Author: Cynthia J. Gamble
Publisher: Summa Publications, Inc.
ISBN: 9781883479367
Category :
Languages : en
Pages : 300
Book Description
Proust as Interpreter of Ruskin
Author: Cynthia J. Gamble
Publisher: Summa Publications, Inc.
ISBN: 9781883479367
Category :
Languages : en
Pages : 300
Book Description
Publisher: Summa Publications, Inc.
ISBN: 9781883479367
Category :
Languages : en
Pages : 300
Book Description
Marcel Proust in Context
Author: Adam Watt
Publisher: Cambridge University Press
ISBN: 1107021898
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
This wide-ranging volume of essays provides an illuminating set of approaches to the multifaceted contexts of Proust's life and work.
Publisher: Cambridge University Press
ISBN: 1107021898
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
This wide-ranging volume of essays provides an illuminating set of approaches to the multifaceted contexts of Proust's life and work.
Proust's Songbook
Author: Jennifer Rushworth
Publisher: University of Pennsylvania Press
ISBN: 1512825972
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
In Proust’s Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust’s novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust’s opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs’ significance by paying close attention to their lyrics, music, composers, and histories. Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust’s novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust’s juxtapositions of songs with meditations on the notion of “mauvaise musique” (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art. According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche—especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust’s novel as songs of farewell—noting that to sing farewell is a means to resist the very parting that is being expressed—and demonstrates how songs, in formal terms, resist the forward impetus of narrative.
Publisher: University of Pennsylvania Press
ISBN: 1512825972
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
In Proust’s Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust’s novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust’s opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs’ significance by paying close attention to their lyrics, music, composers, and histories. Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust’s novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust’s juxtapositions of songs with meditations on the notion of “mauvaise musique” (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art. According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche—especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust’s novel as songs of farewell—noting that to sing farewell is a means to resist the very parting that is being expressed—and demonstrates how songs, in formal terms, resist the forward impetus of narrative.
Ruskin, the Theatre and Victorian Visual Culture
Author: A. Heinrich
Publisher: Springer
ISBN: 0230236790
Category : Performing Arts
Languages : en
Pages : 252
Book Description
This collection of essays sets out to challenge the dominant narrative about Victorian theatre by placing the practices and products of the Victorian theatre in relation to Victorian visual culture, through the lens of the concept of 'Ruskinian theatre', an approach to theatre which values its educative purpose as well as its aesthetic expression.
Publisher: Springer
ISBN: 0230236790
Category : Performing Arts
Languages : en
Pages : 252
Book Description
This collection of essays sets out to challenge the dominant narrative about Victorian theatre by placing the practices and products of the Victorian theatre in relation to Victorian visual culture, through the lens of the concept of 'Ruskinian theatre', an approach to theatre which values its educative purpose as well as its aesthetic expression.
Proust and the Arts
Author: Christie McDonald
Publisher: Cambridge University Press
ISBN: 1107103363
Category : Art
Languages : en
Pages : 307
Book Description
Offers new perspectives on Proust's complex and creative relation to a variety of art forms from different eras.
Publisher: Cambridge University Press
ISBN: 1107103363
Category : Art
Languages : en
Pages : 307
Book Description
Offers new perspectives on Proust's complex and creative relation to a variety of art forms from different eras.
Transfiguration
Author: Stephen Cheeke
Publisher: Oxford University Press
ISBN: 0198757204
Category : Art
Languages : en
Pages : 252
Book Description
Transfiguration explores the work of John Ruskin, Robert Browning, Dante Gabriel Rossetti, and Walter Pater, treating in particular the ways in which they engaged with the Christian content of their subject, and, in Pater's case, how the art of Christianity was contrasted with classical sculpture. Stephen Cheeke examines two related phenomena: idolatry (a false substitution, a sexual betrayal), and the poetics of transfiguration (to elevate or glorify subject matter not thought of as conventionally poetic, to praise). Central to the book is the question of the "translation" of religion into art and aesthetics, a process which supposedly undergirds the advent of the museum age and makes possible the idea of a 'religion of art' as a phenomenon of late century Aestheticism. Such a phenomenon is prepared for, however, through the engagement with Christian painting and classical sculpture in the work of these four writers. All four thought carefully about the ways in which a particular mimetic impulse of 'making-live' in artworks could be connected to religious experience. This meant exploring the nature of the link between seeing and believing--visualising in order to conceive, to verify, but also in the sense of being acted upon by the visible. All four wrote about the great power of artworks to transfigure the objects of their attention. In each case, there emerges the possibility of a secret sexual knowledge hiding within, or lying on the other side of the sensuous knowledge of aesthesis. All four wondered whether this was inherently hostile to Christianity, or whether it may, finally, be an accommodation within it.
