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Author: Joseph Viscomi
Publisher: Paul Mellon Centre
ISBN: 9781913107208
Category : Monotype (Engraving)
Languages : en
Pages : 0
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Book Description
An in-depth examination of William Blake's glorious and acclaimed series of twelve monoprints Among William Blake's (1757-1827) most widely recognized and highly regarded works as an artist are twelve color printed drawings, or monoprints, conceived and executed in 1795. This book investigates these masterworks, explaining Blake's technique--one he essentially reinvented, unaware of 17th-century precursors--to show that these works were produced as paintings, and played a crucial role in Blake's development as a painter. Using material and historical analyses, Joseph Viscomi argues that the monoprints were created as autonomous paintings rather than as illustrations for Blake's books with an intended viewing order. Enlivened with bountiful illustrations, the text approaches the works within the context of their time, not divorced from ideas expressed in Blake's writings but not illustrative of or determined by those writings.
Author: Joseph Viscomi
Publisher: Paul Mellon Centre
ISBN: 9781913107208
Category : Monotype (Engraving)
Languages : en
Pages : 0
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Book Description
An in-depth examination of William Blake's glorious and acclaimed series of twelve monoprints Among William Blake's (1757-1827) most widely recognized and highly regarded works as an artist are twelve color printed drawings, or monoprints, conceived and executed in 1795. This book investigates these masterworks, explaining Blake's technique--one he essentially reinvented, unaware of 17th-century precursors--to show that these works were produced as paintings, and played a crucial role in Blake's development as a painter. Using material and historical analyses, Joseph Viscomi argues that the monoprints were created as autonomous paintings rather than as illustrations for Blake's books with an intended viewing order. Enlivened with bountiful illustrations, the text approaches the works within the context of their time, not divorced from ideas expressed in Blake's writings but not illustrative of or determined by those writings.
Author: Joseph Viscomi
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 35
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Book Description
Author: Jo Ann Wimer
Publisher:
ISBN:
Category : Ancients (Group of artists)
Languages : en
Pages : 44
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Book Description
Author: William Blake
Publisher: Legare Street Press
ISBN: 9781015462335
Category : Art
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Raymond Lister
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
![Prints by William Blake and His Followers: [catalogue of an Exhibition], March 15-April 17, 1983, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York PDF](https://books.google.com/books/content/images/frontcover/9h2xzwEACAAJ?fife=w80-h100)
Author: Joseph Viscomi
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: William Blake
Publisher: Tate Enterprises Ltd
ISBN: 1849761361
Category : Art
Languages : en
Pages : 127
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Book Description
In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.
Author: Mei-Ying Sung
Publisher: Routledge
ISBN: 1317314263
Category : Art
Languages : en
Pages : 231
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Book Description
Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.
Author: William Blake
Publisher: Courier Corporation
ISBN: 9780486223032
Category : Art
Languages : en
Pages : 196
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Book Description
The artist and poet are clearly revealed in these reproductions of Blake's pencil drawings
Author: Darrell Figgis
Publisher:
ISBN:
Category : Blake, William, 1757-1827
Languages : en
Pages : 552
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Book Description
