Author: Tracy Chevalier
Publisher: Routledge
ISBN: 1135314101
Category : Reference
Languages : en
Pages : 1032
Book Description
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
Encyclopedia of the Essay
Author: Tracy Chevalier
Publisher: Routledge
ISBN: 1135314101
Category : Reference
Languages : en
Pages : 1032
Book Description
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
Publisher: Routledge
ISBN: 1135314101
Category : Reference
Languages : en
Pages : 1032
Book Description
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
L’écriture du bonheur dans le roman contemporain
Author: Ruth Amar
Publisher: Cambridge Scholars Publishing
ISBN: 1443828114
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Through the ages, the pursuit of Happiness has been at the heart of the needs and desires each individual would seek to fulfill, while as a concept, Happiness has always resonated strongly in poetic as well as philosophical, sociological and psychological contexts. But what about Happiness today, in a world dominated by technology, driven by productivity and dictated by efficiency? Does Happiness still feature in contemporary fiction in any significant way? Or has it perhaps gone underground, adopting different guises? Would we still call that “duty of happiness” that Pascal Bruckner saw as “present at the second half of the twentieth century” a relevant force today? Or has it waned perceptibly? The articles brought together in this volume seek to work out answers to these and similar questions, creatively addressing the imminent risks but also eagerly following up the intriguing possibilities one encounters when interrogating Happiness in the contemporary novel. Originally based on an international conference organized at the University of Haifa, Israel, in May 2010, the volume is structured around the axes we found useful as a basis for the various approaches towards Happiness in Europe and the historical and social events that influenced the writing of Happiness as they defined the 20th century and have impacted on the 21st: the Holocaust, the Soviet dystopia, consumerism, postmodernism, “everyday life,” the various as yet unarticulated new modes of life they have given rise to, and so on. A new writing of happiness then? At the very least this volume targets the contemporary novel without wanting to solidify works, instead taking into account the fluctuations Happiness has been subjected to, and the diversity and especially the paradoxes it has created, while we have been keen to preserve a “precise” reading of the texts and have felt compelled to respect and preserve the particular features that make the writings of the authors we focus on stand out. Thème philosophique aussi bien que poétique, sociologique et psychologique, le bonheur s’édifie à la mesure de chacun. « N’est-il pas vrai que, nous autres hommes, nous désirons tous être heureux ? » (Platon). Or dans notre monde actuel dominé par la technique, la recherche à outrance du productif et de l’efficacité, qu’en est-il du bonheur ? Est-il encore présent aux écritures romanesques contemporaines ? Sous quelles formes se présenterait sa recherche ? Ce « devoir de bonheur propre à la deuxième moitié du XXe siècle » dont parle Pascal Bruckner, continue-t-il toujours à être d’actualité ? S’est-il renforcé ou, au contraire, s’est-il affaibli? Le projet d’un questionnement du bonheur dans le roman contemporain comportait de gros risques, mais il offrait en même temps des possibilités stimulantes. A la suite du colloque international organisé à l’université de Haïfa en mai 2010, les textes réunis dans ce livre, cherchent à élaborer des éléments de réponse à ces questions. Le volume offre un état des lieux du bonheur dans le roman depuis 1980 et présente une large diversité d’approches, de définitions, d’interrogations sur l’écriture du bonheur sur trois décennies. Le recueil s’articule autour d’axes qui ont servi de base aux différentes approches du bonheur en Europe et d’événements historiques et sociaux qui ont pu influencer l’écriture du bonheur aux différentes périodes du XXe et XXe siècles, telles que l’Holocauste, la dystopie en Russie, le postmodernisme et le consumérisme, le quotidien, les différents paradoxes du bonheur, les nouveaux modes de vie. Nouvelle écriture du bonheur? Du moins, ce volume vise-t-il le contemporain sans figer les œuvres, tout en tenant compte des fluctuations du sujet, de sa diversité, de ses paradoxes surtout, tout en conservant la lecture précise des textes et en respectant la particularité de l’écriture des auteurs traités.