Publisher: Oxford University Press
ISBN: 0198757204
Category : Art
Languages : en
Pages : 252
Book Description
Transfiguration explores the work of John Ruskin, Robert Browning, Dante Gabriel Rossetti, and Walter Pater, treating in particular the ways in which they engaged with the Christian content of their subject, and, in Pater's case, how the art of Christianity was contrasted with classical sculpture. Stephen Cheeke examines two related phenomena: idolatry (a false substitution, a sexual betrayal), and the poetics of transfiguration (to elevate or glorify subject matter not thought of as conventionally poetic, to praise). Central to the book is the question of the "translation" of religion into art and aesthetics, a process which supposedly undergirds the advent of the museum age and makes possible the idea of a 'religion of art' as a phenomenon of late century Aestheticism. Such a phenomenon is prepared for, however, through the engagement with Christian painting and classical sculpture in the work of these four writers. All four thought carefully about the ways in which a particular mimetic impulse of 'making-live' in artworks could be connected to religious experience. This meant exploring the nature of the link between seeing and believing--visualising in order to conceive, to verify, but also in the sense of being acted upon by the visible. All four wrote about the great power of artworks to transfigure the objects of their attention. In each case, there emerges the possibility of a secret sexual knowledge hiding within, or lying on the other side of the sensuous knowledge of aesthesis. All four wondered whether this was inherently hostile to Christianity, or whether it may, finally, be an accommodation within it.
The Cambridge Companion to John Ruskin
Author: Francis O'Gorman
Publisher: Cambridge University Press
ISBN: 1107054893
Category : Art
Languages : en
Pages : 319
Book Description
Draws together leading experts from a wide range of disciplines to analyse the life and work of John Ruskin (1819-1900).
Publisher: Cambridge University Press
ISBN: 1107054893
Category : Art
Languages : en
Pages : 319
Book Description
Draws together leading experts from a wide range of disciplines to analyse the life and work of John Ruskin (1819-1900).
John Ruskin, Henry James and the Shropshire Lads
Author: Cynthia J. Gamble
Publisher: Cynthia Gamble
ISBN: 9781872410685
Category : Art
Languages : en
Pages : 356
Book Description
This fascinating book leads us to Shropshire's beautiful little places(John Ruskin) that inspired great writers, painters, politicians, diplomats and clergymen. In the first part of the book, John Ruskin, the greatest of the great Victorians, is presented among his stimulating circle of interesting and unusual Shropshire friends such as Broseley-born OsborneGordon, his sister Jane and her husband John Pritchard; Edward Cheney of Badger Hall, Venice and London. Ruskin's own visits to Shropshire from an early age were inspirational: he returned and sketched among the ruins of Wenlock Priory. In the second part of the book, Henry James, following in the steps of his fellow countryman Henry Adams, discovers Shropshire. Jamesseeks, savours and imbibes impressions in its Abbeys and Castles, not forgetting his rambles high on Wenlock Edge with stunning views over the Shropshire countryside and Wales
Publisher: Cynthia Gamble
ISBN: 9781872410685
Category : Art
Languages : en
Pages : 356
Book Description
This fascinating book leads us to Shropshire's beautiful little places(John Ruskin) that inspired great writers, painters, politicians, diplomats and clergymen. In the first part of the book, John Ruskin, the greatest of the great Victorians, is presented among his stimulating circle of interesting and unusual Shropshire friends such as Broseley-born OsborneGordon, his sister Jane and her husband John Pritchard; Edward Cheney of Badger Hall, Venice and London. Ruskin's own visits to Shropshire from an early age were inspirational: he returned and sketched among the ruins of Wenlock Priory. In the second part of the book, Henry James, following in the steps of his fellow countryman Henry Adams, discovers Shropshire. Jamesseeks, savours and imbibes impressions in its Abbeys and Castles, not forgetting his rambles high on Wenlock Edge with stunning views over the Shropshire countryside and Wales
Proust & His Banker
Author: Gian Balsamo
Publisher: Univ of South Carolina Press
ISBN: 1611177375
Category : Biography & Autobiography
Languages : en
Pages : 281
Book Description
This study explores the surprising relationship between Proust’s creative genius, his financial extravagance, and the steady hand that kept him afloat. What Marcel Proust wanted from life most of all was unconditional requited love, and the way he went after it—smothering the objects of his affection with gifts—cost him a fortune. To pay for such extravagance, he engaged in daring speculations on the stock exchange. The task of his cousin and financial adviser, Lionel Hauser, was to make sure these speculations would not go sour. In Proust and His Banker, Gian Balsamo examines this vital, complex relationship and reveals that the author’s liberal squandering of money provided the grist for many of the fictional characters and dramatic events he wrote about. Focusing on hundreds of letters between Proust and Hauser among other archival and primary sources, Balsamo provides a fascinating window into the writer’s creative process, his financial activities, and the surprising relationship between the two. Successes and failures alike provided material for Proust’s fiction, whether from the purchase of an airplane for the object of his affections or the investigation of a deceased love’s intimate background. Over the course of their fifteen-year collaboration, the banker saw Proust squander three-fifths of his wealth. To Hauser the writer was a virtuoso in resource mismanagement. Nonetheless, Balsamo shows, we owe it to the altruism of this generous relative, who never thought twice about sacrificing his own time and resources to Proust, that In Search of Lost Time was ever completed.
