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Author: George Thomas Noszlopy
Publisher: Liverpool University Press
ISBN: 0853239894
Category : Art
Languages : en
Pages : 371
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Book Description
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.
Author: George Thomas Noszlopy
Publisher: Liverpool University Press
ISBN: 0853239894
Category : Art
Languages : en
Pages : 371
Get Book Here
Book Description
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.
Author: Andrew Wasserman
Publisher: Yale University Press
ISBN: 0300272588
Category : Art
Languages : en
Pages : 401
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Book Description
Essential reading for anyone interested in art, community, and the built environment "An around-the-world glimpse into how artists reimagine the places, spaces, landscapes, streets, and skies we share."--Nina MacLaughlin, Boston Globe A towering abstract steel sculpture in the middle of a traffic island in Spoleto, Italy. Soaring vertical gardens enhanced with digital technology in Singapore's Marina Bay. A skateboard bowl that doubles as a community pool in San Juan, Puerto Rico. These are just a few of the contemporary public artworks defining cities around the globe that are featured in The World Atlas of Public Art. The book charts a global survey of works and practices from the past six decades featuring more than 125 significant permanent and temporary public artworks by leading contemporary artists, including Ruth Asawa, Christo and Jeanne-Claude, Olafur Eliasson, Yayoi Kusama, Simone Leigh, and OSGEMEOS. Readers encounter works in chapters on six public locations: grounds, walls, structures, waters, routes, and skies. Organized geographically within these chapters, the book reveals not only where to find these artworks but also how they generate meaning from their location. Between the chapters are essays on the themes of public bodies, gatherings, platforms, services, and debates. Enlivened with more than 300 energetic and eye-catching images, this book is an exploration of how art transforms public spaces, promotes social interaction, fosters community, and provokes impassioned responses.
Author: Anni Doyle Wawrzyńczak
Publisher: ANU Press
ISBN: 1760463418
Category : Art
Languages : en
Pages : 311
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Book Description
Canberra’s dual status as national capital and local city dramatically affected the rise of a unique contemporary arts scene. This complex story, informed by rich archival material and interviews, details the triumph of local arts practice and community over the insistent cultural nation-building of Australia’s capital. It exposes local arts as a vital force in Canberra’s development and uncovers the influence of women in the growth of its visual arts culture. A broad illumination of the city-wide development of arts and culture from the 1920s to 2001 is combined with the story of Bitumen River Gallery and its successor Canberra Contemporary Art Space from 1978 to 2001. This history traces the growth of the arts from a community-led endeavour, through a period of responses to social and cultural needs, and ultimately to a humanising local practice that transcended national and international boundaries.
Author: Hans Ulrich Obrist
Publisher:
ISBN: 9780980677270
Category :
Languages : en
Pages : 524
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Book Description
Shrouding one million square feet of Little Bay with fabric and rope, Wrapped Coast, 1969, by Christo and Jeanne-Claude was a groundbreaking piece of public art that propelled Sydney into the international art scene and left an indelible mark on Australian culture. On the fiftieth anniversary of Wrapped Coast, Kaldor Public Art Projects, the first organisation of its kind anywhere in the world, celebrates half a century of bringing leading contemporary artists and their works to Australian audiences.Making Art Public draws on the extensive Kaldor Public Art Projects Archive to chart the history of the art projects. Revealing never before seen material, this comprehensive publication examines each of the thirty-five projects from inception to realisation. With artist's drawings and sketches, research documentation, plans and correspondence, Making Art Public provides the reader with insight into how complex public art projects are brought to life.