Publisher: Cambridge Scholars Publishing
ISBN: 1443828114
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Through the ages, the pursuit of Happiness has been at the heart of the needs and desires each individual would seek to fulfill, while as a concept, Happiness has always resonated strongly in poetic as well as philosophical, sociological and psychological contexts. But what about Happiness today, in a world dominated by technology, driven by productivity and dictated by efficiency? Does Happiness still feature in contemporary fiction in any significant way? Or has it perhaps gone underground, adopting different guises? Would we still call that “duty of happiness” that Pascal Bruckner saw as “present at the second half of the twentieth century” a relevant force today? Or has it waned perceptibly? The articles brought together in this volume seek to work out answers to these and similar questions, creatively addressing the imminent risks but also eagerly following up the intriguing possibilities one encounters when interrogating Happiness in the contemporary novel. Originally based on an international conference organized at the University of Haifa, Israel, in May 2010, the volume is structured around the axes we found useful as a basis for the various approaches towards Happiness in Europe and the historical and social events that influenced the writing of Happiness as they defined the 20th century and have impacted on the 21st: the Holocaust, the Soviet dystopia, consumerism, postmodernism, “everyday life,” the various as yet unarticulated new modes of life they have given rise to, and so on. A new writing of happiness then? At the very least this volume targets the contemporary novel without wanting to solidify works, instead taking into account the fluctuations Happiness has been subjected to, and the diversity and especially the paradoxes it has created, while we have been keen to preserve a “precise” reading of the texts and have felt compelled to respect and preserve the particular features that make the writings of the authors we focus on stand out. Thème philosophique aussi bien que poétique, sociologique et psychologique, le bonheur s’édifie à la mesure de chacun. « N’est-il pas vrai que, nous autres hommes, nous désirons tous être heureux ? » (Platon). Or dans notre monde actuel dominé par la technique, la recherche à outrance du productif et de l’efficacité, qu’en est-il du bonheur ? Est-il encore présent aux écritures romanesques contemporaines ? Sous quelles formes se présenterait sa recherche ? Ce « devoir de bonheur propre à la deuxième moitié du XXe siècle » dont parle Pascal Bruckner, continue-t-il toujours à être d’actualité ? S’est-il renforcé ou, au contraire, s’est-il affaibli? Le projet d’un questionnement du bonheur dans le roman contemporain comportait de gros risques, mais il offrait en même temps des possibilités stimulantes. A la suite du colloque international organisé à l’université de Haïfa en mai 2010, les textes réunis dans ce livre, cherchent à élaborer des éléments de réponse à ces questions. Le volume offre un état des lieux du bonheur dans le roman depuis 1980 et présente une large diversité d’approches, de définitions, d’interrogations sur l’écriture du bonheur sur trois décennies. Le recueil s’articule autour d’axes qui ont servi de base aux différentes approches du bonheur en Europe et d’événements historiques et sociaux qui ont pu influencer l’écriture du bonheur aux différentes périodes du XXe et XXe siècles, telles que l’Holocauste, la dystopie en Russie, le postmodernisme et le consumérisme, le quotidien, les différents paradoxes du bonheur, les nouveaux modes de vie. Nouvelle écriture du bonheur? Du moins, ce volume vise-t-il le contemporain sans figer les œuvres, tout en tenant compte des fluctuations du sujet, de sa diversité, de ses paradoxes surtout, tout en conservant la lecture précise des textes et en respectant la particularité de l’écriture des auteurs traités.
Author:
Publisher: Editions Publibook
ISBN: 2342161670
Category :
Languages : en
Pages : 586
Book Description
Publisher: Editions Publibook
ISBN: 2342161670
Category :
Languages : en
Pages : 586
Book Description
Encyclopedia of Modern French Thought
Author: Christopher John Murray
Publisher: Taylor & Francis
ISBN: 1579583849
Category : History
Languages : en
Pages : 748
Book Description
This work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more. The 240 analytical entries examine individuals such as Bergson, Durkheim, Mauss, Sartre, Beauvoir, Foucault, Levi-Strauss, Lacan, Kristeva, and Derrida; specific disciplines such as the arts, anthropology, historiography, psychology, and sociology; key beliefs and methodologies such as Catholicism, deconstruction, feminism, Marxism, and phenomenology; themes and concepts such as freedom, language, media, and sexuality; and istorical, political, social, and intellectual context. --From publisher's decription.
