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Author: Andrew Wasserman
Publisher: Yale University Press
ISBN: 0300272588
Category : Art
Languages : en
Pages : 401
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Book Description
Essential reading for anyone interested in art, community, and the built environment "An around-the-world glimpse into how artists reimagine the places, spaces, landscapes, streets, and skies we share."--Nina MacLaughlin, Boston Globe A towering abstract steel sculpture in the middle of a traffic island in Spoleto, Italy. Soaring vertical gardens enhanced with digital technology in Singapore's Marina Bay. A skateboard bowl that doubles as a community pool in San Juan, Puerto Rico. These are just a few of the contemporary public artworks defining cities around the globe that are featured in The World Atlas of Public Art. The book charts a global survey of works and practices from the past six decades featuring more than 125 significant permanent and temporary public artworks by leading contemporary artists, including Ruth Asawa, Christo and Jeanne-Claude, Olafur Eliasson, Yayoi Kusama, Simone Leigh, and OSGEMEOS. Readers encounter works in chapters on six public locations: grounds, walls, structures, waters, routes, and skies. Organized geographically within these chapters, the book reveals not only where to find these artworks but also how they generate meaning from their location. Between the chapters are essays on the themes of public bodies, gatherings, platforms, services, and debates. Enlivened with more than 300 energetic and eye-catching images, this book is an exploration of how art transforms public spaces, promotes social interaction, fosters community, and provokes impassioned responses.
Author: Andrew Wasserman
Publisher: Yale University Press
ISBN: 0300272588
Category : Art
Languages : en
Pages : 401
Get Book Here
Book Description
Essential reading for anyone interested in art, community, and the built environment "An around-the-world glimpse into how artists reimagine the places, spaces, landscapes, streets, and skies we share."--Nina MacLaughlin, Boston Globe A towering abstract steel sculpture in the middle of a traffic island in Spoleto, Italy. Soaring vertical gardens enhanced with digital technology in Singapore's Marina Bay. A skateboard bowl that doubles as a community pool in San Juan, Puerto Rico. These are just a few of the contemporary public artworks defining cities around the globe that are featured in The World Atlas of Public Art. The book charts a global survey of works and practices from the past six decades featuring more than 125 significant permanent and temporary public artworks by leading contemporary artists, including Ruth Asawa, Christo and Jeanne-Claude, Olafur Eliasson, Yayoi Kusama, Simone Leigh, and OSGEMEOS. Readers encounter works in chapters on six public locations: grounds, walls, structures, waters, routes, and skies. Organized geographically within these chapters, the book reveals not only where to find these artworks but also how they generate meaning from their location. Between the chapters are essays on the themes of public bodies, gatherings, platforms, services, and debates. Enlivened with more than 300 energetic and eye-catching images, this book is an exploration of how art transforms public spaces, promotes social interaction, fosters community, and provokes impassioned responses.
Author: George Thomas Noszlopy
Publisher: Liverpool University Press
ISBN: 0853239894
Category : Art
Languages : en
Pages : 371
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Book Description
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.
Author: Hans Ulrich Obrist
Publisher:
ISBN: 9780980677270
Category :
Languages : en
Pages : 524
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Book Description
Shrouding one million square feet of Little Bay with fabric and rope, Wrapped Coast, 1969, by Christo and Jeanne-Claude was a groundbreaking piece of public art that propelled Sydney into the international art scene and left an indelible mark on Australian culture. On the fiftieth anniversary of Wrapped Coast, Kaldor Public Art Projects, the first organisation of its kind anywhere in the world, celebrates half a century of bringing leading contemporary artists and their works to Australian audiences.Making Art Public draws on the extensive Kaldor Public Art Projects Archive to chart the history of the art projects. Revealing never before seen material, this comprehensive publication examines each of the thirty-five projects from inception to realisation. With artist's drawings and sketches, research documentation, plans and correspondence, Making Art Public provides the reader with insight into how complex public art projects are brought to life.
Author:
Publisher: National Library Australia
ISBN:
Category :
Languages : en
Pages : 1022
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Book Description
Author: Andrew Sayers
Publisher: Oxford University Press, USA
ISBN: 9780192842145
Category : Art
Languages : en
Pages : 268
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Book Description
This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
Author: Rachel Kent
Publisher:
ISBN: 9781760761981
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Art is one of the tools we have to sculpt time and create experiences that are highly concentrated, or open and infinite. - Doug Aitken American artist Doug Aitken is internationally recognised for his ambitious practice that incorporates objects, installations, photographs and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery and sound. Aitken has realised museum projects around the world, as well as monumental interventions within the natural landscape and below the ocean's surface. This beautifully designed book encompasses the breadth of Aitken's artistic practice and is produced on the occasion of his survey at the Museum of Contemporary Art (MCA) Australia. Edited by chief curator Rachel Kent, it features a series of in-depth interviews that provide fascinating insights into Aitken's creative thinking and his wider engagement with the creative communities around him; and a series of image plates documenting his acclaimed museum works, landscape interventions and live happenings. Informative and visually compelling, it is sure to be a favourite among Aitken's collectors, as well as those interested in contemporary art.
Author: Tony Bennett
Publisher: Routledge
ISBN: 0429590008
Category : Art
Languages : en
Pages : 306
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Book Description
This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists. This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.
Author: Anni Doyle Wawrzyńczak
Publisher: ANU Press
ISBN: 1760463418
Category : Art
Languages : en
Pages : 311
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Book Description
Canberra’s dual status as national capital and local city dramatically affected the rise of a unique contemporary arts scene. This complex story, informed by rich archival material and interviews, details the triumph of local arts practice and community over the insistent cultural nation-building of Australia’s capital. It exposes local arts as a vital force in Canberra’s development and uncovers the influence of women in the growth of its visual arts culture. A broad illumination of the city-wide development of arts and culture from the 1920s to 2001 is combined with the story of Bitumen River Gallery and its successor Canberra Contemporary Art Space from 1978 to 2001. This history traces the growth of the arts from a community-led endeavour, through a period of responses to social and cultural needs, and ultimately to a humanising local practice that transcended national and international boundaries.
Author: Christopher Allen
Publisher: John Wiley & Sons
ISBN: 1118767950
Category : Art
Languages : en
Pages : 560
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Book Description
A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Author: Cameron Cartiere
Publisher: Routledge
ISBN: 1317572025
Category : Social Science
Languages : en
Pages : 291
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Book Description
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
