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Author: Stuart Feder
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348
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Book Description
"This second series of essays is an enriching companion to its ground-breaking predecessor. In a truly interdisciplinary endeavor, the scope of the "explorations" is extended by a unique international group of scholars working in both music and psychoanalysis. Unlike the earlier series, this volume consists entirely of original contributions." "This volume continues the analytic study of individual composers in articles on Bach and Mozart, Robert Schumann, Satie and Wagner. Wagner receives particular attention in studies of universal fantasies which relate to the music, the psychological function of the Leitmotif, and Freud's familiarity with Wagner, hitherto unexplored. Other composers whose works are considered are Schubert and Bartok." "A core issue in each of the two fields resides in the study of affect: What is its nature; the means and modes of representation? How is affect communicated in both the clinical situation and in the performance of music? In a central section of the book, "On Affect and Music," writers in both areas address these questions." "An opening section concerns itself with the problem of method in applied psychoanalysis with specific reference to music, the only such treatment in the literature. Also included in this portion of the book is a preliminary report of an ongoing study of contemporary composers based upon analytic interviews." "The volume concludes with a pair of historical essays, one of which considers myths of Freud's relationship to music. The second is a study of the musicologist in Freud's early circle (and the father of "Little Hans"), Max Graf." "The present volume then is the second in what promises to become a unique series - an intellectual venue for an authentically interdisciplinary study of psychoanalysis and music."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Stuart Feder
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348
Get Book Here
Book Description
"This second series of essays is an enriching companion to its ground-breaking predecessor. In a truly interdisciplinary endeavor, the scope of the "explorations" is extended by a unique international group of scholars working in both music and psychoanalysis. Unlike the earlier series, this volume consists entirely of original contributions." "This volume continues the analytic study of individual composers in articles on Bach and Mozart, Robert Schumann, Satie and Wagner. Wagner receives particular attention in studies of universal fantasies which relate to the music, the psychological function of the Leitmotif, and Freud's familiarity with Wagner, hitherto unexplored. Other composers whose works are considered are Schubert and Bartok." "A core issue in each of the two fields resides in the study of affect: What is its nature; the means and modes of representation? How is affect communicated in both the clinical situation and in the performance of music? In a central section of the book, "On Affect and Music," writers in both areas address these questions." "An opening section concerns itself with the problem of method in applied psychoanalysis with specific reference to music, the only such treatment in the literature. Also included in this portion of the book is a preliminary report of an ongoing study of contemporary composers based upon analytic interviews." "The volume concludes with a pair of historical essays, one of which considers myths of Freud's relationship to music. The second is a study of the musicologist in Freud's early circle (and the father of "Little Hans"), Max Graf." "The present volume then is the second in what promises to become a unique series - an intellectual venue for an authentically interdisciplinary study of psychoanalysis and music."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Roger Kennedy
Publisher: Phoenix Publishing House
ISBN: 1800130015
Category : Psychology
Languages : en
Pages : 190
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Book Description
Emotion is an integral aspect of musical experience; music has the power to take us on an emotional and intellectual journey, transforming the listener along the way. The aim of this book is to examine the nature of this journey, using a variety of perspectives. No one discipline can do justice to music's complexity if one is to have a sense of the whole musical experience, even if one has to break up the whole experience into various elements for the purposes of clarification. The issues raised have some relationship to psychoanalytic understanding and listening, as after all psychoanalysis is a listening discipline; its bedrock is listening to the patient's communications. While of course there are significant differences between understanding of, and listening to, a musical performance and a patient in a consulting room, the book explores common ground. Evidence from neuroscience indicates that music acts on a number of different brain sites, and that the brain is likely to be hard-wired for musical perception and appreciation, and this offers some kind of neurological substrate for musical experiences, or a parallel mode of explanation for music's multiple effects on individuals and groups. After various excursions into early mother/baby experiences, evolutionary speculations, and neuroscientific findings, the book's main emphasis is that it is the intensity of the artistic vision which is responsible for music's power. That intense vision invites the viewer or the listener into the orbit of the work, engaging us to respond to the particular vision in an essentially intersubjective relationship between the work and the observer or listener. This is the area of what we might call the human soul. Music can be described as having soul when it hits the emotional core of the listener. And, of course, there is 'soul music', whose basic rhythms reach deep into the body to create a powerful feeling of aliveness. One can truly say that music of all the arts is most able to give shape to the elusive human subject or soul.
Author: Paul W. Ashton
Publisher:
ISBN: 9781935528043
Category : Psychology
Languages : en
Pages : 304
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Book Description
Book & CD. The way that the diverse-seeming fields of music and psychoanalysis inter-penetrate is a growing area of interest and exploration. This book comprises a selection of essays and interviews that explore various aspects of this interface. The papers cover various perspectives within the analytic spectrum. There are contributions by classical Jungian analysts, Jungian and other analysts concerned with the theories of Bion, Winnicott and Lacan, and also two music therapists. What is shared by these disparate authors is a loving involvement with music. This vital compilation suggests many areas for further exploration. To make the experience more vivid, an accompanying CD provide some examples of the music described in the text. The primary aim of the book has been to show how music, and an understanding of the psyche, can enrich each other.