Publisher: Taylor & Francis
ISBN: 1579583849
Category : History
Languages : en
Pages : 748
Book Description
This work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more. The 240 analytical entries examine individuals such as Bergson, Durkheim, Mauss, Sartre, Beauvoir, Foucault, Levi-Strauss, Lacan, Kristeva, and Derrida; specific disciplines such as the arts, anthropology, historiography, psychology, and sociology; key beliefs and methodologies such as Catholicism, deconstruction, feminism, Marxism, and phenomenology; themes and concepts such as freedom, language, media, and sexuality; and istorical, political, social, and intellectual context. --From publisher's decription.
Sartre and Magic
Author: Daniel O'Shiel
Publisher: Bloomsbury Publishing
ISBN: 1350077682
Category : Philosophy
Languages : en
Pages : 209
Book Description
Jean-Paul Sartre's technical and multifaceted concept of magic is central for understanding crucial elements of his early philosophy (1936-1943), not least his conception of the ego, emotion, the imaginary and value. Daniel O'Shiel follows the thread of magic throughout Sartre's early philosophical work. Firstly, Sartre's work on the ego (1936) shows a personal, reflective form of consciousness that is magically hypostasized onto the pre-reflective level. Secondly, emotion (1938) is inherently magical for Sartre because emotive qualities come to inhere in objects and thereby transform a world of pragmatism into one of captivation. Thirdly, analyses of The Imaginary (1940) reveal that anything we imagine is a spontaneous creation of consciousness that has the power to enchant and immerse us, even to the point of images holding sway over us. Culminating with Sartre's ontological system of Being and Nothingness (1943), O'Shiel argues that Sartre does not do away with the concept, but in fact provides ontological roots for it. This is most evident in Sartre's analyses of value, possession and language. A second part shows how such Sartrean magic is highly relevant for a number of concrete case studies: the arts, advertising, racism and stupidity, and certain instances of psychopathology. O'Shiel shows that Sartre's magical being is important for any contemporary philosophical anthropology because it is essentially at work at the heart of many of our most significant experiences, both creative and damaging.
Publisher: Bloomsbury Publishing
ISBN: 1350077682
Category : Philosophy
Languages : en
Pages : 209
Book Description
Jean-Paul Sartre's technical and multifaceted concept of magic is central for understanding crucial elements of his early philosophy (1936-1943), not least his conception of the ego, emotion, the imaginary and value. Daniel O'Shiel follows the thread of magic throughout Sartre's early philosophical work. Firstly, Sartre's work on the ego (1936) shows a personal, reflective form of consciousness that is magically hypostasized onto the pre-reflective level. Secondly, emotion (1938) is inherently magical for Sartre because emotive qualities come to inhere in objects and thereby transform a world of pragmatism into one of captivation. Thirdly, analyses of The Imaginary (1940) reveal that anything we imagine is a spontaneous creation of consciousness that has the power to enchant and immerse us, even to the point of images holding sway over us. Culminating with Sartre's ontological system of Being and Nothingness (1943), O'Shiel argues that Sartre does not do away with the concept, but in fact provides ontological roots for it. This is most evident in Sartre's analyses of value, possession and language. A second part shows how such Sartrean magic is highly relevant for a number of concrete case studies: the arts, advertising, racism and stupidity, and certain instances of psychopathology. O'Shiel shows that Sartre's magical being is important for any contemporary philosophical anthropology because it is essentially at work at the heart of many of our most significant experiences, both creative and damaging.
Palmer's Index to "The Times" Newspaper
Author:
Publisher:
ISBN:
Category : Indexes
Languages : en
Pages : 506
Book Description
Publisher:
ISBN:
Category : Indexes
Languages : en
Pages : 506
Book Description
The Concept of Affectivity in Early Modern Philosophy
Author: Ádám Smrcz
Publisher: Gyöngyösi Megyer
ISBN: 9632848209
Category : Philosophy
Languages : en
Pages : 295
Book Description
There is no need to argue for the relevance of affectivity in early modern philosophy. When doing research and conceptualizing affectivity in this period, we hope to attain a basicinterpretive framework for philosophy in general, one that is independent of and cutting across such unfruitful divisions as the time-honored interpretive distinction between “rationalists” and “empiricists”, which we consider untenable when applied to 17th-century thinkers. Our volume consists of papers based on the contributions to the First Budapest Seminar in Early Modern Philosophy, held on 14–15 October 2016 at Eötvös Loránd University, Budapest. When composing this volume, our aim was not to present a systematic survey of affectivity in early modern philosophy. Rather, our more modest goal was to foster collaboration among researchers working in different countries and different traditions. Many of the papers published here are already in implicit or explicit dialogue with others. We hope that they will generate more of an exchange of ideas in the broader field of early modern scholarship.
