Author: Ross W. Duffin
Publisher: A-R Editions, Inc.
ISBN: 1987208269
Category : Music
Languages : en
Pages : 125
Book Description
In 1631 the English clergyman William Slatyer published Psalmes, or Songs of Sion, a collection of forty-five new psalm paraphrases in verse. That he specified popular tunes for singing them, however, was regarded as “scandalous,” and the reaction was swift and decisive. Prelates of the Church of England immediately ordered Slatyer’s imprisonment, summoned him before the High Commission to repudiate his collection, apologize, and promise never to do it again, and they ordered his book to be burned. Two copies of Slatyer’s little volume survive, however, and the thirty-three titles given in its offending table constitute a veritable catalog of popular tunes from around 1630. Clearly, Slatyer sincerely believed it would be an enjoyable recreation for people to sing his sacred poems to these lively and memorable tunes. This new musical edition of his scandalous collection introduces Slatyer and his psalms, supplying his tunes when they survive, and considered replacements when they do not.
Psalmes, or Songs of Sion (1631)
Author: Ross W. Duffin
Publisher: A-R Editions, Inc.
ISBN: 1987208269
Category : Music
Languages : en
Pages : 125
Book Description
In 1631 the English clergyman William Slatyer published Psalmes, or Songs of Sion, a collection of forty-five new psalm paraphrases in verse. That he specified popular tunes for singing them, however, was regarded as “scandalous,” and the reaction was swift and decisive. Prelates of the Church of England immediately ordered Slatyer’s imprisonment, summoned him before the High Commission to repudiate his collection, apologize, and promise never to do it again, and they ordered his book to be burned. Two copies of Slatyer’s little volume survive, however, and the thirty-three titles given in its offending table constitute a veritable catalog of popular tunes from around 1630. Clearly, Slatyer sincerely believed it would be an enjoyable recreation for people to sing his sacred poems to these lively and memorable tunes. This new musical edition of his scandalous collection introduces Slatyer and his psalms, supplying his tunes when they survive, and considered replacements when they do not.
Publisher: A-R Editions, Inc.
ISBN: 1987208269
Category : Music
Languages : en
Pages : 125
Book Description
In 1631 the English clergyman William Slatyer published Psalmes, or Songs of Sion, a collection of forty-five new psalm paraphrases in verse. That he specified popular tunes for singing them, however, was regarded as “scandalous,” and the reaction was swift and decisive. Prelates of the Church of England immediately ordered Slatyer’s imprisonment, summoned him before the High Commission to repudiate his collection, apologize, and promise never to do it again, and they ordered his book to be burned. Two copies of Slatyer’s little volume survive, however, and the thirty-three titles given in its offending table constitute a veritable catalog of popular tunes from around 1630. Clearly, Slatyer sincerely believed it would be an enjoyable recreation for people to sing his sacred poems to these lively and memorable tunes. This new musical edition of his scandalous collection introduces Slatyer and his psalms, supplying his tunes when they survive, and considered replacements when they do not.
A Musicall Banquet of Daintie Conceits
Author: Ross W. Duffin
Publisher: A-R Editions, Inc.
ISBN: 1987208501
Category : Music
Languages : en
Pages : 111
Book Description
In 1588 Anthony Munday published A Banquet of Daintie Conceits, containing twenty-two new moral poems in various verse forms. Ranked with the best comic playwrights of his day, including Shakespeare, he was also a travel-writer, religious spy, actor, translator, royal messenger, deviser of civic entertainments, and historian. Munday confessed that he was not knowledgeable in music, yet he named a tune for singing each poem. Intriguingly, unlike typical broadside ballad tunes, most of Munday’s tunes are dances, and of the twenty-two named, fourteen are known from solo instrumental arrangements. Despite that survival, despite the poet’s fame, and despite an 1812 edition of the poems from the unique extant copy, this is the first attempt to set Munday’s Banquet lyrics to their respective music. Poems with unidentified melodies are set to period tunes that fit their versifications, making all the lyrics singable for the first time in over 400 years.
Publisher: A-R Editions, Inc.
ISBN: 1987208501
Category : Music
Languages : en
Pages : 111
Book Description
In 1588 Anthony Munday published A Banquet of Daintie Conceits, containing twenty-two new moral poems in various verse forms. Ranked with the best comic playwrights of his day, including Shakespeare, he was also a travel-writer, religious spy, actor, translator, royal messenger, deviser of civic entertainments, and historian. Munday confessed that he was not knowledgeable in music, yet he named a tune for singing each poem. Intriguingly, unlike typical broadside ballad tunes, most of Munday’s tunes are dances, and of the twenty-two named, fourteen are known from solo instrumental arrangements. Despite that survival, despite the poet’s fame, and despite an 1812 edition of the poems from the unique extant copy, this is the first attempt to set Munday’s Banquet lyrics to their respective music. Poems with unidentified melodies are set to period tunes that fit their versifications, making all the lyrics singable for the first time in over 400 years.