Author: Rachel Kent
Publisher:
ISBN: 9781760761981
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Art is one of the tools we have to sculpt time and create experiences that are highly concentrated, or open and infinite. - Doug Aitken American artist Doug Aitken is internationally recognised for his ambitious practice that incorporates objects, installations, photographs and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery and sound. Aitken has realised museum projects around the world, as well as monumental interventions within the natural landscape and below the ocean's surface. This beautifully designed book encompasses the breadth of Aitken's artistic practice and is produced on the occasion of his survey at the Museum of Contemporary Art (MCA) Australia. Edited by chief curator Rachel Kent, it features a series of in-depth interviews that provide fascinating insights into Aitken's creative thinking and his wider engagement with the creative communities around him; and a series of image plates documenting his acclaimed museum works, landscape interventions and live happenings. Informative and visually compelling, it is sure to be a favourite among Aitken's collectors, as well as those interested in contemporary art.
Author: Lisanne Gibson
Publisher: Univ. of Queensland Press
ISBN: 9780702234651
Category : Art
Languages : en
Pages : 288
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Book Description
Monumental Queensland encourages us - whoever and wherever we are - to look more closely at the things around us and how they articulate our identity. It also asks us to consider why these objects continue to matter, and shows what can happen if they're not acknowledged.
Author: Cher Krause Knight
Publisher: Cambridge Scholars Publishing
ISBN: 1527512002
Category : Art
Languages : en
Pages : 328
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Book Description
While many museums have ignored public art as a distinct arena of art production and display, others have – either grudgingly or enthusiastically – embraced it. Some institutions have partnered with public art agencies to expand the scope of special exhibitions; other museums have attempted to establish in-house public art programs. This is the first book to contextualize the collaborations between museums and public art through a range of essays marked by their coherence of topical focus, written by leading and emerging scholars and artists. Organized into three sections it represents a major contribution to the field of art history in general, and to those of public art and museum studies in particular. It includes essays by art historians, critics, curators, arts administrators and artists, all of whom help to finally codify the largely unwritten history of how museums and public art have and continue to intersect. Key questions are both addressed and offered as topics for further discussion: Who originates such public art initiatives, funds them, and most importantly, establishes the philosophy behind them? Is the efficacy of these initiatives evaluated in the same way as other museum exhibitions and programs? Can public art ever be a “permanent” feature in any museum? And finally, are the museum and public art ultimately at odds, or able to mutually benefit one another?
Author: Cameron Cartiere
Publisher: Routledge
ISBN: 1317572025
Category : Social Science
Languages : en
Pages : 291
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Book Description
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
Author: Bruce Altshuler
Publisher: Independent Curators International
ISBN: 9780916365516
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
"Do it" began in 1993 with a discussion among Christian Boltanski, Bertrand Lavier and Hans-Ulrich Obist in the Café Select in Paris. From this encounter arose the idea of an exhibition of do-it-yourself descriptions or procedural instructions for art. In 1993, in cooperation with the AFAA (Association Française d'Action Artistique) twelve original do it texts were translated into eight languages and sent as a diplomatic dispatch to each country with which France maintains diplomatic relations. The first do it took place in September 1994 at the Ritter Kunsthalle In Klagenfurt, Austria.
Author: John Neylon
Publisher: Macmillan Education AU
ISBN: 9781876832544
Category : Art
Languages : en
Pages : 182
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Book Description
HORIZON: GREG JOHNS, SCULPTURES 1970-2002 traces the ideas and career of the Adelaide-based artist from his first commission in the late 1970s through to participation in recent exhibitions in New York and Bahrain. The story is told by noted Adelaide writer and art critic, John Neylon of the Art Gallery of South Australia. His text examines all aspects of the artist's development as a creator of large-scale public sculptures and explains the philosophy that has shaped the work. The reader is led through a rich array of ideas and images relating to the use of sculptural form as a language in which the works serve as metaphors for the human psyche and the natural/cosmic systems that define our world. A number of key sculptures are examined in detail - as are issues surrounding public art and its reception within the community. The processes of commissioning, creating and installing the sculptures are described along with intimate glimpses into the creation of each work as it proceeds from the artist's studio, to the engineering works where it is fabricated, and then on to its intended site.