Publisher: Gyöngyösi Megyer
ISBN: 9632848209
Category : Philosophy
Languages : en
Pages : 295
Book Description
There is no need to argue for the relevance of affectivity in early modern philosophy. When doing research and conceptualizing affectivity in this period, we hope to attain a basicinterpretive framework for philosophy in general, one that is independent of and cutting across such unfruitful divisions as the time-honored interpretive distinction between “rationalists” and “empiricists”, which we consider untenable when applied to 17th-century thinkers. Our volume consists of papers based on the contributions to the First Budapest Seminar in Early Modern Philosophy, held on 14–15 October 2016 at Eötvös Loránd University, Budapest. When composing this volume, our aim was not to present a systematic survey of affectivity in early modern philosophy. Rather, our more modest goal was to foster collaboration among researchers working in different countries and different traditions. Many of the papers published here are already in implicit or explicit dialogue with others. We hope that they will generate more of an exchange of ideas in the broader field of early modern scholarship.
Decolonizing Emotions in French Algeria
Author: Christiane-Marie Abu Sarah
Publisher: Bloomsbury Publishing
ISBN: 0755652916
Category : Political Science
Languages : en
Pages : 431
Book Description
Alongside the diplomatic struggles of the early Cold War, European politicians worked to shape emotions about the postwar order-advocating fear of communism and hope for postwar recovery. In this context, the French Empire in North Africa emerged as one important emotional battleground, where Algerian nationalists and anti-colonial campaigners challenged French narratives about imperial pride and native hysteria. During the Algerian War (1954–1962), emotions thus became a pivotal part of the independence struggle. Accordingly, Decolonizing Emotions tracks affective politics during the revolution, focusing on members of the Front de libération nationale (FLN), Combattants de la libération (CDL), and Jeune Résistance. Delving into the manifestos, poetry, and personal diaries of anti-colonial activists, the book reveals a rich world of transgressive sentiments, emotional exile, and affective border-crossings. The stories that surface show how Algerians used biopower to combat an affective regime that refused native populations the right to be angry. The book further chronicles how Europeans complicated ideas of humanitarian pity and confronted the French production of political apathy. It is a history that holds modern relevance, speaking to contemporary debates over race relations and national pride, the pathologizing of Muslim emotions, and the contested process of how myths die (demythologization).
Publisher: Bloomsbury Publishing
ISBN: 0755652916
Category : Political Science
Languages : en
Pages : 431
Book Description
Alongside the diplomatic struggles of the early Cold War, European politicians worked to shape emotions about the postwar order-advocating fear of communism and hope for postwar recovery. In this context, the French Empire in North Africa emerged as one important emotional battleground, where Algerian nationalists and anti-colonial campaigners challenged French narratives about imperial pride and native hysteria. During the Algerian War (1954–1962), emotions thus became a pivotal part of the independence struggle. Accordingly, Decolonizing Emotions tracks affective politics during the revolution, focusing on members of the Front de libération nationale (FLN), Combattants de la libération (CDL), and Jeune Résistance. Delving into the manifestos, poetry, and personal diaries of anti-colonial activists, the book reveals a rich world of transgressive sentiments, emotional exile, and affective border-crossings. The stories that surface show how Algerians used biopower to combat an affective regime that refused native populations the right to be angry. The book further chronicles how Europeans complicated ideas of humanitarian pity and confronted the French production of political apathy. It is a history that holds modern relevance, speaking to contemporary debates over race relations and national pride, the pathologizing of Muslim emotions, and the contested process of how myths die (demythologization).