Manuscript Inscriptions in Early English Printed Music
Author: David Greer
Publisher: Routledge
ISBN: 1317101081
Category : Music
Languages : en
Pages : 227
Book Description
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
Publisher: Routledge
ISBN: 1317101081
Category : Music
Languages : en
Pages : 227
Book Description
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
The Cambridge History of the Book in Britain
Author: Richard Gameson
Publisher: Cambridge University Press
ISBN: 9780521661829
Category : Language Arts & Disciplines
Languages : en
Pages : 964
Book Description
Volume 4 of The Cambridge History of the Book in Britain covers the years between the incorporation of the Stationers' Company in 1557 and the lapsing of the Licensing Act in 1695. In a period marked by deep religious divisions, civil war and the uneasy settlement of the Restoration, printed texts - important as they were for disseminating religious and political ideas, both heterodox and state approved - interacted with oral and manuscript cultures. These years saw a growth in reading publics, from the developing mass market in almanacs, ABCs, chapbooks, ballads and news, to works of instruction and leisure. Atlases, maps and travel literature overlapped with the popular market but were also part of the project of empire. Alongside the creation of a literary canon and the establishment of literary publishing there was a tradition of dissenting publishing, while women's writing and reading became increasingly visible.
Publisher: Cambridge University Press
ISBN: 9780521661829
Category : Language Arts & Disciplines
Languages : en
Pages : 964
Book Description
Volume 4 of The Cambridge History of the Book in Britain covers the years between the incorporation of the Stationers' Company in 1557 and the lapsing of the Licensing Act in 1695. In a period marked by deep religious divisions, civil war and the uneasy settlement of the Restoration, printed texts - important as they were for disseminating religious and political ideas, both heterodox and state approved - interacted with oral and manuscript cultures. These years saw a growth in reading publics, from the developing mass market in almanacs, ABCs, chapbooks, ballads and news, to works of instruction and leisure. Atlases, maps and travel literature overlapped with the popular market but were also part of the project of empire. Alongside the creation of a literary canon and the establishment of literary publishing there was a tradition of dissenting publishing, while women's writing and reading became increasingly visible.
Redrawing the Map of Early Modern English Catholicism
Author: Lowell Gallagher
Publisher: University of Toronto Press
ISBN: 1442695498
Category : Religion
Languages : en
Pages : 496
Book Description
The tumultuous climate of early modern England had a profound effect on its Catholic population's domestic life, social customs, literary inventions, and political arguments. Redrawing the Map of Early Modern English Catholicism explores the broad spectrum of the early modern English Catholic experience, presenting fresh and often startling assessments of the most problematic topics in post-Reformation English Catholicism. The contributors to this volume – all leading or rising scholars of early modern studies – conceptualize English Catholicism as a hazardous series of contested territories divided by shifting boundaries, requiring Catholics to navigate with vigilance and diplomacy their status as 'insiders' or 'outsiders.' This collection also presents new ways to understand the connections between reformist and Catholic inflections in the emerging canon of English poetry, despite the eventual marginalization of Catholic poets in English literary history. Redrawing the Map of Early Modern English Catholicism ably demonstrates the profoundly experimental as well as recuperative character of early modern English Catholicism.
Publisher: University of Toronto Press
ISBN: 1442695498
Category : Religion
Languages : en
Pages : 496
Book Description
The tumultuous climate of early modern England had a profound effect on its Catholic population's domestic life, social customs, literary inventions, and political arguments. Redrawing the Map of Early Modern English Catholicism explores the broad spectrum of the early modern English Catholic experience, presenting fresh and often startling assessments of the most problematic topics in post-Reformation English Catholicism. The contributors to this volume – all leading or rising scholars of early modern studies – conceptualize English Catholicism as a hazardous series of contested territories divided by shifting boundaries, requiring Catholics to navigate with vigilance and diplomacy their status as 'insiders' or 'outsiders.' This collection also presents new ways to understand the connections between reformist and Catholic inflections in the emerging canon of English poetry, despite the eventual marginalization of Catholic poets in English literary history. Redrawing the Map of Early Modern English Catholicism ably demonstrates the profoundly experimental as well as recuperative character of early modern English Catholicism.
Catalogue of the Wren Library of Lincoln Cathedral
Author: Clive Hurst
Publisher: Cambridge University Press
ISBN: 0521234808
Category : Cathedral libraries
Languages : en
Pages : 628
Book Description
Publisher: Cambridge University Press
ISBN: 0521234808
Category : Cathedral libraries
Languages : en
Pages : 628
Book Description
The Harp of Judah, Or, Songs of Sion
Author: Nathan Drake
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 326
Book Description
The Bibliographer's Manual of English Literature
Author: William Thomas Lowndes
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 336
Book Description
National Register of Microform Masters, 1965-1975
Author: Library of Congress. Catalog Publication Division
Publisher:
ISBN:
Category : Microforms
Languages : en
Pages : 1238
Book Description
Publisher:
ISBN:
Category : Microforms
Languages : en
Pages : 1238
Book Description
The Bibliographer's Manual of the English Literature
Author: William Thomas Lowndes
Publisher: BoD – Books on Demand
ISBN: 3382104733
Category : Fiction
Languages : en
Pages : 866
Book Description
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Publisher: BoD – Books on Demand
ISBN: 3382104733
Category : Fiction
Languages : en
Pages : 866
Book Description
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.