eleftheriadis
Publisher: Amsterdam University Press
ISBN: 9048532787
Category : Social Science
Languages : en
Pages : 219
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Book Description
To what extent is queer anti-identitarian? And how is it experienced by activists at the European level? At queer festivals, activists, artists and participants come together to build new forms of sociability and practice their ideals through anti-binary and inclusive idioms of gender and sexuality. These ideals are moreover channelled through a series of organisational and cultural practices that aim at the emergence of queer as a collective identity. Through the study of festivals in Amsterdam, Berlin, Rome, Copenhagen, and Oslo, Queer Festivals: Challenging Collective Identities in a Transnational Europe thoughtfully analyses the role of activist practices in the building of collective identities for social movement studies as well as the role of festivals as significant repertoires of collective action and sites of identitarian explorations in contemporary Europe.
Author: Sanja Kajinić
Publisher: Springer Nature
ISBN: 3030282317
Category : Social Science
Languages : en
Pages : 118
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Book Description
This book explores two festivals over ten years: Queer Zagreb and Ljubljana Gay and Lesbian Film Festival. Kajinić focuses on the festivals’ participation in a regional network of queer festivals and provides an insight into how these festivals and their audiences negotiated the limits of non-normativity in particularly intensive ways between 2002-2012. By offering an interdisciplinary perspective and exploring the possibilities of critical visual methodology, the author relates the history of these important cultural projects and their organizational practices to the ways in which they impacted the lives of their participants. Post-Yugoslav Queer Festivals will be of interest to readers studying the region of Southeast Europe from a range of perspectives including gender studies, history, politics and festival studies.
Author: Antoine Damiens
Publisher: Amsterdam University Press
ISBN: 9048543894
Category : Social Science
Languages : en
Pages : 298
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Book Description
While scholars have theorized major film festivals, they have ignored smaller, ephemeral, events. In taking seriously minor European and North-American LGBT festivals which often only exist as traces within archival collections, this book revisits festival studies' methodological and theoretical apparatuses. As the first 'critique' of festival studies from within, LGBTQ Film Festivals argues that both festivals and queer film cultures are by definition ephemeral. The book is organized around two concepts: First, 'critical festival studies' examines the political project and disciplinary assumptions that structure festival research. Second, 'the festival as a method' pays attention to festivals' role as producers of knowledge: it argues that festivals are not mere objects of research but also actors already shaping academic, industrial, and popular cinematic knowledge. Drawing on my experience on the festival circuit, this book pays homage to the labour of queer organizers, critics, and scholars and opens up new avenues for festival research.
Author: Stuart James Richards
Publisher: Springer
ISBN: 1137584386
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
This book examines the queer film festival and opens the discussion on social enterprises and sustainable lesbian, gay, bisexual, transgender and intersex (LGBTI) organisations. With over 220 events worldwide and some of the bigger budgets exceeding $1 million, the queer film festival has grown to become a staple event in all cosmopolitan cities’ arts calendars. While activism was instrumental in establishing these festivals, the pink dollar has been a deciding factor in its financial sustainability. Pretty gay boys with chiselled abs are a staple feature, rather than underground experimental faire. Community arts events, such as these, are now a creative industry. While clearly having a social purpose, they must also concern themselves with the bottom line. For all the contradictory elements of its organisational growth, this conflict makes the queer film festival an integral site for analysis. This book takes a multidisciplinary approach in examining the queer film festival as a representative snapshot of the current state of queer cinema and community based film festivals. The book looks at queer film festivals in San Francisco, Hong Kong and Melbourne to argue for the importance of these institutions remaining as community events.