Author: Stuart Feder
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Robert D. Stolorow
Publisher: Routledge
ISBN: 1317771680
Category : Psychology
Languages : en
Pages : 198
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Book Description
Psychoanalytic Treatment: An Intersubjective Approach fleshes out the implications for psychoanalytic understanding and treatment of adopting a consistently intersubjective perspective. In the course of the study, the intersubjective viewpoint is demonstrated to illuminate a wide array of clinical phenomena, including transference and resistance, conflict formation, therapeutic action, affective and self development, and borderline and psychotic states. As a consequence, the authors demonstrate that an intersubjective approach greatly facilitates empathic access to the patient's subjective world and, in the same measure, greatly enhances the scope and therapeutic effectiveness of psychoanalysis. Psychoanalytic Treatment is another step in the ongoing development of intersubjectivity theory, as born out in Structures of Subjectivity (1984), Contexts of Being (1992), and Working Intersubjectively (1997), all published by the Analytic Press
Author: Ronald Britton
Publisher: Routledge
ISBN: 1134649142
Category : Psychology
Languages : en
Pages : 404
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Book Description
Winner of the 2013 Sigourney Award! Belief and Imagination brings together Ronald Britton's writing on these subjects over the last 15 years, exploring the concepts from a Kleinian perspective. The book covers: The status of phantasies in an individuals mind - are they facts or possibilities? How the notions of objectivity and subjectivity are interrelated and have their origins in the Oedipal triangle How phantasies which are held to be products of the imagination, can be accounted for in psychoanalytic terms. Britton also examines the relationship between psychic reality and fictional writing, and the ways in which belief, imagination and reality are explored in the works of Wordsworth, Rilke, Milton and Blake.
Author: Eero Tarasti
Publisher: Indiana University Press
ISBN: 9780253356499
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
"Since [Tarasti's] is unquestionably the most fully developed narrative theory in the literature, this book is an important landmark . . . " —Music & Letters Eero Tarasti advances a semiotic theory of music based on information provided by the history of Western music and by various sign theories. A Theory of Musical Semiotics provides a model for the semiotic analysis of both musical structure and semantics. It introduces English-language readers to musical narratology, which has been largely the province of European researchers.
Author: Renee Lertzman
Publisher: Routledge
ISBN: 131791693X
Category : Psychology
Languages : en
Pages : 261
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Book Description
In this groundbreaking book, Renee Lertzman applies psychoanalytic theory and psychosocial research to the issue of public engagement and public apathy in response to chronic ecological threats. By highlighting unconscious and affective dimensions of contemporary ecological issues, Lertzman deconstructs the idea that there is a gap between what people care about and what is actually carried out in policy and personal practice. In doing so, she presents an innovative way to think about and design engagement practices and policy interventions. Based on key qualitative fieldwork and in-depth interviews conducted in Green Bay, Wisconsin, each chapter provides a psychosocial, psychoanalytic perspective on subjectivity, affect and identity, and considers what this means for understanding behaviour in relation to environmental crises and climate change. The book argues for a theory of environmental melancholia that accounts for the ways in which people experience profound loss and disruption caused by environmental issues, and yet may have trouble expressing or making sense of such experiences. Environmental Melancholia offers a fresh perspective to the field of environmental psychology that until now has been largely dominated by research in cognitive, behavioural and social psychology. It will appeal to academics, researchers and postgraduate students in the fields of psychoanalysis, psychosocial studies and sustainability, as well as policy makers and educators internationally.
Author: Michael Eigen
Publisher: Routledge
ISBN: 042991220X
Category : Psychology
Languages : en
Pages : 158
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Book Description
This book explores ways we make contact with the depths in ourselves and each other. We are deeply moved by contact we make with life, yet also puzzled by a need to break or lose contact, and often suffer wounds by failure of contact to be born. Our sense of contact is tenacious and fragile, subject to deformations, plagued with a sense of jeopardy. Chapters focus on ways we make-and-break contact in the wounded aloneness of addiction, the wounded beauty of psychosis, the importance of not knowing and wordlessness, ways we transmit emotions, the need to start over, and harm we cause by trying to get rid of and misuse tendencies that are part of our makeup. Our contact with life, ourselves, each other is challenged. And through it all, we have need for deep contact, contact with the depths, fulfilling and suspenseful. Contact we never stop growing into, part of the mystery, care and love of everyday life.
Author: Dana Birksted-Breen
Publisher: Routledge
ISBN: 1000326187
Category : Language Arts & Disciplines
Languages : en
Pages : 319
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Book Description
Translation is at the heart of psychoanalysis: from unconscious to conscious, experience to verbal expression, internal to enacted, dream thought to dream image, language to interpretation, unrepresented to represented and transference of past to present. The book’s first part discusses the question of translation, literal and metaphoric. Both linguistic and cultural translations are closely tied to specific and significant personalities who were involved in the early history of psychoanalysis and thus in the development of the IJP. There was a close relationship between the IJP and the visual arts via the Bloomsbury Group. The link between the visual arts and the IJP is indeed to be found in its logo, which is taken from a painting by Ingres. The second part of the book approaches transformations between psychoanalysis and the arts from conscious, unconscious and non-represented elements into non-verbal modes, specifically visual, poetic and musical; it also looks at the developments and transformations in psychoanalytic ideas about artistic expression as expressed within the pages of the IJP. This book will be of great interest to psychoanalysts and psychotherapists, and to those interested in the history of psychoanalysis and the IJP.
