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Author: C. Fred Alford
Publisher: Yale University Press
ISBN: 9780300105261
Category : Drama
Languages : en
Pages : 236
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Book Description
Psychoanalytic readings of literature are often reductionist, seeking to find in great works of the past support for current psychoanalytic tenets. In this book C. Fred Alford begins with the possibility that the insights into human needs and aspirations contained in Greek tragedy might be more profound than psychoanalytic theory. He offers his own psychoanalytic interpretation of the tragedies, one that reconstructs the dramatists' views of the world and, when necessary, enlarges psychoanalysis to take these views into account. Alford draws on an eclectic mixture of psychoanalytic theories--in particular the work of Melanie Klein, Robert Jay Lifton, and Jacques Lacan--to help him illuminate the concerns of the Greek poets. He discusses not only well-known tragedies, such as Aeschylus' Oresteia trilogy, Sophocles' Theban plays, and Euripides' Medea and Bacchae, but also lesser-known works, such as Sophocles' Philoctetes and Euripides' so-called romantic comedies. Alford examines the fundamental concerns of the tragedies: how to live in a world in which justice and power often seem to have nothing to do with each other; how to confront death; how to deal with the fear that our aggression will overflow and violate all that we care about; how to make this inhumane world a more human place. Two assumptions of the tragic poets could, he argues, enrich psychoanalysis--that people are responsible without being free, and that pity is the most civilizing connection. The poets understood these things, Alford believes, because they never flinched in the face of the suffering and constraint that are at the center of human existence.
Author: C. Fred Alford
Publisher: Yale University Press
ISBN: 9780300105261
Category : Drama
Languages : en
Pages : 236
Get Book
Book Description
Psychoanalytic readings of literature are often reductionist, seeking to find in great works of the past support for current psychoanalytic tenets. In this book C. Fred Alford begins with the possibility that the insights into human needs and aspirations contained in Greek tragedy might be more profound than psychoanalytic theory. He offers his own psychoanalytic interpretation of the tragedies, one that reconstructs the dramatists' views of the world and, when necessary, enlarges psychoanalysis to take these views into account. Alford draws on an eclectic mixture of psychoanalytic theories--in particular the work of Melanie Klein, Robert Jay Lifton, and Jacques Lacan--to help him illuminate the concerns of the Greek poets. He discusses not only well-known tragedies, such as Aeschylus' Oresteia trilogy, Sophocles' Theban plays, and Euripides' Medea and Bacchae, but also lesser-known works, such as Sophocles' Philoctetes and Euripides' so-called romantic comedies. Alford examines the fundamental concerns of the tragedies: how to live in a world in which justice and power often seem to have nothing to do with each other; how to confront death; how to deal with the fear that our aggression will overflow and violate all that we care about; how to make this inhumane world a more human place. Two assumptions of the tragic poets could, he argues, enrich psychoanalysis--that people are responsible without being free, and that pity is the most civilizing connection. The poets understood these things, Alford believes, because they never flinched in the face of the suffering and constraint that are at the center of human existence.
Author: Northcliffe Professor of English Rachel Bowlby
Publisher: Oxford University Press
ISBN: 0199270392
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Rachel Bowlby suggests that, with the multiplication of sexual roles, family forms, and reproductive technologies, Freud's 'Oedipus complex' may have lost its relevance. This book takes two Freudian routes to think about some of the entanglements of identity.
Author: Bennett Simon
Publisher: Yale University Press
ISBN: 9780300058055
Category : Psychology
Languages : en
Pages : 292
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Book Description
One of the most important characteristics of tragic drama--as of psychoanalysis-- is the focus on the family. Dr. Bennett Simon here provides a psychoanalytic reading of Aeschylus' Oresteia, Euripedes' Medea, Shakespeare's King Lear and Macbeth, O'Neill's Long Day's Journey into Night, and Beckett's Endgame, six plays from ancient to modern times which involve a particular form of intrafamily warfare: the killing of children or of the possibility of children.
