Progressive Balancing in Staccato for Tuba - E-book 3

Progressive Balancing in Staccato for Tuba - E-book 3 PDF Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 57

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Book Description
This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini

Progressive Balancing in Staccato for Tuba - E-book 3

Progressive Balancing in Staccato for Tuba - E-book 3 PDF Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 57

Get Book Here

Book Description
This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini

Progressive Balancing in Staccato for Tuba - E-book 2

Progressive Balancing in Staccato for Tuba - E-book 2 PDF Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 43

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Book Description
This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini

Progressive Balancing in Staccato for Tuba - E-book 4

Progressive Balancing in Staccato for Tuba - E-book 4 PDF Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 119

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Book Description
This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini

Progressive Balancing in Staccato for Tuba - E-book 1

Progressive Balancing in Staccato for Tuba - E-book 1 PDF Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 43

Get Book Here

Book Description
This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini

Arnold Jacobs

Arnold Jacobs PDF Author: Brian Frederiksen
Publisher: Windsong Press (IL)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 304

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Book Description
Arnold Jacobs: Song and Wind is written by Mr. Jacobs' assistant, Brian Frederiksen, and edited by John Taylor. Material comes from masterclasses, private interviews, previously published writings and contributions from his students and colleagues.

Roberto Burle Marx

Roberto Burle Marx PDF Author: William Howard Adams
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 88

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Book Description


Progressive Balancing in Staccato. Advanced Progressive Technical Exercises for Tuba

Progressive Balancing in Staccato. Advanced Progressive Technical Exercises for Tuba PDF Author: Angelo Piazzini
Publisher:
ISBN: 9788831923590
Category : Music
Languages : en
Pages : 48

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Book Description


Music and Some Highly Musical People

Music and Some Highly Musical People PDF Author: James M. Trotter
Publisher:
ISBN:
Category : African American composers
Languages : en
Pages : 560

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Book Description


The Instrumentalist

The Instrumentalist PDF Author:
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 460

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Book Description


The Cambridge Companion to Michael Tippett

The Cambridge Companion to Michael Tippett PDF Author: Kenneth Gloag
Publisher: Cambridge University Press
ISBN: 1107021979
Category : Biography & Autobiography
Languages : en
Pages : 335

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Book Description
This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.