The French Art of Not Trying Too Hard
Author: Ollivier Pourriol
Publisher: Penguin
ISBN: 014313549X
Category : Self-Help
Languages : en
Pages : 242
Book Description
Sick of striving? Giving up on grit? Had enough of hustle culture? Daunted by the 10,000-hour rule? Relax: As the French know, it's the best way to be better at everything. In the realm of love, what could be less seductive than someone who's trying to seduce you? Seduction is the art of succeeding without trying, and that's a lesson the French have mastered. We can see it in their laissez-faire parenting, chic style, haute cuisine, and enviable home cooking: They barely seem to be trying, yet the results are world-famous--thanks to a certain je ne sais quoi that is the key to a more creative, fulfilling, and productive life. For fans of both Mark Manson's The Subtle Art of Not Giving a F*ck and Alain de Botton's How Proust Can Change Your Life, philosopher Ollivier Pourriol's The French Art of Not Trying Too Hard draws on the examples of such French legends as Descartes, Stendhal, Rodin, Cyrano de Bergerac, and Françoise Sagan to show how to be efficient à la française, and how to effortlessly reap the rewards. A PENGUIN LIFE TITLE
Publisher: Penguin
ISBN: 014313549X
Category : Self-Help
Languages : en
Pages : 242
Book Description
Sick of striving? Giving up on grit? Had enough of hustle culture? Daunted by the 10,000-hour rule? Relax: As the French know, it's the best way to be better at everything. In the realm of love, what could be less seductive than someone who's trying to seduce you? Seduction is the art of succeeding without trying, and that's a lesson the French have mastered. We can see it in their laissez-faire parenting, chic style, haute cuisine, and enviable home cooking: They barely seem to be trying, yet the results are world-famous--thanks to a certain je ne sais quoi that is the key to a more creative, fulfilling, and productive life. For fans of both Mark Manson's The Subtle Art of Not Giving a F*ck and Alain de Botton's How Proust Can Change Your Life, philosopher Ollivier Pourriol's The French Art of Not Trying Too Hard draws on the examples of such French legends as Descartes, Stendhal, Rodin, Cyrano de Bergerac, and Françoise Sagan to show how to be efficient à la française, and how to effortlessly reap the rewards. A PENGUIN LIFE TITLE
Perpetual Euphoria
Author: Pascal Bruckner
Publisher: Princeton University Press
ISBN: 0691204039
Category : Philosophy
Languages : en
Pages : 256
Book Description
How happiness became mandatory—and why we should reject the demand to "be happy" Happiness today is not just a possibility or an option but a requirement and a duty. To fail to be happy is to fail utterly. Happiness has become a religion—one whose smiley-faced god looks down in rebuke upon everyone who hasn't yet attained the blessed state of perpetual euphoria. How has a liberating principle of the Enlightenment—the right to pursue happiness—become the unavoidable and burdensome responsibility to be happy? How did we become unhappy about not being happy—and what might we do to escape this predicament? In Perpetual Euphoria, Pascal Bruckner takes up these questions with all his unconventional wit, force, and brilliance, arguing that we might be happier if we simply abandoned our mad pursuit of happiness. Gripped by the twin illusions that we are responsible for being happy or unhappy and that happiness can be produced by effort, many of us are now martyring ourselves—sacrificing our time, fortunes, health, and peace of mind—in the hope of entering an earthly paradise. Much better, Bruckner argues, would be to accept that happiness is an unbidden and fragile gift that arrives only by grace and luck. A stimulating and entertaining meditation on the unhappiness at the heart of the modern cult of happiness, Perpetual Euphoria is a book for everyone who has ever bristled at the command to "be happy."
Publisher: Princeton University Press
ISBN: 0691204039
Category : Philosophy
Languages : en
Pages : 256
Book Description
How happiness became mandatory—and why we should reject the demand to "be happy" Happiness today is not just a possibility or an option but a requirement and a duty. To fail to be happy is to fail utterly. Happiness has become a religion—one whose smiley-faced god looks down in rebuke upon everyone who hasn't yet attained the blessed state of perpetual euphoria. How has a liberating principle of the Enlightenment—the right to pursue happiness—become the unavoidable and burdensome responsibility to be happy? How did we become unhappy about not being happy—and what might we do to escape this predicament? In Perpetual Euphoria, Pascal Bruckner takes up these questions with all his unconventional wit, force, and brilliance, arguing that we might be happier if we simply abandoned our mad pursuit of happiness. Gripped by the twin illusions that we are responsible for being happy or unhappy and that happiness can be produced by effort, many of us are now martyring ourselves—sacrificing our time, fortunes, health, and peace of mind—in the hope of entering an earthly paradise. Much better, Bruckner argues, would be to accept that happiness is an unbidden and fragile gift that arrives only by grace and luck. A stimulating and entertaining meditation on the unhappiness at the heart of the modern cult of happiness, Perpetual Euphoria is a book for everyone who has ever bristled at the command to "be happy."