Quarterly Journal of the Association of Guilds of Weavers, Spinners & Dyers

Quarterly Journal of the Association of Guilds of Weavers, Spinners & Dyers PDF Author:
Publisher:
ISBN:
Category : Textile fabrics
Languages : en
Pages : 476

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Quarterly Journal of the Association of Guilds of Weavers, Spinners & Dyers

Quarterly Journal of the Association of Guilds of Weavers, Spinners & Dyers PDF Author:
Publisher:
ISBN:
Category : Textile fabrics
Languages : en
Pages : 476

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Book Description


Quarterly Journal of the Guilds of Weavers, Spinners and Dyers

Quarterly Journal of the Guilds of Weavers, Spinners and Dyers PDF Author: Association of Guilds of Weavers, Spinners and Dyers
Publisher:
ISBN:
Category : Textile fabrics
Languages : en
Pages : 232

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Quarterly Journal of the Guilds of Weavers, Spinners and Dyers

Quarterly Journal of the Guilds of Weavers, Spinners and Dyers PDF Author: Association of Guilds of Weavers, Spinners and Dyers
Publisher:
ISBN:
Category : Textile fabrics
Languages : en
Pages : 510

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Book Description


Quarterly Journal of the Association of Guilds of Weavers, Spinners & Dyers

Quarterly Journal of the Association of Guilds of Weavers, Spinners & Dyers PDF Author:
Publisher:
ISBN:
Category : Textile fabrics
Languages : en
Pages : 476

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Book Description


The Journal for Weavers, Spinners & Dyers

The Journal for Weavers, Spinners & Dyers PDF Author:
Publisher:
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 598

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Earth Diplomacy

Earth Diplomacy PDF Author: Jessica L. Horton
Publisher: Duke University Press
ISBN: 1478059494
Category : Art
Languages : en
Pages : 258

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Book Description
In Earth Diplomacy, Jessica L. Horton reveals how Native American art in the mid-twentieth-century mobilized Indigenous cultures of diplomacy to place the earth itself at the center of international relations. She focuses on a group of artists including Pablita Velarde, Darryl Blackman, and Oscar Howe who participated in exhibitions and lectures abroad as part of the United States’s Cold War cultural propaganda. Horton emphasizes how their art modeled a radical alternative to dominant forms of statecraft, a practice she calls “earth diplomacy:” a response to extractive colonial capitalism grounded in Native ideas of deep reciprocal relationships between humans and other beings that govern the world. Horton draws on extensive archival research and oral histories as well as analyses of Indigenous creative work, including paintings, textiles, tipis, adornment, and artistic demonstrations. By interweaving diplomacy, ecology, and art history, Horton advances Indigenous frameworks of reciprocity with all beings in the cosmos as a path to transforming our broken system of global politics.

New Serial Titles

New Serial Titles PDF Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 716

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Book Description
A union list of serials commencing publication after Dec. 31, 1949.

General catalogue of printed books

General catalogue of printed books PDF Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 496

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Current Serials Available in the University Library and in Other Libraries Connected with the University

Current Serials Available in the University Library and in Other Libraries Connected with the University PDF Author: Cambridge University Library
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 748

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Lenore Tawney

Lenore Tawney PDF Author: Karen Patterson
Publisher: University of Chicago Press
ISBN: 022668069X
Category : Art
Languages : en
Pages : 305

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Book Description
Recent years have seen an enormous surge of interest in fiber arts, with works made of thread on display in art museums around the world. But this art form only began to transcend its origins as a humble craft in the late nineteenth and early twentieth centuries, and it wasn’t until the 1950s and 1960s that artists used the fiber arts to build critical practices that challenged the definitions of painting, drawing, and sculpture. One of those artists was Lenore Tawney (1907–2007). Raised and trained in Chicago before she moved to New York, Tawney had a storied career. She was known for employing an ancient Peruvian gauze weave technique to create a painterly effect that appeared to float in space rather than cling to the wall, as well as for being one of the first artists to blend sculptural techniques with weaving practices and, in the process, pioneered a new direction in fiber art. Despite her prominence on the New York art scene, however, she has only recently begun to receive her due from the greater art world. Accompanying a retrospective at the John Michael Kohler Arts Center, this catalog features a comprehensive biography of Tawney, additional essays on her work, and two hundred full-color illustrations, making it of interest to contemporary artists, art historians, and the growing audience for fiber art. Copublished with the John Michael Kohler Arts Center.