Author: Sarah Winter
Publisher: Stanford University Press
ISBN: 9780804733069
Category : Psychology
Languages : en
Pages : 412
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Book Description
Combining approaches from literary studies and historical sociology, this book provides a groundbreaking cultural history of the strategies Freud employed in his writings and career to orchestrate public recognition of psychoanalysis and to shape its institutional identity.
Author: SOTIRIS. MANOLOPOULOS
Publisher: Routledge
ISBN: 9781032712857
Category : Drama
Languages : en
Pages : 0
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Book Description
Drawing parallels between ancient theatre, the analytic setting and the workings of psychic life, this book examines the tragedies of Euripides, Sophocles and Aeschylus through a psychoanalytic lens, with a view of furthering the reader's understanding of primitive mental states. What lessons can we learn from the tragic poets about psychic life? What can we learn about psychoanalytic work from ancient tragedy and playwrights? Sotiris Manolopolous considers how the key tenets of ancient Greek theatre - passion, conflict, trauma and tragedy - were focussed on because they could not be spoken of in daily life, and how these restraints have continued into contemporary life. Throughout, he considers how theatre can be used to stage political experiences and shows how these experiences are a vital part of understanding an analysand within an analytic setting. Drawing on his own clinical practice, Manolopoulos considers what ancient playwrights might teach us about early, uncontained agonies of annihilation and primitive mental states that manifest themselves both within the individual and the collective experience of contemporary life such as climate change denial and totalitarian politicians. Drawing on canonical works such as Hippolytus, Orestes, Antigone and Prometheus Unbound, this book continues the legacy of research that shows how contemporary analysts, students and scholars can learn from ancient Greek literature and applies it directly to those negatively impacted by the trauma of 21st century life and politics.
Author: Charles Segal
Publisher: Cornell University Press
ISBN: 1501746715
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
This generous selection of published essays by the distinguished classicist Charles Segal represents over twenty years of critical inquiry into the questions of what Greek tragedy is and what it means for modern-day readers. Taken together, the essays reflect profound changes in the study of Greek tragedy in the United States during this period-in particular, the increasing emphasis on myth, psychoanalytic interpretation, structuralism, and semiotics.
Author: George Devereux
Publisher: Univ of California Press
ISBN: 9780520029217
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
Author: Peter L. Rudnytsky
Publisher: Columbia University Press
ISBN: 0231063539
Category : Biography & Autobiography
Languages : en
Pages : 434
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Book Description
A reassessment of Freud's central concept of the Oedipus complex, using the interlocking perspectives of biography, intellectual history and Greek tragedy. The study establishes how Freud reached his formulation through his own self-analysis and clinical work.
Author: Mario Telò
Publisher:
ISBN: 9780814280812
Category : Critical theory
Languages : en
Pages : 327
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Book Description
"With readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the Oresteia, Medea, and Bacchae; an eclectic synthesis of Freud, Lacan, Derrida, Žižek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, this book locates Greek tragedy's aesthetic allure beyond catharsis"--
Author: Victoria Pedrick
Publisher: JHU Press
ISBN: 0801893348
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
Freud's interpretation of the ancient legend of Oedipus—as formulated in Sophocles' tragic drama—is among the most widely known concepts of psychoanalysis. Euripides' Ion, however, presents a more complex version of the development of personal identity. Here, the discovery of family origins is a process in which parent and child both take part as distinct agents driven by their own impulses of violence and desire. Euripides, Freud, and the Romance of Belonging studies the construction of identity and the origins of the primal trauma in two texts, the Ion and Freud’s case history of the Wolf Man. Victoria Pedrick challenges the conventional psychoanalytic theory of the development of the individual within the family, presenting instead a richer and more complex economy of exchange between the parent and the child. She provides a new perspective on Freud's appropriation of ancient texts and moves beyond the familiar reunion in Oedipus to the more nuanced scene of abandonment present in Ion. Her parallel investigation of these texts suggests that contemporary culture remains preoccupied by the problems of the past in the determination of identity. Pedrick's fresh perspectives on both texts as well as on their relationship to each other shed new light on two foundational moments in the intellectual development of the West: Greek tragedy and Freudian psychoanalysis.