Publisher: Univ of South Carolina Press
ISBN: 1611177375
Category : Biography & Autobiography
Languages : en
Pages : 281
Book Description
This study explores the surprising relationship between Proust’s creative genius, his financial extravagance, and the steady hand that kept him afloat. What Marcel Proust wanted from life most of all was unconditional requited love, and the way he went after it—smothering the objects of his affection with gifts—cost him a fortune. To pay for such extravagance, he engaged in daring speculations on the stock exchange. The task of his cousin and financial adviser, Lionel Hauser, was to make sure these speculations would not go sour. In Proust and His Banker, Gian Balsamo examines this vital, complex relationship and reveals that the author’s liberal squandering of money provided the grist for many of the fictional characters and dramatic events he wrote about. Focusing on hundreds of letters between Proust and Hauser among other archival and primary sources, Balsamo provides a fascinating window into the writer’s creative process, his financial activities, and the surprising relationship between the two. Successes and failures alike provided material for Proust’s fiction, whether from the purchase of an airplane for the object of his affections or the investigation of a deceased love’s intimate background. Over the course of their fifteen-year collaboration, the banker saw Proust squander three-fifths of his wealth. To Hauser the writer was a virtuoso in resource mismanagement. Nonetheless, Balsamo shows, we owe it to the altruism of this generous relative, who never thought twice about sacrificing his own time and resources to Proust, that In Search of Lost Time was ever completed.
Swann at 100 / Swann à 100 ans
Author: Adam Watt
Publisher: BRILL
ISBN: 9004302425
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This number of Marcel Proust Aujourd’hui, ‘Swann at 100/Swann à 100 ans’, edited by Adam Watt, has its origins in a conference that took place in Exeter, UK, in December 2013 to celebrate the centenary of the publication of Du côté de chez Swann. The articles, in English and French, approach this first volume of A la recherche du temps perdu from various perspectives: there are reception studies, thematic and stylistic studies, as well as contributions to our knowledge of the cultural and intellectual history of the period and, in particular, that annus mirabilis 1913. ‘Swann at 100’ will be an important resource for all readers of the Recherche. Ce numéro de Marcel Proust Aujourd’hui, ‘Swann at 100/Swann à 100 ans’, dirigé par Adam Watt, a ses racines dans un colloque qui eut lieu à Exeter (Angleterre) en décembre 2013 pour fêter le centenaire de la publication de Du côté de chez Swann. Les articles, en français et en anglais, abordent ce premier volume de la Recherche (ainsi que d’autres parties du roman) sous plusieurs perspectives : on y trouve des études de la réception de l’œuvre, des études thématiques et stylistiques, ainsi que des contributions à notre connaissance de l’histoire culturelle et intellectuelle de la période et, en particulier, de cette annus mirabilis 1913. ‘Swann à 100 ans’ sera une ressource considérable pour tout lecteur de la Recherche.
Publisher: BRILL
ISBN: 9004302425
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This number of Marcel Proust Aujourd’hui, ‘Swann at 100/Swann à 100 ans’, edited by Adam Watt, has its origins in a conference that took place in Exeter, UK, in December 2013 to celebrate the centenary of the publication of Du côté de chez Swann. The articles, in English and French, approach this first volume of A la recherche du temps perdu from various perspectives: there are reception studies, thematic and stylistic studies, as well as contributions to our knowledge of the cultural and intellectual history of the period and, in particular, that annus mirabilis 1913. ‘Swann at 100’ will be an important resource for all readers of the Recherche. Ce numéro de Marcel Proust Aujourd’hui, ‘Swann at 100/Swann à 100 ans’, dirigé par Adam Watt, a ses racines dans un colloque qui eut lieu à Exeter (Angleterre) en décembre 2013 pour fêter le centenaire de la publication de Du côté de chez Swann. Les articles, en français et en anglais, abordent ce premier volume de la Recherche (ainsi que d’autres parties du roman) sous plusieurs perspectives : on y trouve des études de la réception de l’œuvre, des études thématiques et stylistiques, ainsi que des contributions à notre connaissance de l’histoire culturelle et intellectuelle de la période et, en particulier, de cette annus mirabilis 1913. ‘Swann à 100 ans’ sera une ressource considérable pour tout lecteur de la Recherche.