Psychoanalytic Explorations in Music PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Psychoanalytic Explorations in Music PDF full book. Access full book title Psychoanalytic Explorations in Music by Stuart Feder. Download full books in PDF and EPUB format.
Author: Stuart Feder
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 560
Get Book
Book Description
This anthology of psychoanalytic studies of music ranges from considerations of the function of music in the mental life of composer and listener alike--including the very enjoyment of music--to those of form and content. The relationship of music and affect is treated, musical creativity and inspiration are explored, and developmental aspects of musical ability are considered. There are also a number of psychoanalytic studies of individual composers, including Beethoven, Brahms, Ives, Mahler, Mozart, Rossini, Schumann, and Wagner. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Stuart Feder
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 560
Get Book
Book Description
This anthology of psychoanalytic studies of music ranges from considerations of the function of music in the mental life of composer and listener alike--including the very enjoyment of music--to those of form and content. The relationship of music and affect is treated, musical creativity and inspiration are explored, and developmental aspects of musical ability are considered. There are also a number of psychoanalytic studies of individual composers, including Beethoven, Brahms, Ives, Mahler, Mozart, Rossini, Schumann, and Wagner. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Roger Kennedy
Publisher: Phoenix Publishing House
ISBN: 1912691744
Category : Psychology
Languages : en
Pages : 255
Get Book
Book Description
Emotion is an integral aspect of musical experience; music has the power to take us on an emotional and intellectual journey, transforming the listener along the way. The aim of this book is to examine the nature of this journey, using a variety of perspectives. No one discipline can do justice to music's complexity if one is to have a sense of the whole musical experience, even if one has to break up the whole experience into various elements for the purposes of clarification. The issues raised have some relationship to psychoanalytic understanding and listening, as after all psychoanalysis is a listening discipline; its bedrock is listening to the patient's communications. While of course there are significant differences between understanding of, and listening to, a musical performance and a patient in a consulting room, the book explores common ground. Evidence from neuroscience indicates that music acts on a number of different brain sites, and that the brain is likely to be hard-wired for musical perception and appreciation, and this offers some kind of neurological substrate for musical experiences, or a parallel mode of explanation for music's multiple effects on individuals and groups. After various excursions into early mother/baby experiences, evolutionary speculations, and neuroscientific findings, the book's main emphasis is that it is the intensity of the artistic vision which is responsible for music's power. That intense vision invites the viewer or the listener into the orbit of the work, engaging us to respond to the particular vision in an essentially intersubjective relationship between the work and the observer or listener. This is the area of what we might call the human soul. Music can be described as having soul when it hits the emotional core of the listener. And, of course, there is 'soul music', whose basic rhythms reach deep into the body to create a powerful feeling of aliveness. One can truly say that music of all the arts is most able to give shape to the elusive human subject or soul.
Author: Roger Kennedy
Publisher: Phoenix Publishing House
ISBN: 1800130015
Category : Psychology
Languages : en
Pages : 190
Get Book
Book Description
Emotion is an integral aspect of musical experience; music has the power to take us on an emotional and intellectual journey, transforming the listener along the way. The aim of this book is to examine the nature of this journey, using a variety of perspectives. No one discipline can do justice to music's complexity if one is to have a sense of the whole musical experience, even if one has to break up the whole experience into various elements for the purposes of clarification. The issues raised have some relationship to psychoanalytic understanding and listening, as after all psychoanalysis is a listening discipline; its bedrock is listening to the patient's communications. While of course there are significant differences between understanding of, and listening to, a musical performance and a patient in a consulting room, the book explores common ground. Evidence from neuroscience indicates that music acts on a number of different brain sites, and that the brain is likely to be hard-wired for musical perception and appreciation, and this offers some kind of neurological substrate for musical experiences, or a parallel mode of explanation for music's multiple effects on individuals and groups. After various excursions into early mother/baby experiences, evolutionary speculations, and neuroscientific findings, the book's main emphasis is that it is the intensity of the artistic vision which is responsible for music's power. That intense vision invites the viewer or the listener into the orbit of the work, engaging us to respond to the particular vision in an essentially intersubjective relationship between the work and the observer or listener. This is the area of what we might call the human soul. Music can be described as having soul when it hits the emotional core of the listener. And, of course, there is 'soul music', whose basic rhythms reach deep into the body to create a powerful feeling of aliveness. One can truly say that music of all the arts is most able to give shape to the elusive human subject or soul.
Author: Paul W. Ashton
Publisher:
ISBN: 9781935528043
Category : Psychology
Languages : en
Pages : 304
Get Book
Book Description
Book & CD. The way that the diverse-seeming fields of music and psychoanalysis inter-penetrate is a growing area of interest and exploration. This book comprises a selection of essays and interviews that explore various aspects of this interface. The papers cover various perspectives within the analytic spectrum. There are contributions by classical Jungian analysts, Jungian and other analysts concerned with the theories of Bion, Winnicott and Lacan, and also two music therapists. What is shared by these disparate authors is a loving involvement with music. This vital compilation suggests many areas for further exploration. To make the experience more vivid, an accompanying CD provide some examples of the music described in the text. The primary aim of the book has been to show how music, and an understanding of the psyche, can enrich each other.