Author: Amy L. Stone
Publisher: NYU Press
ISBN: 1479801968
Category : Social Science
Languages : en
Pages : 280
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Book Description
"As LGBTQ people gain more legal rights, it's important to think of more complex ways of being included in society. From the Mardi Gras celebrations in the Deep South to the Mummers Parade in Philadelphia to the Portland Rose Festival, communities across the United States gather together to celebrate, participate in parades, encourage tourism, cultivate local traditions, and craft a sense of place. I am interested in large public festivals like Fiesta San Antonio that are intended to include everyone in the city, because these festivals are supposed to be a time when the city comes together as one to appreciate the diverse contributions of people within the city. During festivals, whose culture gets included and valued, which events are allowed, and how different communities are represented, become socially significant and fraught questions. Festival participation can be a rich site for LGBTQ participants to be valued for their cultural differences and find a sense of belonging in the city"--
Author: Cindy H. Wong
Publisher: Rutgers University Press
ISBN: 0813551218
Category : Business & Economics
Languages : en
Pages : 333
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Book Description
Movies, stars, auteurs, and critics come together in film festivals as quintessential constellations of art, business, and glamour. Yet, how well do we understand the forces and meanings that these events embody? This work offers an overview of the history, people, films, and functions of the festival world.
Author: Zorica Siročić
Publisher: Taylor & Francis
ISBN: 1000927237
Category : Social Science
Languages : en
Pages : 159
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Book Description
What explains the popularity and widespread appeal of numerous post-Yugoslav feminist and LGBTQ+ festivals in the last decade? This book argues that the millennial generation expresses "reparative politics", as a distinct type of activism, through festivals. Reparative political acting, as identified here, characteristically relies on playfulness and creativity, interpretative (gender) dissent, acceptance of organizational and programmatic messiness and hybridity, belonging, and positive affect. The reparative politics is vital in a context that is marked by an individual and collective trauma of heteropatriarchy, violent breakdown of the common state, and post-transitional economic precarity. The book uses excerpts from programs, interviews and observations collected through the multi-sited ethnographic research. Siročić’s focus on contemporary activism in Southeastern Europe challenges the narrow geopolitical understanding of the recent feminist politics and refutes the common assumptions of a passive millennial generation. Yet, the book’s relevance surpasses its area of study, as it argues against the popular deriding of "artivist" expressions as the "merely cultural" or "merely aesthetic" engagement. In contrast, the book claims that such activities urge a redefined understanding of political agency. Festivals as Reparative Politics demonstrates that contemporary feminist festivals represent a distinct reformulation of contentious politics of gender whose constitutive principles can be exemplary for other types of political engagements.
Author: David A. Gerstner
Publisher: Routledge
ISBN: 0415306515
Category : Reference
Languages : en
Pages : 786
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Book Description
The Encyclopedia introduces both scholars and general readers to the cultural, political, scientific, juridical, and historical practices of international queer culture.
Author: Bruce Drushel
Publisher: Cambridge Scholars Publishing
ISBN: 1443804614
Category : Social Science
Languages : en
Pages : 299
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Book Description
Queer Identities/Political Realities examines the intersection of political leadership, media coverage, and sexual identity with particular emphasis on the negotiation of meaning between public behavior and private behavior in the United States. Centering on cases that illuminate key issues, each chapter questions assumptions about media coverage and extends current theoretical understanding. Each chapter focuses on a specific case within the broader conceptual fabric of queer theory, media theory, or rhetorical criticism. Varied methodological approaches allow us to gauge public discourse of multifaceted controversies that involve same sex behavior. History reveals frequent occasions when private sexual behaviors surface to attract public interest. While the prejudices and discrimination against same-sex partnerships, whether casual or permanent, remain entrenched in United States culture, there have been occasions when the public discussion is riveted on instances. This book argues that public interest changes when the partners in such relationships are of the same sex. The extraordinary public prejudice against same sex unions and public censure has been well documented in other research reports and continues to receive attention in other scholarly publications. This book will examine the unique intersection of political leadership, media coverage, and same-sex behavior.
Author: Ronald Gregg
Publisher: Oxford University Press
ISBN: 0190877995
Category : Performing Arts
Languages : en
Pages : 865
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Book Description
"Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. While many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement (dubbed by B. Ruby Rich, the "new queer cinema") in the United States, films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms. Cross-dressing, same-sex attraction, comedic drag performance: at some points, for example in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing "history" not as dots on a progressive spectrum but as a uneven story of struggle, writers on queer cinema in this volume stress how that queer cinema did not appear miraculously at one moment but describes currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, instead foregrounding indigenous genders and sexualities, or those forged in the global South, or those seeking alternative epistemologies. Finally, while "cinema" is in our title, many scholars in this collection see that term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as "queer cinema" shifts into new configurations"--