Author: Ronald Britton
Publisher: Routledge
ISBN: 1134649142
Category : Psychology
Languages : en
Pages : 404
Get Book
Book Description
Winner of the 2013 Sigourney Award! Belief and Imagination brings together Ronald Britton's writing on these subjects over the last 15 years, exploring the concepts from a Kleinian perspective. The book covers: The status of phantasies in an individuals mind - are they facts or possibilities? How the notions of objectivity and subjectivity are interrelated and have their origins in the Oedipal triangle How phantasies which are held to be products of the imagination, can be accounted for in psychoanalytic terms. Britton also examines the relationship between psychic reality and fictional writing, and the ways in which belief, imagination and reality are explored in the works of Wordsworth, Rilke, Milton and Blake.
Author: Robert D. Stolorow
Publisher: Routledge
ISBN: 1317771680
Category : Psychology
Languages : en
Pages : 198
Get Book
Book Description
Psychoanalytic Treatment: An Intersubjective Approach fleshes out the implications for psychoanalytic understanding and treatment of adopting a consistently intersubjective perspective. In the course of the study, the intersubjective viewpoint is demonstrated to illuminate a wide array of clinical phenomena, including transference and resistance, conflict formation, therapeutic action, affective and self development, and borderline and psychotic states. As a consequence, the authors demonstrate that an intersubjective approach greatly facilitates empathic access to the patient's subjective world and, in the same measure, greatly enhances the scope and therapeutic effectiveness of psychoanalysis. Psychoanalytic Treatment is another step in the ongoing development of intersubjectivity theory, as born out in Structures of Subjectivity (1984), Contexts of Being (1992), and Working Intersubjectively (1997), all published by the Analytic Press
Author: Robert Grossmark
Publisher: Routledge
ISBN: 131748181X
Category : Psychology
Languages : en
Pages : 289
Get Book
Book Description
Psychoanalysts increasingly find themselves working with patients and states that are not amenable to verbal and dialogic engagement. Such patients are challenging for a psychoanalytic approach that assumes that the patient relates in the verbal realm and is capable of reflective function. Both the classical stance of neutrality and abstinence and a contemporary relational approach that works with mutuality and intersubjectivity, can often ask too much of patients. The Unobtrusive Relational Analyst introduces a new psychoanalytic register for working with such patients and states, involving a present and engaged analyst who is unobtrusive to the unfolding of the patient’s inner world and the flow of mutual enactments. For the unobtrusive relational analyst, the world and idiom of the patient becomes the defining signature of the clinical interaction and process. Rather than seeking to bring patients into greater dialogic relatedness, the analyst companions the patient in the flow of enactive engagement and into the damaged and constrained landscapes of their inner worlds. Being known and companioned in these areas of deep pain, shame and fragmentation is the foundation on which psychoanalytic transformation and healing rests. In a series of illuminating chapters that include vivid examples drawn from his work with individuals and with groups, Robert Grossmark illustrates the work of the unobtrusive relational analyst. He reconfigures the role of action and enactment in psychoanalysis and group-analysis, and expands the understanding of the analyst’s subjectivity to embrace receptivity, surrender and companioning. Offering fresh concepts regarding therapeutic action and psychoanalytic engagement, The Unobtrusive Relational Analyst will be of great interest to all psychoanalysts and psychoanalytic psychotherapists.
Author: Robert D. Stolorow
Publisher: Routledge
ISBN: 1136717714
Category : Philosophy
Languages : en
Pages : 103
Get Book
Book Description
Stolorow and his collaborators' post-Cartesian psychoanalytic perspective – intersubjective-systems theory – is a phenomenological contextualism that illuminates worlds of emotional experience as they take form within relational contexts. After outlining the evolution and basic ideas of this framework, Stolorow shows both how post-Cartesian psychoanalysis finds enrichment and philosophical support in Heidegger's analysis of human existence, and how Heidegger's existential philosophy, in turn, can be enriched and expanded by an encounter with post-Cartesian psychoanalysis. In doing so, he creates an important psychological bridge between post-Cartesian psychoanalysis and existential philosophy in the phenomenology of emotional trauma.
Author: Samuel Wilson
Publisher: Routledge
ISBN: 1317092643
Category : Music
Languages : en
Pages : 304
Get Book
Book Description
There is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics—from the romantic and the modernist to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Žižek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers, and anyone else interested in the intersections between music, psychoanalysis, and musicology.
Author: Stuart Feder
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348
Get Book
Book Description
"This second series of essays is an enriching companion to its ground-breaking predecessor. In a truly interdisciplinary endeavor, the scope of the "explorations" is extended by a unique international group of scholars working in both music and psychoanalysis. Unlike the earlier series, this volume consists entirely of original contributions." "This volume continues the analytic study of individual composers in articles on Bach and Mozart, Robert Schumann, Satie and Wagner. Wagner receives particular attention in studies of universal fantasies which relate to the music, the psychological function of the Leitmotif, and Freud's familiarity with Wagner, hitherto unexplored. Other composers whose works are considered are Schubert and Bartok." "A core issue in each of the two fields resides in the study of affect: What is its nature; the means and modes of representation? How is affect communicated in both the clinical situation and in the performance of music? In a central section of the book, "On Affect and Music," writers in both areas address these questions." "An opening section concerns itself with the problem of method in applied psychoanalysis with specific reference to music, the only such treatment in the literature. Also included in this portion of the book is a preliminary report of an ongoing study of contemporary composers based upon analytic interviews." "The volume concludes with a pair of historical essays, one of which considers myths of Freud's relationship to music. The second is a study of the musicologist in Freud's early circle (and the father of "Little Hans"), Max Graf." "The present volume then is the second in what promises to become a unique series - an intellectual venue for an authentically interdisciplinary study of psychoanalysis and music."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
